Jun 142013
 

Q&A

Yosvani Ramos 365x500 Yosvani Ramos answers the Gramilano Questionnaire… Dancers’ EditionWhen did you start dan­cing?
When I was 10 years old in my homet­own of Camagüey, Cuba.

Why did you start dan­cing?
I was bored in school and a teacher came look­ing for kids for bal­let school and I put my hand up as I thought it would be good to get out of the classroom. I didn’t really know what bal­let was but some­thing told me to raise my hand.

Which dan­cer inspired you most as a child?
Firstly Bar­bara Gar­cia, a Cuban Prin­cipal who danced with Bal­let de Camagüey, Vic­tor Ullate and then National Bal­let of Cuba. The things she could do tech­nic­ally!!! Then of course !!!

Which dan­cer do you most admire?
So many!! But firstly my friend Cyn­thia Har­vey who was an incred­ible baller­ina but also it’s such an amaz­ing and gen­er­ous per­son. Bary­sh­nikov my idol, and because of her clev­erness and her work. She puts so much thought into her dan­cing and I really appre­ci­ate that.

What’s your favour­ite role?
Romeo hands down and I also loved dan­cing Des Grieux in Manon. You see, lots of people see me mainly for the cheeky tech­nical roles like Basilio and Franz but I really enjoy dan­cing the romantic leads.

What role have you never played but would like to?
Lensky in One­gin.

What’s your favour­ite bal­let to watch?
One­gin.

Who is your favour­ite cho­reo­grapher?
Mac­Mil­lan and Balanchine.

Who is your favour­ite writer?
Dan Brown.

Who is your favour­ite dir­ector?
Steven Spiel­berg. Whatever he touches becomes magic. But I’m also a big fan of Buz Luhr­mann. The cine­ma­to­graphy and music on his movies are always gorgeous.

Who is your favour­ite actor?
.

Who is your favour­ite singer?
Celine Dion.

What is your favour­ite book?
The Secret. It changed my life!!

What is your favour­ite film?
Pretty Woman, Not­ting Hill and The Help. Could watch them over and over again.

Which is your favour­ite city?
Lon­don of course!

What do you like most about your­self?
When I know what I want I go for it.

What do you dis­like about your­self?
I over-think everything too much.

What was your proudest moment?
So many! But off the top of my head my last per­form­ance with The . I danced Basilio in Nureyev’s Don Quix­ote at the Sydney Opera House and I had so many friends in the audi­ence! The energy was incred­ible and I felt the love and the sup­port from the audi­ence and the dan­cers onstage like never had in my whole career. Also, online, I got so many mes­sages from ballet-goers say­ing how sorry they were that I was leav­ing and that I was their favour­ite dan­cer in the com­pany, which is a big com­pli­ment in a com­pany with so many amaz­ing dancers.

When and where were you hap­pi­est?
Last time I was in NYC a few weeks ago.

What or who is the greatest love of your life?
My mum.

What is your greatest fear?
To die before I fall in love. I have never been in love, believe it or not.

If you could change one thing about your­self, what would it be?
My height. I wish I was 6 feet tall. Things in my career would have been easier not that I can com­plain with the career I’ve had so far!!

What do you con­sider your greatest achieve­ment?
My career.

What is your most treas­ured pos­ses­sion?
All my bal­let pic­tures and videos.

Yosvani Ramos Romeo and Juliet ENB 496x500 Yosvani Ramos answers the Gramilano Questionnaire… Dancers’ Edition

Yos­vani Ramos Romeo and Juliet with the Eng­lish National Ballet

What is your greatest extra­vag­ance?
Trav­el­ling. I’m always trav­el­ling! I’m always somewhere.

What do you con­sider the most over­rated vir­tue?
I’m too gen­er­ous some­times with people who doesn’t deserve it.

On what occa­sion do you lie?
I prefer not to say any­thing then to tell a lie. I don’t say I’ve never lied but I try to be truth­ful espe­cially the older I get.

If you hadn’t been a dan­cer what would you have liked to be?
A singer or an actor.

What is your most marked char­ac­ter­istic?
I think I’m easy to get along with that’s why I make friends so easily.

