Sep 102011
 

For the second year run­ning the sea­son has achieved record audi­ences, the BBC has announced.

Attend­ance at the main even­ing events was 94%, com­pared with 92% in 2010. More than 300,000 people atten­ded a prom over the course of the summer.

The sea­son draws to a close tonight night with the Last Night Of The Proms. Con­ductor Edward Gard­ner will take to the podium at the Royal for his first ever Last Night, and will be joined by pian­ist and sop­rano

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  • wp socializer sprite mask 16px BBC Proms attract record numbers
  • wp socializer sprite mask 16px BBC Proms attract record numbers
  • wp socializer sprite mask 16px BBC Proms attract record numbers
  • wp socializer sprite mask 16px BBC Proms attract record numbers
  • wp socializer sprite mask 16px BBC Proms attract record numbers
  • wp socializer sprite mask 16px BBC Proms attract record numbers
  • wp socializer sprite mask 16px BBC Proms attract record numbers
  • wp socializer sprite mask 16px BBC Proms attract record numbers
Sep 082011
 

Phantom 25th anniversay Latest on Phantoms 25th anniversary spectacularTo mark its 25th Anniversary year, “The at the Royal ” will be screened live in around 250 cinemas nation­wide across the UK at 7pm on Octo­ber 2nd. The event will be released on Novem­ber 14th on DVD.

The event will also be screened live on over 500 screens in North Amer­ica on Octo­ber 2nd with addi­tional broad­casts in cinemas on Octo­ber 5th and 6th, with a spe­cial encore on Octo­ber 11th.  Canada will broad­cast on Oct 3 with addi­tional screen­ing on Oct 22nd. Aus­tralia has a spe­cial première screen­ing at the State Theatre in Sydney on Octo­ber 8th, fol­lowed by screen­ings from Octo­ber 13th – 23rd.

Other Inter­na­tional mar­kets includ­ing Europe and Japan will hold event cinema screen­ings dur­ing Octo­ber, with DVD and Blu-ray™ releases fol­low­ing in early 2012.… [con­tinue reading]

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Sep 032011
 

A mem­ber of the audi­ence filmed the dis­turb­ances at ’s 75th Birth­day Prom with the Israel Phil­har­monic, which led the to take its live radio broad­cast off the air. The anti-Israel pro­test­ers dis­turbed the con­cert as sev­eral points dur­ing the evening.

In his excel­lent blog, Nor­man Lebrecht writes:

The clips remind me of the way the Nazis broke up leftwing polit­ical meet­ings in Wei­mar Germany.

And Igor Toronyi-Lalic for The Arts Desk comments,

They had a right to stand out­side and propag­ate their views. And they were gran­ted that right. But then they went bey­ond this right. They imposed their protest on us to the extent that we were restric­ted in our free­dom to do what we wanted.… [con­tinue reading]

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Aug 032011
 

Stephen Hough At the Proms: The secret alchemy of Stephen Houghs playing is one of my faves: a ‘real per­son’ who can talk about polit­ics and per­fume, yet pos­sesses a knock-out technique.

Now those pian­ists who can squeeze more notes into a nano­second than Japan­ese metro guards can squeeze com­muters into a train car­riage, usu­ally are fairly lim­ited in their social skills. Hours of prac­tising in the dark has deprived them of time for those essen­tial tasks neces­sary for devel­op­ing an eclectic mind: flick­ing through Hello! magazine, watch­ing Amer­ican Idol and going to Harry Pot­ter movies.

Now while I haven’t the slight­est idea if Hough does any of those things, I do know that he doesn’t just play (glor­i­ously) the piano. His won­der­ful blog on the Telegraph’s site shows how open he is to so many stim­uli.… [con­tinue reading]

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Jun 162011
 

strictly gershwin Critics round up: Strictly Gershwin with the English National Ballet at Londons Royal Albert HallDifficult-to-please Clem­ent Crisp gives a four-star crit for the ’s dance show “Strictly Gershwin”:

For this show is jolly, wel­com­ing, coast­ing along on tunes that every­one knows, and it is done with a fine sense of theatre, which has ever been Deane’s forte. In this revival, it is even more slick and brassy than at its first out­ing in 2008. The company’s dan­cing is pol­ished, resource­ful. All the troupe’s prin­cipals are brightly on hand, and former guests – Tamara Rojo, Guil­laume Côté, Friedemann Vogel – are splen­didly returned.

The Arts Desk’s Judith Flanders dis­agrees vehemently:

I can’t remem­ber ever enjoy­ing any the­at­rical exper­i­ence less. The Albert Hall is not in any case a place for dance – dance in the round is a con­tra­dic­tion in terms, it simply means every­one has a bad seat.… [con­tinue reading]

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Dec 062010
 

Tonight is solo at Carne­gie Hall. Here is part of the new Van­ity Fair inter­view where he talks about his recent engage­ment (both at Carne­gie Hall and to his boy­friend Jörn Weisbrodt):

How did you get to the point of want­ing to be engaged to Jörn Weisbrodt?

Well, it’s no longer a ques­tion of want­ing to be engaged. Now it’s a ques­tion of being engaged. I’ve been with Jörnn for about five years, and I’m not find­ing any­thing bet­ter, and I’ve cer­tainly traveled the world and had oppor­tun­it­ies to fall out of line, and it doesn’t ever seem to hap­pen. Or, you know, I just keep want­ing to go back to him. The other thing, too, is, I’m a fam­ous per­son.… [con­tinue reading]

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