Mar 012013
 

Claudio CorvielloCarla FracciPetra Conti 500x375 Ivan Vasiliev is forced to cancel début at the last minuteIvan Vasiliev, who has been suf­fer­ing from back pains for a few days, was forced to bow out of his début at Teatro alla Scala in Milan at the last minute. He was already in make-up for his role as the Hunch­back in Roland Petit’s Notre-Dame de Paris, when half-an-hour before cur­tain up he real­ised he couldn’t go on.

21-year-old Clau­dio Cov­i­ello who had danced the role at the mat­inée per­form­ance stepped in. As the announce­ment was made in the theatre wails arrived from all parts of the house with cries of “No!”. It is to young Coviello’s credit that the cries turned to cheers by the end of his first solo. His Esmer­alda was rising young Italian star , who danced the role superbly, and her real life part­ner, , played her stage suitor in apt heroic fashion.

Carla Fracci, who was in the theatre to wit­ness Vasiliev’s per­form­ance, found her­self watch­ing Cov­i­ello who she has known since he was a boy. He was a stu­dent in the Rome Bal­let School when she was the dir­ector of Rome Opera Ballet.

(Vasiliev’s real life part­ner) played Esmer­alda in the first three per­form­ances of the run, with as her Quasimodo.

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  • wp socializer sprite mask 16px Ivan Vasiliev is forced to cancel début at the last minute
  • wp socializer sprite mask 16px Ivan Vasiliev is forced to cancel début at the last minute
  • wp socializer sprite mask 16px Ivan Vasiliev is forced to cancel début at the last minute
  • wp socializer sprite mask 16px Ivan Vasiliev is forced to cancel début at the last minute
  • wp socializer sprite mask 16px Ivan Vasiliev is forced to cancel début at the last minute
  • wp socializer sprite mask 16px Ivan Vasiliev is forced to cancel début at the last minute
  • wp socializer sprite mask 16px Ivan Vasiliev is forced to cancel début at the last minute
  • wp socializer sprite mask 16px Ivan Vasiliev is forced to cancel début at the last minute
Feb 172013
 

P2160066 500x375 Triumph in Milan for Natalia Osipova and Roberto Bolle in Notre Dame de ParisThe main curi­os­ity sur­round­ing the return to of ’s bal­let  was how cover-boy-ballerino Roberto Bolle could handle the role of the hunch­back Quasimodo; as he said him­self “it’s the first time I haven’t played il bello”.

Well, he comes out of it very well, maybe he’s not a dancer-actor like a Nic­olas Le Riche, but he is con­vin­cing and executes the cho­reo­graphy superbly. But he was only one of four superb inter­pret­ers, and the dan­cer who stirred most curi­os­ity amongst bal­let fans was Nat­alia Osipova.

In this theatre she has only been seen in the role of Kitri, and the back­stage buzz has been why a vir­tu­oso like Osipova has been chosen this sea­son to play both Esmer­alda and Manon.… [con­tinue reading]

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Oct 122012
 

This was an inspired per­form­ance of Nikiya from . There are many videos of her in what is argu­ably her best role, but this is cer­tainly one her finest per­form­ances. A magical even­ing in Feb­ru­ary of 2008.

With her are Maria Allash as Gamz­atti and Nikolai Tsis­karidze as Solor, both in splen­did form. The Bronze Idol is danced by Morikhiro Ivata, and it would be hard to bet­ter the three “Shad­ows”: Eka­ter­ina Krysan­ova, and Anna Nikulina.

Nikiya’s Death — Svet­lana Zakharova:

Shadow Vari­ation — Nat­alia Osipova:

Final Pas de deux & Vari­ations — Svet­lana Zakhar­ova & Nikolai Tsis­karidze:
[con­tinue reading]

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Jul 102012
 

Itali­ans are great dan­cers, but they don’t get much oppor­tun­ity to demon­strate that in their homeland.

The his­tory of bal­let is adorned with Italian tal­ent:  was the first Swan­hilda in Cop­pélia;  three dazzling stars, , Fanny Cer­rito, and Marie Tagli­oni (also the first Sylphide) were cel­eb­rated by Per­rot in his Pas de Quattre; Pier­ina Leg­nani was named Prima Baller­ina Assol­uta by Petipa at the Mari­in­sky and was the first baller­ina to per­form 32 fou­ettés; Petipa cre­ated La Esmer­alda pas de six for Vir­ginia Zuc­chi,  and so on.

Italian ballerinas The dance drain: who will save ballet in Italy?

Although they didn’t come as thick and fast in the 20th cen­tury, Italia’s liv­ing legend Carla Fracci cer­tainly made her mark inter­na­tion­ally, as did Elisa­betta Ter­ra­bust and Lili­ana Cosi, and London’s Royal Bal­let is surely grate­ful for the pres­ence of Aless­andra Ferri, Vivi­ana Dur­ante and .… [con­tinue reading]

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Jul 012012
 

What have , Nat­alia Osipova and  got in com­mon? Well yes, they are all bal­let dan­cers. And yes, they have all danced Gis­elle. But think more deeply… They’ve all got dark hair? Now you’re just being silly. I’ll have to tell you. They all have shoes made with solar power! But I expect you’d already guessed that.

America’s Car­dinal Shoe Corp, man­u­fac­tur­ers of Gaynor Minden pointe shoes, have installed 1,092 solar pan­els on the roof of their fact­ory in Mas­sachu­setts. They are cap­able of gen­er­at­ing 273,000 kilowatt-hours of elec­tri­city, which means that the company’s elec­tri­city bills will be halved.

Owner Richard Bass says he has “the largest solar-powered bal­let shoe fact­ory on the planet”, and  it is quite prob­ably the only solar-powered bal­let shoe fact­ory in exist­ence. … [con­tinue reading]

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Feb 102012
 

The Mikhail­ovsky Theater scored a coup last fall by lur­ing and from the , and it was to have brought them to the United States this sum­mer for a run of shows at Lin­coln Cen­ter, said Arts Beat.

Now those plans have been scrapped because Amer­ican Bal­let Theater has exer­cised a no-compete clause involving the pair. Osipova and Vasiliev also dance with ABT – Osipova as a prin­cipal and Vasiliev as a guest.

The Mikhail­ovsky had plans to per­form at the David H. Koch Theater from June 19 to July 1, while ABT is sched­uled to per­form at the Met­ro­pol­itan Opera house around the same time.

The ABT’s artistic dir­ector, , said that the com­pany would not release Osipova and Vasiliev from a clause bar­ring its mem­bers from per­form­ing nearby.… [con­tinue reading]

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Jan 012012
 

Sleeping Beauty Duato Whos pulling the strings in Russias ballet revolution? asks The Observers Luke JenningsThe bal­let world was sur­prised when  (ex-director of Spain’s Com­pañía Nacional de Danza) was headhunted by St Petersburg’s Mikhail­ovsky Theatre, maybe enticed by the fat wal­let of gen­eral dir­ector . He has now been at the company’s helm for a year. When star  jumped on board a couple of months later fans were per­plexed at him leav­ing the clas­sical com­pany par excel­lence to join the rel­at­ively unknown Mikhail­ovsky with a con­tem­por­ary cho­reo­grapher as its dir­ector. When towards the end of 2011 two of ballet’s hot­test new stars, Ivan Vasiliev and Nat­alia Osipova, left the Bolshoi com­pany to be part of Kekhman’s group, jaws hit the ground.

Luke Jenning’s in today’s Observer asks “Who’s pulling the strings in Russia’s bal­let revolu­tion?”.… [con­tinue reading]

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