Jan 202013
 

Filin Tsiskaridze Cruelty at the Bolshoi: acid attacks and smear campaigns. Tsiskaridze responds.Sergei Filin had been receiv­ing intim­id­at­ing phone calls for a while, and had had his tyres punc­tured and his email hacked, but the acid attack that has shocked the dance world is bey­ond all reas­on­ing. While police are not rul­ing out a per­sonal ven­detta, it is almost cer­tainly an attack by someone who wants him removed from his pos­i­tion as head of the pres­ti­gi­ous Bolshoi Ballet.

Gen­nady Yanin, who was a pre­vi­ous fron­trun­ner for the job, was dropped after a suc­cess­ful smear cam­paign about his homo­sexu­al­ity and some expli­cit inter­net pho­tos. At the time, Anatoly Iksanov, gen­eral dir­ector of the , said,

There are some people in the theatre who would like to take the job of artistic dir­ector, and they must have played a role in this mean intrigue.

The Filin attack goes way bey­ond ‘mean intrigue’.

Nikolay Tsis­karidze, another con­tender for the job in 2011, lost out to Filin. Soon los­ing this oppor­tun­ity he was also dis­missed as a teacher at the Bolshoi school, appar­ently for hav­ing cri­ti­cized the res­tor­a­tion of the legendary theatre, though the offi­cial ver­sion was that a work­ing dan­cer couldn’t have enough time for teach­ing commitments.

Tsis­karidze was furious,

I’m abso­lutely sure that this step by the Bolshoi Theatre pro­ceeds exclus­ively from the desire to take revenge and teach a les­son to others.

He said he had no back up from the union either, being that Felin is also head of the union,

All com­plaints against Filin as the leader of the Bolshoi bal­let end up being con­sidered pre­cisely by him. It’s a dead-end situ­ation, and some of my col­leagues like the soloist Andrey Uvarov, who had to leave the theatre not long ago, have already paid the price for try­ing to stand against Filin.

One Rus­sian journ­al­ist thought to con­tact Tsis­karidze after Thursday’s bru­tal attack.

I’m totally inno­cent. I also want to point out that in Filin’s let­ter repro­duced on Face­book, he insul­ted not only me, but many artists. Sorry!

When the journ­al­ist poin­ted out that the Face­book page is sup­posedly fake as Filin had had his email and Face­book accounts hacked a few weeks ago, Tsis­karidze replied,

Maybe the Face­book page is a fake, but the let­ter, unfor­tu­nately, is true. Someone hacked his email and then exposed it. There are real facts described in the let­ter. This is his speech — the way he expresses him­self. Now they want to cover up this scandal.

When asked what he thought about acid attacks to settle dis­putes, Tsis­karidze said,

These things have always happened when big money is involved (and there are a lot of gripes, judging by the let­ters) or when there are love tri­angles and com­plic­a­tions. Both cases apply to Filin, as Face­book revealed.

With Gen­nadi Yanin, every­one knew about his per­sonal life in the theatre. What was the prob­lem? It was his per­sonal life, it was an inva­sion of his pri­vacy and had noth­ing at all to do with the theatre.

If Tsis­karidze seems to have little sym­pathy with his Filin’s con­di­tion, col­leagues at the Bolshoi have been shocked and outraged:

Ex-ballerina Ana­stasia Voloch­kova said,

I can’t even ima­gine that this can hap­pen in the cul­tured world… all this law­less­ness, cor­rup­tion, and anti-humanity — it’s a sign of the end.

Star baller­ina and Filin’s fre­quent part­ner, , com­men­ted,

This is an anim­al­istic crime and I very much hope the crim­in­als will be punished.

And Alexei Rat­mansky, former Bolshoi artistic dir­ector, described the attack as,

…one snow­ball caused by the lack of any eth­ics at the theatre.

 

Photo: from top Sergei Filin,

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  • wp socializer sprite mask 16px Cruelty at the Bolshoi: acid attacks and smear campaigns. Tsiskaridze responds.
  • wp socializer sprite mask 16px Cruelty at the Bolshoi: acid attacks and smear campaigns. Tsiskaridze responds.
  • wp socializer sprite mask 16px Cruelty at the Bolshoi: acid attacks and smear campaigns. Tsiskaridze responds.
  • wp socializer sprite mask 16px Cruelty at the Bolshoi: acid attacks and smear campaigns. Tsiskaridze responds.
Feb 072012
 

Machete David Choe Forget Damien Hirst... graffiti artist to receive $200 million from Facebooks stock market launchDavid Choe, who has cre­ated a num­ber of mur­als for headquar­ters, might des­troy the image of the street artist as “impov­er­ished souls eking out an exist­ence for the love of their craft”, says the Los Angeles Times. The L.A. street and graf­fiti artist could stand to earn upward of $200 mil­lion from Facebook’s ini­tial pub­lic offering.

