May 082011
 

patti lupone arthur laurents Remembering Arthur Laurents’s Ken­neth Jones­and Adam Het­rick have com­plied a list of some of the trib­utes to — here are some:

Ter­rence McNally:

Arthur always told you what he thought, whether you wanted to hear it or not. This made being his friend chal­len­ging. When Arthur liked some­thing, which was not often, his praise was genu­ine, gen­er­ous and loud.”

:

The entire cast of and I were very lucky to have the oppor­tun­ity to work with Arthur and exper­i­ence his pas­sion and love of the theatre. We were awed by his energy and grate­ful for all the know­ledge and insight we gained from him. An era has passed.”

Har­vey Fierstein:

Arthur Laurents was a true Amer­ican ori­ginal. Bril­liant, frightened, fierce and determ­ined, he recre­ated the world around him to make him­self com­fort­able. As his works attest, he cap­tured human beha­vior with laser accur­acy. Cruel and lov­ing and funny he was a sin­gu­lar friend.”

Jack Vier­tel, artistic dir­ector of City Cen­ter Encores!:

Arthur was dynamic, exact­ing, demand­ing and gen­er­ous. He scared the pants off the Gypsy com­pany on day one, and by day two-and-a-half, every­one in that rehearsal room was in love with him.”

Fred­die Ger­s­hon, a long­time friend and the CEO of Music Theatre International:

He had a dis­dain of phonies and an abil­ity to out-Machiavelli the most manip­u­lat­ive of stars, pro­du­cers and stu­dio exec­ut­ives. His eco­nomy of words cut to the chase in plays, music­als, and in life. He could be bru­tal, venom­ous and unfor­giv­ing if neces­sary and nur­tur­ing, seduct­ive and com­pas­sion­ate when necessary.”

Photo: Arthur Laurents with his favour­ite Rose (“I shouldn’t have said I like Patti best because they’ll get pissed off. But I do.”)
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May 062011
 

Arthur Laurents Arthur Laurents, playwright and director, dies at 93Arthur Laurents, the play­wright, screen­writer and dir­ector who wrote and ulti­mately trans­formed two of Broadway’s land­mark shows, Gypsy and , and cre­ated one of Hollywood’s most well-known romances, The Way We Were, died yes­ter­day in his home in Man­hat­tan. He was 93.

Laurents once described writers as “the chosen people” and said he was hap­pi­est when sit­ting alone and put­ting his “day­dreams and fantas­ies down on paper.”

He did so in vari­ous genres. His film cred­its include Hitchcock’s Rope; Ana­stasia, with Ingrid Berg­man; and The Turn­ing Point, with Anne Ban­croft and Shir­ley MacLaine. His screen­play for The Way We Were, with Robert Red­ford and Bar­bra Streis­and, was adap­ted from his novel by the same name.… [con­tinue reading]

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Jan 052011
 

The role of Mama Rose in “” has always attrac­ted great divas, from Ethel Mer­man to Angela Lans­bury, to . And now comes word that the greatest diva of them all — Bar­bra Streis­and — is next in line.

Streis­and is deep in nego­ti­ations to dir­ect, pro­duce and star in a movie ver­sion of “Gypsy.”

300px Barbara Streisand Allan Warren1 Barbra Streisand rumored to be the next Mama Rose in Gypsy
Image via Wiki­pe­dia

She recently cleared a big hurdle — 92-year-old Broad­way legend , who wrote the book to the show. He’s also dir­ec­ted sev­eral pro­duc­tions, includ­ing the scorch­ing 2008 Broad­way revival for which LuPone won a Tony.

“Bar­bra and I have been get­ting along very well now for some time,” Laurents told me yes­ter­day. “We’ve talked about it a lot, and she knows what she’s doing.… [con­tinue reading]

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Dec 302010
 

appeared on ABC’s ‘Night­line’ on Tues­day night, and dur­ing the inter­view, the theater legend dis­closed that he found the words to his 1957 mas­ter­piece  ‘’, writ­ten with and — are you ready for this? — “embar­rass­ing.” What?

Most of the lyr­ics were sort of … they were very self-conscious. Bern­stein wanted the songs to be … heavy, what he called ‘poetic,’ and my idea of poetry and his idea of poetry are polar oppos­ites. I don’t mean that they are ter­rible, I just mean they’re so self-conscious.”

There is one bad song in par­tic­u­lar that stands out for Sond­heim, one that Jack Nich­olson turned into a hil­ari­ous par­ody in the film, ‘Anger Man­age­ment,’ as many oth­ers have done.… [con­tinue reading]

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