Sep 212011
 

Designer clothes owned by legend and fash­ion icon Eliza­beth Taylor, includ­ing haute cou­ture by Chanel, Yves St. Laurent and Dior, will be sold at auc­tion in New York, Christie’s said today.

The silk chif­fon dress that the win­ning act­ress wore for her first wed­ding to actor will be among the nearly 400 times included in the four-day series of sales in December.

“One of the many great treas­ures within Eliza­beth Taylor’s vast col­lec­tion is her extraordin­ar­ily well-preserved ward­robe,” said Marc Porter, chair­man and pres­id­ent of Christie’s Amer­icas. “The stun­ning out­fits she wore to galas, award cere­mon­ies, bene­fits and even her own wed­dings to Richard Bur­ton are all here, lov­ingly main­tained along with the hand­bags, shoes, hats and other accessor­ies that com­pleted her super­star looks.”

via Reu­ters

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  • wp socializer sprite mask 16px Elizabeth Taylors designer clothes to be auctioned
  • wp socializer sprite mask 16px Elizabeth Taylors designer clothes to be auctioned
  • wp socializer sprite mask 16px Elizabeth Taylors designer clothes to be auctioned
  • wp socializer sprite mask 16px Elizabeth Taylors designer clothes to be auctioned
  • wp socializer sprite mask 16px Elizabeth Taylors designer clothes to be auctioned
  • wp socializer sprite mask 16px Elizabeth Taylors designer clothes to be auctioned
  • wp socializer sprite mask 16px Elizabeth Taylors designer clothes to be auctioned
  • wp socializer sprite mask 16px Elizabeth Taylors designer clothes to be auctioned
Sep 072011
 

Mothership Close Encounters Close Encounters sound man Frank Warner dies at 85Sound designer and sound effects editor Frank Edward Warner, who won an for his sound edit­ing work on “Close Encoun­ters of the Third Kind,” died of nat­ural causes in Ari­zona, on August 31. He was 85.

Warner said that “sound is like music that gives us the emo­tion that the writer intended.”

In 1966, while work­ing with Stan­ley Kubrick on the film “Sparta­cus,” he real­ized that film was truly an art form and that sound effects made a def­in­ite con­tri­bu­tion. “One of my best notes within my com­pos­i­tions was the absence of sound, which was very dra­matic,” he said. “I accom­plished more with silence than with actual sound. The greatest com­pli­ment I received about my work was when someone, after view­ing a film, asked me what I did.… [con­tinue reading]

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Sep 022011
 

told journ­al­ists that mak­ing tele­vi­sion was much harder than mak­ing films. She was speak­ing at a news con­fer­ence at the Film Fest­ival ahead of the première of Mil­dred Pierce.

Cur­rently an mini-series, Mil­dred Pierce is now being released in a fea­ture length format and is show­ing at the 68th edi­tion of the Venice Film Festival.

The film,  based on James M. Cain’s 1941 book, tells the story of a single mother strug­gling to raise her spoilt daugh­ter in 1930s Amer­ica. For her role in the 1945 film, Joan Craw­ford won an as Best Act­ress.… [con­tinue reading]

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Jul 242011
 

Roberto Bolle 1 Roberto Bolle on why Natalie Portman should give back her Oscar... and moreThe Bolle and Friends tour is in full swing, and one of the stops is Istan­bul where went to be phở­to­graphed last month. He talked to Gian­carlo Dotto for Italy’s Gioia magazine:

Would you have given the for ?

I would have, yes, until I found out that she was not doing the more com­plic­ated steps. She said that she’d been work­ing hard for nine months before film­ing, and that she’d stud­ied dance as a child. How­ever, it was her head on another’s body. There­fore I would have taken her Oscar away. As an act­ress she can be won­der­ful, but to take credit for some­thing you didn’t do…

The dir­ector of the film, , hit hard with some dis­turb­ing images.… [con­tinue reading]

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May 052011
 

John Tra­volta called her the “most deli­cious” thing to come out of Italy, ser­en­aded her with the Neapol­itan song “O Sole Mio” and Billy Crys­tal said she was his “first great love.”

came out on Wed­nes­day to honor , 50 years after she become the first per­son to win an act­ing for a foreign-language role with the Italian movie “Two Women”, (“La ciociara”).

Loren, now 76 and with her fam­ous hour-glass fig­ure intact, did not attend that 1961 cere­mony. She told an audi­ence of some 800 act­ors, dir­ect­ors, friends and fam­ily on Wed­nes­day she never dreamed an Italian in an Italian-language film would earn the movie industry’s highest honor.

The Academy Award changed my life com­pletely, it helped me to believe in myself and encour­aged me to push my own artistic bound­ar­ies. … [con­tinue reading]

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Apr 172011
 

In her first tele­vi­sion inter­view on ABC’s “20/20’s” with Eliza­beth Var­gas, , the baller­ina who was Nat­alie Portman’s dance double in “,” accused film-makers of lying about how much she danced in the film, and try­ing to cover it up.

I’m not speak­ing because I feel I should be her­al­ded, I’m just speak­ing because they’re com­pletely lying about the amount of dan­cing that Nat­alie did in the movie.”

After she was inter­viewed by Glam­our magazine for an art­icle titled “The Real Black Swan,” before the  cere­mony Lane, a soloist for the , said one of the film’s pro­du­cers called and told her to keep quiet about the extent of her performance.

He asked if I would please not do any more inter­views until after the Oscars because it was bad for Natalie’s image.… [con­tinue reading]

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Mar 272011
 

Sarah Lane ABT soloist 3 700x525 Black Swan controversy: Natalie herself did most of the dancing, insist filmmakers. Her double disagrees.

A claim by ’s bal­let double from the movie alleging that the –win­ning act­ress did not per­form the major­ity of that film’s dance sequences has quickly been chal­lenged. , the soloist who doubled for Port­man dur­ing some of that film’s most dif­fi­cult dance sequences, told Enter­tain­ment Weekly that the Oscar-winning act­ress did only 5 per­cent “of the full body shots” in the film. But the film­makers insist that simply isn’t the case, say­ing in a joint state­ment released by Fox Search­light, “We were for­tu­nate to have Sarah there to cover the more com­plic­ated dance sequences and we have noth­ing but praise for the hard work she did. How­ever, Nat­alie her­self did most of the dan­cing fea­tured in the final film.”

Lane decided to speak out after a recent story in the Los Angeles Times quoted Portman’s fiancé and Black Swan cho­reo­grapher Ben­jamin Mil­lipied say­ing “85 per­cent of that movie is Natalie.”

They wanted to cre­ate this idea in people’s minds that Nat­alie was some kind of prodigy or so gif­ted in dance and really worked so hard to make her­self a baller­ina in a year and a half for the movie, basic­ally because of the Oscar.[con­tinue reading]

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