Choe was asked to cre­ate mur­als for Facebook’s former headquar­ters in Palo Alto in 2005 by the company’s found­ing pres­id­ent, Sean Parker. Two years later, the artist was asked by CEO Mark Zuck­er­berg to cre­ate more art­work. The company’s cur­rent headquar­ters in Menlo Park also bears the graf­fiti stamp of Choe, who cre­ated a large-scale blue mural in the lobby of one build­ing, as well as other works.… [con­tinue reading]

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Feb 042012
 

Mary Garret La Scala ballerina, who denounced eating disorders in the company, is fired“One baller­ina in five at suf­fers from an eat­ing dis­order”, denounced Mari­afrancesca Gar­rit­ano (known on social net­works and as an author also as Mary Gar­ret) to The Observer newspaper.

Mul­tiple Face­book declar­a­tions, the con­tents of her book La ver­ità, vi prego sulla danza! (The Truth, please, about Bal­let), tele­vi­sion appear­ances and inter­views have made the 33 year-old dan­cer per­sona non grata with the Mil­anese com­pany. In fact they left her out of their Bolshoi appear­ances at the end of last year, and she wasn’t on the cast lists for the cur­rent run of . Now she has been fired for “just cause”, for libel, and for describ­ing a situ­ation that she knew didn’t cor­res­pond to the truth thus dam­aging the theatre’s repu­ta­tion.… [con­tinue reading]

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Dec 042011
 

La verità vi prego sul mondo della danza A ballerina speaks out: Mariafrancesca Garritano, La Scala soloist, talks frankly about the eating disorders which plague the companySant’Ambrogio (Saint Ambrose)  is ’s pat­ron saint, and on his Saint’s Day, 7th Decem­ber, ’s opera house opens its new sea­son. How­ever, one of the bal­let soloists has chosen the eve of this glit­ter­ing occa­sion to speak with The Observer about prob­lems in the company.

is 33, and has been at the theatre’s bal­let school since she was 16, join­ing the com­pany soon after.

She told the Observer that one in five baller­inas that she knew was anor­exic and, as a res­ult, many were now unable to have children.

The chance of get­ting fired has crossed my mind, but I love La Scala, I care about it, and that’s why I really hope things can change.”

Garritano’s book  “La ver­ità, vi prego, sulla danza!” (The Truth, Please, About Bal­let)  has already stated that not everything is well with the com­pany. … [con­tinue reading]

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Oct 192011
 

Raymonda Teatro alla Scala The Times celebrates Milans Raymonda... but why?Milan’s news­pa­per, the most influ­en­tial Italian paper, Il Cor­ri­ere della Sera, almost ignored La Ray­monda at La Scala last week, with Valeria Crippa’s short art­icle dis­miss­ing it quickly.

Here the past is pre­served in moth­balls, the bril­liant Marius Petipa’s cho­reo­graphic style appears decrepit, and dull scenery frames an age­ing corps, des­pite the fresh­ness of the stu­dents of the school.

Oth­ers how­ever looked a little closer. Elsa Air­oldi for Il Giornale wrote,

Ray­monda was well received by the pub­lic, des­pite its length, and it cer­tainly delighted the bal­letomanes, though oth­ers would tire of it quite quickly. Only a theatre like La Scala, where it has been expertly recon­struc­ted in both the cho­reo­graphy (Sergei Vikharev) and the designs, has the pos­sib­il­ity to take this period piece and trans­form the ugly duck­ling into a swan.… [con­tinue reading]

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Aug 122011
 

Bert Ernie Sesame Street No Wedding Bells for Sesame Streets Bert and Ernie   theyre just friendsSes­ame Work­shop, which pro­duces “Ses­ame Street,” put an end to any wed­ding plans for Bert and Ernie with this brief state­ment pos­ted on its page:

“Bert and Ernie are best friends. They were cre­ated to teach preschool­ers that people can be good friends with those who are very dif­fer­ent from them­selves. Even though they are iden­ti­fied as male char­ac­ters and pos­sess many human traits and char­ac­ter­ist­ics (as most Ses­ame Street Mup­pets do), they remain pup­pets, and do not have a sexual orientation.”

For the , Scott Mendel­son (read his com­plete art­icle here) expresses some appro­pri­ate thoughts:

Bert and Ernie are not .  The pro­du­cers of Ses­ame Street have said as much.  Since Bert and Ernie are fic­tional char­ac­ters, said pro­du­cers are the final word on such a sub­ject.  … [con­tinue reading]

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Jul 242011
 

Roberto Bolle 1 Roberto Bolle on why Natalie Portman should give back her Oscar... and moreThe Bolle and Friends tour is in full swing, and one of the stops is Istan­bul where Roberto Bolle went to be phở­to­graphed last month. He talked to Gian­carlo Dotto for ’s Gioia magazine:

Would you have given Nat­alie Port­man the Oscar for ?

I would have, yes, until I found out that she was not doing the more com­plic­ated steps. She said that she’d been work­ing hard for nine months before film­ing, and that she’d stud­ied dance as a child. How­ever, it was her head on another’s body. There­fore I would have taken her Oscar away. As an act­ress she can be won­der­ful, but to take credit for some­thing you didn’t do…

The dir­ector of the film, Dar­ren Aronof­sky, hit hard with some dis­turb­ing images.… [con­tinue reading]

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