Mar 192013
 

Polyphonia by Gene Schiavone 3 700x363 1 Boston Ballets 50th Anniversary season kicks off in London

Boston Bal­let has announced its 50th anniversary sea­son, which will start with their tour to Lon­don in July at the . Pro­gram­ming for 2013/2014 includes La Bay­adère and Cinder­ella, two cutting-edge rep­er­tory pro­grammes with Amer­ican and world premières  and Balanchine’s mas­ter­piece, Jew­els. The sea­son will close with a tour to Washington’s Kennedy Cen­ter, and end with per­form­ances at the Koch Theater in New York City’s Lin­coln Center.

Artistic Dir­ector Mikko Nissinen said,

We have exhil­ar­at­ing momentum going into our 50th year. The 2013–2014 sea­son is a pivotal cel­eb­ra­tion of the Company’s dis­tin­guished past, extraordin­ary present, and excit­ing future. This mile­stone year is an oppor­tun­ity to cel­eb­rate today’s and give thanks to all the people who have helped us get here.

Lon­don has had to wait 30 years for a return visit by the com­pany. The bal­lets it has chosen to present reflect a cen­tury of ground-breaking cho­reo­graphy, from Vaslav Nij­in­sky to , and also by Boston Bal­let Res­id­ent Cho­reo­grapher, Jorma Elo. For six per­form­ances from 3 July 2013, Boston Bal­let will present two pro­grammes. The first pro­gramme high­lights the company’s diverse range and com­mand of Bal­anchine cho­reo­graphy. Fea­tur­ing Vaslav Nijinsky’s After­noon of a Faun, George Balanchine’s Ser­en­ade and Sym­phony in Three Move­ments, and res­id­ent cho­reo­grapher Jorma Elo’s Plan to B.

The second pro­gramme the com­pany brings to Lon­don fea­tures the con­tem­por­ary dynamic and ver­sat­il­ity of the com­pany, with ’s The Second Detail, Chris­topher Wheeldon’s Poly­phonia, and ’s Bella Figura; in fact, Boston Bal­let is the first Amer­ican Com­pany to per­form Bella Figura.

Happy Anniversary!

Photo: Boston Bal­let in Poly­phonia by Gene Schiavone

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  • wp socializer sprite mask 16px Boston Ballets 50th Anniversary season kicks off in London
  • wp socializer sprite mask 16px Boston Ballets 50th Anniversary season kicks off in London
  • wp socializer sprite mask 16px Boston Ballets 50th Anniversary season kicks off in London
  • wp socializer sprite mask 16px Boston Ballets 50th Anniversary season kicks off in London
  • wp socializer sprite mask 16px Boston Ballets 50th Anniversary season kicks off in London
  • wp socializer sprite mask 16px Boston Ballets 50th Anniversary season kicks off in London
  • wp socializer sprite mask 16px Boston Ballets 50th Anniversary season kicks off in London
  • wp socializer sprite mask 16px Boston Ballets 50th Anniversary season kicks off in London
Jan 082012
 
Q&A

Petra Conti Petra Conti answers the Gramilano Questionnaire… Dancers’ EditionWhen did you start dan­cing?
1988

Why did you start dan­cing?
It was nat­ural and spontaneous.

Which dan­cer inspired you most as a child?
Baryshnikov.

Which dan­cer do you most admire?
Those who give their heart and soul on stage.

What’s your favour­ite role?
All the Romantic ones.

What role have you never played but would like to?
John Neumeier’s “La Dama delle Camelie”.

What’s your favour­ite bal­let to watch?
Any­thing by Les Bal­lets Trock­a­dero de Montecarlo!!!

Who is your favour­ite cho­reo­grapher?
There are more than one.

Who is your favour­ite writer?
J. K. Rowl­ing icon smile Petra Conti answers the Gramilano Questionnaire… Dancers’ Edition

Who is your favour­ite dir­ector?
I don’t have a par­tic­u­lar favour­ite, but I admire many.

Who is your favour­ite actor?

Who is your favour­ite singer?[con­tinue reading]

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Apr 242011
 

Hough Whiteside Boston Ballet Jirí Kylián’s “Bella Figura’’ débuts with a US companyOne of Jirí Kylián’s most fam­ous bal­lets, “Bella Figura’’, has never been per­formed by an Amer­ican com­pany. will be right­ing that next week when they per­formed it as part of a new trip­tych pro­gramme.  prin­cipal James Whiteside will be dan­cing in all three.

“Bella Figura’’ is set to a mostly slow, hyp­notic score of music by Baroque com­posers includ­ing Viv­aldi and Per­golesi, it has moments when the dan­cers — women and men — are top­less. Whiteside is irrit­ated by the atten­tion the semi-nude aspect of the per­form­ance is getting:

I’ve seen so many fea­tures on ‘Bella Figura’ that say, ‘fea­tur­ing nud­ity.’ Which is pre­pos­ter­ous. If you look at it that way, just head over to Centerfolds.

“This bal­let is about con­tain­ing human beauty — which is nud­ity.… [con­tinue reading]

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Apr 212011
 

sylvie r2 c11 Sylvie Guillem evening at Sadlers Wells   Hope for Japan

Sadler’s Wells Asso­ci­ate Artist has added an extra per­form­ance to her cur­rently sold out run this July. The pro­ceeds from this addi­tional show, includ­ing the trans­ac­tion fee, will be donated to the Japan Tsunami Appeal, man­aged by the Brit­ish Red Cross.

Widely recog­nised as one of the world’s greatest dan­cers, Sylvie Guillem stars in this new even­ing of work by three of today’s most import­ant cho­reo­graph­ers; , and .

This Sadler’s Wells / Sylvie Guillem pro­duc­tion fea­tures iconic dance-maker Wil­liam Forsythe’s new duet for her and Paris Opera Bal­let étoile Nic­olas Le Riche.

Acclaimed Swedish cho­reo­grapher Mats Ek’s new solo, Ajö (Bye), for Guillem, set to Beethoven’s last piano son­ata, has been her­al­ded as a “mas­ter­piece” by Frank­furter Allge­meine Zei­tung.… [con­tinue reading]

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