Jul 142012
 

Doris Eaton Travis at 105 Ziefeld Follies More Ziegfeld folly! Can you still be a Follies girl at 105?Of course you can! Doris Eaton Travis was the last sur­viv­ing girl from the Ziegfeld Follies.

She joined the com­pany in 1918 at the age of 14, and in this pic­ture with her younger self is the remark­able Doris at 105.

She died a year after this photo was taken, in 2010.

In 1998 she returned ’s New Ams­ter­dam Theatre where she had first appeared in 1918, 80 years earlier. This time it was to par­ti­cip­ate in a bene­fit for Broad­way Cares/Equity Fights , and she con­tin­ued to par­ti­cip­ate in this annual event to the end of her life.

Her last time on the New Ams­ter­dam Theatre stage was just two weeks before her death. The next even­ing the lights of Broad­way were dimmed in her hon­our.… [con­tinue reading]

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Jul 072012
 

Florenz Ziegfeld cre­ated his Fol­lies in 1907, and the suc­cess­ful format con­tin­ued on until 1931. The Ziegfeld Fol­lies were extraordin­ar­ily elab­or­ate revues inspired by the Fol­ies Ber­gères in . While being a high-class Vaudeville vari­ety show, mix­ing com­ics, sing­ers and spe­ci­al­ity dan­cers, it was the Ziegfeld girls that made them a hit. That whiff of sex dis­guised as art presen­ted by beau­ti­ful and often very tal­en­ted young women.

Ziegfeld Girls 05 Pointe shoes and tutus at the Ziegfeld Follies

There were two tech­niques to cam­ou­flage the near-nudity: tableau vivants which presen­ted the semi-clad girls in non-moving artistic poses jus­ti­fied by the cul­tural ref­er­ences to great paint­ers; and bal­let, where to have women in extremely short tutus doing chaînés around the stage was already the norm. The dance dir­ect­ors (cho­reo­graph­ers were only for ser­i­ous bal­let!) brought a touch of class to revues that were some­times sexy, but never vul­gar.… [con­tinue reading]

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Jun 192012
 

Guillem Manon 2011 Sylvie Guillem on why shes still Mademoiselle NonSylive Guillem will be in Venice tomor­row to receive from the Bien­nale  the Leone d’oro  (Golden Lion) for “hav­ing redesigned the form of the dan­cer, defy­ing the laws of physics”.

Valeria Crippa  of the Cor­ri­ere della Sera talked to her about aspects of her career.

I could have ended up like a cork bob­bing along on the water at the whim of the cur­rents. Instead I pre­ferred to take the helm and steer my life into the open sea and its storms.

When Nureyev nom­in­ated me étoile at the when I was 19 it would have been, for many dan­cers, the max­imum aspir­a­tion, but not for me. It was only the begin­ning of a dream that I’m still liv­ing through.… [con­tinue reading]

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Dec 272011
 

Merce Cunningham The Merce Cunningham Company: dancing right up to the endIt has been an exten­ded and unpre­ced­en­ted count­down for the dan­cers and staff of the Merce Cun­ning­ham Dance Com­pany, said the Los Angeles Times. Never before has a modern-dance troupe planned for its own demise. But then Cun­ning­ham, one of the sin­gu­lar innov­at­ors in his field, who remained forward-looking and boldly cre­at­ive until his 2009 death at age 90 — was always tak­ing the lead, pion­eer­ing invent­ive, unex­pec­ted approaches.

The intens­ive two-year world tour cul­min­ates this week with six Events at Manhattan’s Park Avenue Armory.

The per­form­ances were planned by Cun­ning­ham as a global cel­eb­ra­tion and farewell. The armory, with its 55,000-square-foot drill hall, was his choice for his company’s final per­form­ance in its home city, and he stip­u­lated the $10 ticket price.… [con­tinue reading]

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Dec 222011
 

Darcey Bussell Dances Hollywood Darcey Bussell on Astaire, Fonteyn and Michael JacksonOn Christ­mas Day the BBC2 will trans­mit Dar­cey Bus­sell Dances Hol­ly­wood, a trib­ute to the great film music­als. Bus­sell talked to the Radio Times’ Alexia Skinitis about the dan­cers who have inspired her:

Fred Astaire

As a little girl, I didn’t dream of being a bal­let dan­cer, I dreamt of being a movie star like Ginger Rogers and dan­cing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a per­fect Dis­ney­land world. Astaire was a genius.

Cheek to Cheek from Top Hat was his iconic dance with Ginger Rogers and it was such a joy re-creating it — although dan­cing in heels was very hard for me. He made everything look so easy, but trust me, it is not!… [con­tinue reading]

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Nov 212011
 

Mikhail Bary­sh­nikov, Tony Award-winning Any­thing Goes star Sut­ton Foster, prin­cipal Jenifer Ringer and cho­reo­grapher Alexei Rat­mansky are among the dance per­son­al­it­ies tak­ing part at Manhattan’s Ailey Cit­ig­roup Theater on Decem­ber 5 for the Dance Magazine Awards.

Bary­sh­nikov presents the award to pion­eer­ing “dance healer” Dr. Wil­liam Hamilton, while Foster will honou her Any­thing Goes director/choreographer, Tony Award win­ner Kath­leen Mar­shall. Present­ing to Ringer is her hus­band and former NYCB dance part­ner James Fay­ette, now a rep­res­ent­at­ive for Amer­ican Guild of Musical Artists (AGMA).

Post­mod­ern cho­reo­grapher Yvonne Rainer rounds out the evening’s glit­ter­ing honorees. John Mee­han, a former prin­cipal dan­cer at ABT and cur­rent fac­ulty at Vas­sar, and cho­reo­grapher Sally Sil­vers com­plete the lineup of presenters.

In addi­tion to the present­a­tions, the even­ing includes an excerpt of Ratmansky’s Rus­sian Sea­sons, per­formed by Jen­nie Somogyi, Amar Ramasar, Jonathan Stafford, and Sean Suozzi of NYCB.… [con­tinue reading]

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