Apr 172013
 

DSC4510 332x500 National Ballet of Canada brings Ratmansky’s Romeo and Juliet to LondonThe will per­form ’s new pro­duc­tion of Romeo and Juliet from tonight, 17 April, until 21 April at London’s Sadler’s Wells Theatre.

The bal­let has obvi­ously been an audi­ence favour­ite ever since it came to the National Bal­let in 1964, but the company’s new ver­sion, by Rus­sian cho­reo­grapher Alexei Rat­mansky, which premiered in 2011 to ecstatic acclaim, only enhances its pos­i­tion in the rep­er­toire. Ratmansky’s work is known for its mas­tery of the clas­sical vocab­u­lary, yet he is equally adept at employ­ing that vocab­u­lary for fresh, mod­ern effects.

The Globe and Mail said,

In terms of cho­reo­graphy, Ratmansky’s great­ness lies in his abil­ity to mir­ror music in dance. There is abso­lutely no mime. The emo­tional arc of the char­ac­ters is cun­ningly shown in move­ment. In fact, the music and the dance seem insep­ar­able… Ratmansky’s vis­ion for Romeo and Juliet works on every level.

The Toronto Star agreed that it’s a winner,

Rat­mansky has given them a Romeo and Juliet that puts the ecstasy and anguish of young love front and centre, a Romeo and Juliet with soul.

Now the Lon­don press can have their say.

Prin­cipal dan­cer Greta Hodgkin­son, who has just com­pleted a Gram­il­ano Ques­tion­naire, will dance Juliet on 19 April, with Guil­laume Côté as her Romeo. The Sun commented,

Greta Hodgkinson’s mag­ni­fi­cently youth­ful and inno­cent Juliet… man­ages to cap­ture both the tent­at­ive awk­ward­ness of a colt and the sleek lines of a thor­ough­bred in every magical turn.

More inform­a­tion on the National Ballet’s cast­ing and book­ing inform­a­tion can be found on the Sadler’s Wells site.

Photo: Greta Hodgkin­son and Aleksandar Ant­on­ijevic in Romeo and Juliet — photo by Sian Richards

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  • wp socializer sprite mask 16px National Ballet of Canada brings Ratmansky’s Romeo and Juliet to London
  • wp socializer sprite mask 16px National Ballet of Canada brings Ratmansky’s Romeo and Juliet to London
  • wp socializer sprite mask 16px National Ballet of Canada brings Ratmansky’s Romeo and Juliet to London
  • wp socializer sprite mask 16px National Ballet of Canada brings Ratmansky’s Romeo and Juliet to London
  • wp socializer sprite mask 16px National Ballet of Canada brings Ratmansky’s Romeo and Juliet to London
  • wp socializer sprite mask 16px National Ballet of Canada brings Ratmansky’s Romeo and Juliet to London
  • wp socializer sprite mask 16px National Ballet of Canada brings Ratmansky’s Romeo and Juliet to London
Jun 162011
 

strictly gershwin Critics round up: Strictly Gershwin with the English National Ballet at Londons Royal Albert HallDifficult-to-please Clem­ent Crisp gives a four-star crit for the Eng­lish National Ballet’s dance show “Strictly Gershwin”:

For this show is jolly, wel­com­ing, coast­ing along on tunes that every­one knows, and it is done with a fine sense of theatre, which has ever been Deane’s forte. In this revival, it is even more slick and brassy than at its first out­ing in 2008. The company’s dan­cing is pol­ished, resource­ful. All the troupe’s prin­cipals are brightly on hand, and former guests – , Guil­laume Côté, Friedemann Vogel – are splen­didly returned.

The Arts Desk’s Judith Flanders dis­agrees vehemently:

I can’t remem­ber ever enjoy­ing any the­at­rical exper­i­ence less. The Albert Hall is not in any case a place for dance – dance in the round is a con­tra­dic­tion in terms, it simply means every­one has a bad seat.… [con­tinue reading]

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May 252011
 

Smart­phone phở­tos linked onto a tweet are a great way to let fol­low­ers get a glimpse of where you are and what you’re up to. Everyone’s at it from Hol­ly­wood stars to foot­ball louts. Bal­let dan­cers, cre­at­ive by nature, are often click­ing away and some­times the res­ults are shared.

Now boys love toys, so most of the tweet-pics are from male dan­cers. In fact most bal­let twit­ter­ers are male. The Amer­ican Bal­let Theatre’s David Hall­berg (@DavidHallberg) looks reflect­ively in the mir­ror (pun intended):

@DavidHallberg 450x600 Ballet Twitter pics

The National Bal­let of Canada’s Guil­laume Coté (@guillaume__cote) and Leonid Sara­fanov, now with the Mikhail­ovsky Bal­let, down a pint after at La Scala:

@guillaume  cote Sarafanov by Cote 500x373 Ballet Twitter pics

ABT’s Daniil Simkin (@daniil) is shyly reflec­ted by the glass:

@daniil by @daniil 500x500 Ballet Twitter pics

The ’s Lauren Cuth­bertson (@LondonBallerina) shows her romantic side:

@LondonBallerina 500x375 Ballet Twitter pics

While San Fran­cisco Ballet’s Maria Kochet­kova (@balletrusse) has an inter­val fag — or maybe it’s a stage ciggie:

@balletrusse by @balletrusse 500x500 Ballet Twitter pics

Some prefer to snap their col­leagues.… [con­tinue reading]

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May 252011
 

Sofia Rosolini Jewels 338x600 Balanchines Jewels finally sparkle at La ScalaIn less than a fort­night the com­pany has turned out its jewel-box and pol­ished each pre­cious stone. The shambled mess that was meant to be Balanchine’s cho­reo­graphy has become pre­cise, witty and, mainly, as Bal­anchine prob­ably would have wanted it.

Italy’s most read news­pa­per, the Cor­ri­ere della Sera, titled its review “Balanchine’s don’t sparkle at La Scala”. It was true.

The La Scala bal­let com­pany has everything a large scale com­pany could wish for, except per­form­ance dates. It presents only five pro­grammes dur­ing the cur­rent sea­son with 50 per­form­ances at La Scala and a hand­ful of tour dates. are giv­ing 42 per­form­ances in its cur­rent six-week spring sea­son alone!

The La Scala com­pany also suf­fers from a lack of stage rehearsal time which is cru­cial for a tech­nic­ally demand­ing even­ing of Bal­anchine.… [con­tinue reading]

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Nov 252010
 

Istanbul La Scala Poster Pink floyd kucuk11 La Scala ballet company brings Roland Petits Pink Floyd Ballet to IstanbulAfter last year’s sur­prise hit at Milan’s of a revival of Petit’s “” with , ,  and Altankhuyag Dugaraa, the com­pany are now tour­ing the pro­duc­tion to Tur­key. From tonight in Istan­bul Con­gress Centre the La Scala bal­let will per­form five per­form­ances over the next four days.

“Our goal in bring­ing this pro­ject to Tur­key is to sup­port cul­tural and artistic rela­tions between Tur­key and Italy,” said busi­ness­man Celaled­din Bil­giç, who is respons­ible for sta­ging the pro­ject in Istan­bul. “The Pink Floyd Bal­let is one of the pro­jects that we have ini­ti­ated in order to improve rela­tions between Tur­key and Italy.”

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