The Dutch bal­let dan­cer and cho­reo­grapher , one of the fam­ous names in the world of con­tem­por­ary dance, has died in a hos­pital in at 78 after a long ill­ness. He was born in August 4, 1933.

Rudi van Dantzig took up bal­let les­sons in 1950, at the rel­at­ively late age of 16, and in 1952 engaged him in her com­pany Bal­let Recital.

He cho­reo­graphed his first work, Nachteil­and, for the Neder­lands Bal­let, a com­pany that had grown from Gaskell’s Bal­let Recital. This was fol­lowed by the found­a­tion of the , under the lead­er­ship of Gaskell, where Rudi van Dantzig became res­id­ent cho­reo­grapher and in 1965 one of the three artistic dir­ect­ors. In 1971, he was the only one left and he remained sole artistic dir­ector of the com­pany until 1991.

Through­out his career, he cre­ated over fifty bal­lets, which are still reg­u­larly per­formed by com­pan­ies in the Neth­er­lands and all over the world. He cre­ated three bal­lets for at the legendary Rus­sian dancer’s own request. His bal­lets are often nar­rat­ive in char­ac­ter with a high degree of social cri­ti­cism. For many of his bal­lets, Van Dantzig col­lab­or­ated with Toer van Schayk, who designed the sets and cos­tumes. Van Dantzig’s best-known bal­lets include Four last songsMonu­ment for a dead boyOnder mijne voeten and his ver­sions of the full-length clas­sics Romeo and Juliet and Swan Lake.

In 1986 he wrote an auto­bi­o­graph­ical novel, Voor een ver­loren soldaat, about his love affair while a young boy with a Cana­dian sol­dier, which became a great suc­cess, receiv­ing sev­eral awards, and a beau­ti­ful film, of the same name, was based on it. An Eng­lish trans­la­tion, For a Lost Sol­dier, was pub­lished in 1996.

Van Dantzig pub­lished a bio­graphy of the Dutch artist and res­ist­ance fighter Willem Arondeus in 2003.


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