What qual­ity do you most value in a friend?
Honesty.

What qual­ity do you most value in a col­league?
Camaraderie.

Which his­tor­ical fig­ure do you most admire?
Lincoln.

Which liv­ing per­son do you most admire?
Obama.

What do you most dis­like?
To be deceived.

What tal­ent would you most like to have?
Being able to sing like some of the cre­ates sing­ers out there.

What’s your idea of per­fect hap­pi­ness?
Hav­ing a lov­ing part­ner, a dog and being in a com­pany where I’m loved and appreciated.

How would you like to die?
Quick and pain­less, but not till I’m like 80 or some­thing (laughs).

What is your motto?
Don’t do to oth­ers what you don’t want to be done to you.

Yos­vani Ramos — a biography

Ramos was born to Juan Ramos Barba and Gisela Fontes Lopez in Camagüey, Cuba. He stud­ied dance at the Voca­tional School of Arts there from 1989, and in 1994 won the gold medal at the Vig­n­ale Fest­ival of Dance. He was then admit­ted to study bal­let at the School under the dir­ec­tion of Ramona de Sáa, gradu­at­ing in 1997.

In Septem­ber 1997 Ramos joined the Jeune Bal­let de France, a French tour­ing com­pany. Star­ted by Robert Berthier with the assist­ance of Rosella Hightower, the dan­cers trained for three months and toured for nine — a Pro­fes­sional Year type of train­ing. Ramos remained with the com­pany for two years, leav­ing in April 1999 for the Paris Opera Bal­let. He per­formed Nureyev’s Swan Lake as a surnuméraire (extra mem­ber of the corps de ballet).

Ramos was invited to join Eng­lish National Bal­let as a soloist in August 1999 by Derek Deane, and was pro­moted to senior soloist in 2000, then prin­cipal in 2003 after a per­form­ance of Cop­pélia at the Sadler’s Wells Theatre.

The Aus­tralian Bal­let had only two male prin­cipals at the end of 2007, and artistic dir­ector David McAl­lister invited Ramos to join the com­pany as a prin­cipal artist from Feb­ru­ary 2008. He also had many oppor­tun­it­ies to per­form as a guest artist out­side Aus­tralia, fre­quently tak­ing The Aus­tralian Ballet’s Leanne Sto­j­menov as his part­ner. Ramos left The Aus­tralian Bal­let in April 2013.

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  • wp socializer sprite mask 16px Yosvani Ramos answers the Gramilano Questionnaire… Dancers’ Edition
  • wp socializer sprite mask 16px Yosvani Ramos answers the Gramilano Questionnaire… Dancers’ Edition
  • wp socializer sprite mask 16px Yosvani Ramos answers the Gramilano Questionnaire… Dancers’ Edition
  • wp socializer sprite mask 16px Yosvani Ramos answers the Gramilano Questionnaire… Dancers’ Edition
  • wp socializer sprite mask 16px Yosvani Ramos answers the Gramilano Questionnaire… Dancers’ Edition
Dec 272012
 

Q&A

Rosalind Plowright Medee ROH 1989 2 374x500 Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition

When did you start singing? 
Age 12. I had always sung before but only found my true voice at this age. My father was a bass player and had been play­ing in the orches­tra for a per­form­ance of The Mikado. Whilst trav­el­ling back home I imit­ated the voice of Kat­isha and out came this big plummy rich sound… My father nearly drove off the road!

Why did you start singing?
Because I had a voice and loved singing!! When I was 13 my mother bought me 3 LP’s, one of Cal­las, one of Tebaldi and one of Suth­er­land. It was the first time I had heard real opera singing and I became totally obsessed. From that moment onwards it has been my life and soul.… [con­tinue reading]

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Oct 122011
 

It seems that the can’t go wrong. The com­pany has been on a win­ning streak, which is con­tinu­ing, justly, into Mon­ica Mason’s final sea­son as director.

