Mar 102011
 

Pina Bausch Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in LondonOne of the final pro­jects that the cho­reo­grapher , who died in 2009, was involved in was her most ambi­tious: an unpre­ced­en­ted sea­son of 10 back-to-back works cre­ated as she respon­ded to cit­ies and coun­tries that she vis­ited through­out her long career. The series will be per­formed in Lon­don before the Olympics.

In the first col­lab­or­a­tion between and the Bar­bican, the works will be staged in June and July 2012 as a high­light of the Cul­tural Olympiad. In the world of con­tem­por­ary dance this is as big as it gets. It is a huge endeav­our and some­thing of a logist­ical night­mare, but Bausch’s death has proved a spur to mak­ing sure it happens.

Alistair Spald­ing, the chief exec­ut­ive and artistic dir­ector of Sadler’s Wells, said: “Both we and the com­pany have used it as a motiv­ator. We’ve been abso­lutely determ­ined to make this sea­son hap­pen because, in our eyes, it was almost like it was her last wish.”

via Pina Bausch dance cycle to be staged as part of 2012 Cul­tural Olympiad | Stage | The Guardian

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  • wp socializer sprite mask 16px Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in London
  • wp socializer sprite mask 16px Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in London
  • wp socializer sprite mask 16px Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in London
  • wp socializer sprite mask 16px Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in London
  • wp socializer sprite mask 16px Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in London
  • wp socializer sprite mask 16px Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in London
  • wp socializer sprite mask 16px Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in London
  • wp socializer sprite mask 16px Pina Bausch dance cycle to be staged as a highlight of the 2012 Cultural Olympiad in London
Jan 032011
 

For lov­ers of Parisian theatre, the first days of 2011 have a slightly mel­an­choly edge. On New Year’s Eve the hugely influ­en­tial Eng­lish dir­ector finally ended his 36-year ten­ure at the exper­i­mental Bouffes du Nord theatre in the French capital.

Fri­day night’s per­form­ance of Mozart’s The Magic Flute was the 85-year-old’s last pro­duc­tion as the artistic head of a venue that has become syn­onym­ous with invent­ive, avant-garde work. As Brook’s opera heads off on a European tour that reaches Milan’s Pic­colo Teatro in Feb­ru­ary and ’s in March, the dir­ector is hand­ing over the reins at the Bouffes to two younger French­men: the former deputy head of ’s Opéra-Comique, Olivier Mantei, and the theatre entre­pren­eur and mod­ern music spe­cial­ist Olivier Poubelle.… [con­tinue reading]

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Dec 092010
 

Like all great sing­ers seems to be a singer some “get”, but cer­tainly not every­body. After last night’s Han­del con­cert in the two reviews are in; Ismene Brown for The Arts Desk “gets” her:

Cecilia Bar­toli invites you to her party, she stands on stage beam­ing and wel­com­ing you as her guest, about to serve up a ban­quet of song. This is what last night’s con­cert felt like in the glow­ing warmth of this remark­able Italian ’s com­pany, singing one of her favour­ite com­posers, Han­del, ran­ging from the sun­lit laughter that seems embed­ded in her voice to some of the most tra­gic­ally mov­ing singing I’ve heard.

These operas were writ­ten to dazzle with the kind of vocal bril­liance of which Bar­toli has become a peer­less executant.… [con­tinue reading]

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