Apr 192013
 

Norma Cecilia Bartoli 500x454 Bartolis back on the treasure trail with her Norma videoAfter offer­ing clues taken from ‘webisodes’ filmed dur­ing the record­ing of Cecilia Bartoli’s cd , which even­tu­ally led to the name of the com­poser fea­tured on the disc, Decca are being cun­ning again by offer­ing ‘exclus­ive con­tent’ to stir up interest in La Ceci’s latest project.

Fol­low­ing this link, it is pos­sible to play a little game to recon­struct the cover of Norma, fig­ur­ing Bar­toli as she will pre­sum­ably be styled for the Salzburg pro­duc­tion on 17 May; an type, as she appeared in Franco Zeffirelli’s legendary pro­duc­tion of Gio­vanni Verga’s La Lupa in in 1965.

La Lupa Anna Magnani 330x500 Bartolis back on the treasure trail with her Norma video

Anna Mag­nani (with Gian­carlo Gian­nini) in Gio­vanni Verga’s “La Lupa”

If you’d rather not play the game, after 5 minutes it lets you see the video prize any­way: a peek back­stage dur­ing the record­ing of the opera, with  con­duct­ing (as he did on the and Viv­aldi discs). It’s just a 1½ minute promo, but it gets the mouth water­ing any­way. Those of us who caught the con­cert per­form­ances in Dortmund in June 2011 know that this appet­izer will be more than equalled by the main course.

And for those in a hurry who don’t want to wait 5 minutes, you can see the clip dir­ectly on You­Tube!

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  • wp socializer sprite mask 16px Bartolis back on the treasure trail with her Norma video
  • wp socializer sprite mask 16px Bartolis back on the treasure trail with her Norma video
  • wp socializer sprite mask 16px Bartolis back on the treasure trail with her Norma video
  • wp socializer sprite mask 16px Bartolis back on the treasure trail with her Norma video
  • wp socializer sprite mask 16px Bartolis back on the treasure trail with her Norma video
  • wp socializer sprite mask 16px Bartolis back on the treasure trail with her Norma video
  • wp socializer sprite mask 16px Bartolis back on the treasure trail with her Norma video
  • wp socializer sprite mask 16px Bartolis back on the treasure trail with her Norma video
Feb 032013
 

Q&A

Beppe Menegatti Barack Obama 375x500 Beppe Menegatti answers the Gramilano Questionnaire… Directors’ Edition

When did you first go to the theatre?
To see Rigo­letto at the Teatro Comun­ale in Florence on 10 Octo­ber 1939 for my tenth birth­day, with Gino Bechi, Fer­ruc­cio Tagliavini, Lina Aimaro and the young Giuli­etta Simi­onato as Madelena.

Why did you want to work in the theatre?
In Florence we give out presents for the Epi­phany. When I was six there was a won­der­ful gift for my brother, a model theatre, but I though “This is mine!” It was large, more than a metre wide with 32 dif­fer­ent sets. We had to use it for fire­wood dur­ing the war.

Which per­formers do you remem­ber most from your child­hood?
Charlie Chap­lin, Eduardo De Fil­ippo, Tit­ina De Fil­ippo, and Jean-Louis Bar­rault.… [con­tinue reading]

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Dec 032011
 

Nino Rota would have been 100 today.

He died in 1979 but his work is well remembered 30 years on. The Italian com­poser was born in Milan and although he wrote operas (Il cap­pello di paglia di Firenze - The Florentine Straw Hat - is the most well-known), con­certi, and instru­mental works, it is his film music for which he is most cel­eb­rated. His col­lab­or­a­tions with Fed­erico Fellini and , the scores for two of ’s Shakespeare films, and for the first two films of ’s God­father tri­logy, has made him a legend in the film industry. He won an Academy Award for Best Ori­ginal Score in 1974 for the God­father.

He wrote all of the scores for Fellini’s films from The White Sheik in 1952 to Orches­tra Rehearsal in 1978. … [con­tinue reading]

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Aug 252011
 

marilyn horne 2011 Jackie   Celebrating Marilyn Horne   Metropolitan Opera Luncheon 2011The Met­ro­pol­itan Opera Guild pays trib­ute to Mar­ilyn Horne, on Monday, Octo­ber 31. Stars and fans of opera will come together in the Grand Ball­room of the Waldorf-Astoria for the Guild’s 77th Annual Luncheon.

“Jackie — Cel­eb­rat­ing Mar­ilyn Horne” will hon­our the incom­par­able achieve­ments of one of the greatest sing­ers of our time with trib­utes from her col­leagues; live and video-taped per­form­ances, includ­ing a musical trib­ute by mezzo-soprano Stephanie Blythe. Dozens of spe­cial guests from the world of opera will be among the 800 guests expec­ted to attend the lunch­eon. Pro­ceeds from the event will bene­fit the Guild’s edu­ca­tion pro­grams in New York City and through­out the country.

The Guild’s Pres­id­ent, Richard J Miller Jr., said,

It’s an enorm­ous pleas­ure for the Met­ro­pol­itan Opera Guild to honor Mar­ilyn Horne at our Annual Lunch­eon.… [con­tinue reading]

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Apr 152011
 

Anna Netrebko Elina Garanca BELLINI I Capuleti e i Montecchi Gabo  La Scalas 2011 2012 opera and ballet season announcedLa Scala held a press con­fer­ence this morn­ing to announce its 2011–2012 sea­son.

How times, and tim­ing, have changed. Just ten years ago the sea­son was being presen­ted in late June, with roles “to be announced” and events “to be con­firmed”. Itali­ans are resigned to their fate: inef­fi­ciency — like cor­rupt politi­cians — is the norm, so with a shrug of the shoulders they say “povera Italia” and get on with their lives. Well there’s noth­ing like a reces­sion, coupled with a French Gen­eral Dir­ector, to shake things up.

La Scala has been act­ing more like a music fest­ival of late, with lots of niche operas and a dirth of world-class sing­ers. The buzz among sea­son ticket hold­ers is that the big names are afraid of the infam­ous La Scala log­gion­isti, the boo­ers up in the gods. … [con­tinue reading]

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Jan 022011
 

Carmen Anna Anni2 Anna Anni, costume designer for Orson Welles and Franco Zeffirelli, has died at 84After design­ing cos­tumes for two Orson Welles pro­jects in 1953, Anna Anni worked for more than 50 years at the top. Maria Cal­las, Mon­ser­rat Caballè, Luciano Pav­arotti, , Carla Fracci, , , Valentina Cortese e Fanny Ard­ant all wore her costumes.

A designer obsessed with detail, and one of the first to redis­cover tech­niques for cre­at­ing period cos­tumes, she worked not just in theatre but also in cinema, where her atten­tion to detail could be appre­ci­ated in lov­ing close-up by her col­league and friend ; she designed the films of Oth­ello, Tea with Mus­solini and Cal­las Forever.

Her real home was in the theatre. For the Ver­ona Arena and the Met­ro­pol­itan Opera in New York she cre­ated cos­tumes for some of their most cel­eb­rated operas: Aidas, Tur­an­dots and Car­mens.… [con­tinue reading]

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