This triple bill suc­ceeds in refract­ing Royal Bal­let cho­reo­graphy into three dis­tinct places, each one occu­pied by one of the company’s three res­id­ent cho­reo­graph­ers — , Ken­neth Mac­Mil­lan and Wayne McGregor. Ismene Brown for The Arts Desk writes,

The cool phys­ical activ­ity of McGregor’s Limen, the crim­son pas­sions of Ashton’s Mar­guer­ite and Armand, the sym­bolic sculp­ture of MacMillan’s Requiem - the weekend’s new triple bill at Cov­ent Garden shows three faces of Brit­ish ballet-making over the past half-century. While none is the mas­ter­piece of its cre­ator, together they describe an arc over time where lyr­ical emo­tion became replaced by gym­nastic motion, com­pres­sion by dif­fu­sion, indi­vidual idio­syn­crasy by a kind of bal­letic col­lect­ive.… [con­tinue reading]

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Oct 052011
 

Carlos Acosta Carlos Acosta on family, his latest work, Caribbean sunniness... and the Irish is bring­ing his Premi­eres Plus pro­gramme to the Bel­fast Fest­ival at the end of this month. Mat­thew McCreary talked to him for the Bel­fast Telegraph.

On his family

My par­ents didn’t know about art or bal­let. I was born into a fam­ily which was very simple — no books and no inten­tion to do any­thing extraordin­ary. But at the same time they gave me a know­ledge of humil­ity and the fact that it is always good to work hard for what you want.”

On Premi­eres Plus

The show is an attempt to cre­ate a hid­den nar­rat­ive, with exist­ing pieces that have been pre­vi­ously cho­reo­graphed. I team up with and what you will see are two clas­sical dances evolving into a con­tem­por­ary dance form.… [con­tinue reading]

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Aug 312011
 

Cuban dan­seur and cho­reo­grapher was bestowed with the 2011 National Per­form­ing Arts Award, which he devoted to Fernando, Alberto and , founders of the National Bal­let of Cuba that trained him as a bal­let dancer.

“I owe them what I am,” he said at ’s Gar­cia Lorca Grand Theatre to a stand­ing ova­tion. He also devoted the award to his fam­ily, espe­cially to his father, who intro­duced him to bal­let and thought him the value of humble­ness, and to all the teach­ers along his career. Acosta described dan­seurs Jorge Esquivel, Laz­aro Car­reno and Andres Wil­li­ams, “the Prince of Prin­cesses”, as his guides and early day inspiration.

Car­los Acosta, 38, has become the young­est bal­let dan­cer in Cuba to be honored with the pres­ti­gi­ous award of the Coun­cil of the National Per­form­ing Arts for its con­tri­bu­tion to dance and bal­let.… [con­tinue reading]

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Aug 272011
 

Car­los Acosta will be awar­ded the National Dance Prize 2011 next Monday. At 38 he is the young­est artist to receive Cuba’s top bal­let award.

The gala to hon­our Acosta at Gar­cia Lorca aud­it­or­ium of Havana´s Grand Theatre will be led by cho­reo­grapher Alberto Men­dez with the per­form­ance of dan­cers from the Con­tem­por­ary Dance Com­pany and the group lead by San­ti­ago Alfonso.

Acosta entered Cuba´s National Bal­let Com­pany (BNC) in 1991.… [con­tinue reading]

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Aug 012011
 

Acosta Yanowsky 2 The FT gives a one star review and a thumbs down to Acosta and YanowskyIn one of the worst reviews of the sea­son, finds almost noth­ing to like in Car­los Acosta’s Premi­eres Plus at the :

I remem­ber vis­it­ing East Ber­lin when that city was still divided, and being intrigued by shops whose win­dows were filled with boxes which pro­claimed del­ic­acies of many kinds. A friend explained that the boxes, like the shops, were empty, and that I was being fooled by illus­ory goods. I feel not a little like my then com­pan­ion in report­ing on the return of the Car­los Acosta/ even­ing, which has been indefens­ibly lurk­ing at the Coliseum…

… Yanowsky and Acosta, amid the encirc­ling gloom, are engaged in incom­pre­hens­ible encoun­ters which con­vey unease, anger and sheer des­per­a­tion – and who should be sur­prised at these emo­tions?… [con­tinue reading]

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