In 1987 a two-part television programme called The Ballerinas featured Carla Fracci, with some of the top male dancers of the period, in a series of reconstructions putting various ballets and their interpretors in an historical context. Fracci was an amazingly youthful 51 when she danced these extracts.
Dance Magazine critic John Gruen wrote:
The nineteenth century clings to Carla Fracci like an invisible mantle — her aura, her look, her demeanor suggest everyone’s conception of the romantic ballerina. How fitting that this great poetic artist should portray some of her most fabled predecessors — the very ballerinas that, like Fracci, were the embodiment of romantic fragility and lyric classicism.
In The Ballerinas, a sumptuously produced two-part ballet drama, Fracci places her rare artistry in the service of dance history as she recreates roles first premiered by such luminous ballerinas as Marie Taglioni, Emma Livry, Carlotta Grisi, Fanny Elssler, Giuseppina Bozzacchi, Carlotta Brianza, Matilde Kschessinska, Anna Pavlova, Tamara Karsavina and Olga Spessitzeva.… [continue reading]
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