Dec 012011
 
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg

Vasiliev Osipova Romeo Juliet 2011 400x226 After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg“Rus­sian tycoon Vladi­mir Kekh­man made a for­tune selling bana­nas. Now he has a new mis­sion in life: bal­let,” says Reu­ters.

The bal­let world was rocked a couple of weeks ago when Nat­alia Osipova and left the Bolshoi to join Kekhman’s  Theatre in St Peters­berg. He has already lured Span­ish cho­reo­grapher from the Com­pañía Nacional de Danza de España to become the theatre’s artistic dir­ector. Speak­ing to Reu­ters after ’s recent début with the Bolshoi com­pany in The Sleep­ing Beauty Kekh­man said,

We usu­ally get the dan­cers we want. David Hall­berg is no excep­tion. Even though he chose the Bolshoi when I offered him a pos­i­tion with us, I think he can still dance (as a guest star) at the Mikhail­ovsky. There is a lot he can do here.”

Kekh­man, who is only 43, has inves­ted $50 mil­lion into the Mikhailovsky.

All of our prin­cipal dan­cers get the mar­ket price. That’s how we hold onto the best per­formers because many of them are ready to sac­ri­fice salary for prestige of the Bolshoi.”

Kekh­man said that his theatre was not want­ing to rival the other St Peter­burg com­pany, the , but to do some­thing dif­fer­ent and do it well.

“There are many theatres call­ing them­selves No. 1, my goal now is to make Mikhail­ovsky the world’s No. 2 theatre. The Bolshoi and the Mari­in­sky use their brand names. They spend a ton of money on expens­ive dec­or­a­tions, while I think it is best to invest in per­formers and choreographers.

His con­tract expires in 2013 but he has no plans for leaving,

Right now I am com­pletely con­sumed with the Mikhailovsky.”

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  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg
  • wp socializer sprite mask 16px After Osipova and Vasiliev, Russian tycoon Vladimir Kekhman sets his eyes on David Hallberg

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