Jan 112013
 

Loretta Goggi Gypsy 500x332 A new Mama Rose gets her turn in Italys first ever GypsyOn 15 Janu­ary, will wel­come a new Rose to the stage as Gyspy opens in .

Lor­etta Goggi has been a house­hold name in Italy for half a cen­tury. She made her début in tele­vi­sion as a girl and hasn’t been far from the small screen or stage since. Start­ing out as a child act­ress, she found her tal­ent for singing when she was a small girl, and later a tal­ent for mim­ick­ing. Her impres­sions, espe­cially those of Italian singing icon Mina, are replayed con­stantly on tv, from her early days in black and white, onwards. Dur­ing the 70s and 80s Goggi had sev­eral suc­cesses as a pop singer, but the stage and small screen have always been her true home.

Goggi starred in the Italian première of They’re Play­ing Our Song in 1981, was a mem­or­able Dolly Levi in 1999, and now in this new pro­duc­tion of Gyspy she will be the first Italian Rose for, amaz­ingly, the Arthur Laurents’ 1959 musical, with music by Jule Styne, lyr­ics by Stephen Sond­heim, has never been presen­ted in Italy.

The pro­du­cer, M.A.S. (Music, Arts & Show) moun­ted the ori­ginal Aus­tralian pro­duc­tion of  in Milan last sea­son, com­plete with LED-lit bus and Tim Chap­pel and Lizzy Gardiner’s Tony Award win­ning cos­tumes. This was an excep­tional invest­ment in a coun­try where a per­man­ence of more than three months is almost unheard of. Two or three weeks is the usual allot­ted period in Milan or Rome for a musical, with only a few days in the smal­ler cit­ies. Tour­ing con­sid­er­a­tions are essen­tial in Italy, so Priscilla has caused major logistic head­aches. , how­ever, is an all-Italian affair, with Stefano Gen­ov­ese dir­ect­ing, and Mat­teo Piedi’s design­ing sets and cos­tumes, and will surely be more lightweight.

But there is noth­ing light­weight about Lor­etta Goggi who has all the cre­den­tials neces­sary to dazzle in one of the most coveted roles of the Broad­way stage. She’s got no need to “get a gim­mick” for hers is genu­ine and rare talent.

Ya either got it, or ya ain’t, and she’s got it!

 

Gypsy runs at Teatro Nuovo, Milan from 15 Janu­ary to 3 February

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  • wp socializer sprite mask 16px A new Mama Rose gets her turn in Italys first ever Gypsy
  • wp socializer sprite mask 16px A new Mama Rose gets her turn in Italys first ever Gypsy
  • wp socializer sprite mask 16px A new Mama Rose gets her turn in Italys first ever Gypsy
  • wp socializer sprite mask 16px A new Mama Rose gets her turn in Italys first ever Gypsy
  • wp socializer sprite mask 16px A new Mama Rose gets her turn in Italys first ever Gypsy
  • wp socializer sprite mask 16px A new Mama Rose gets her turn in Italys first ever Gypsy
  • wp socializer sprite mask 16px A new Mama Rose gets her turn in Italys first ever Gypsy
  • wp socializer sprite mask 16px A new Mama Rose gets her turn in Italys first ever Gypsy
Nov 192011
 

is to be the voice of the giant in the Giggleswick school pro­duc­tion of Into the Woods. She delighted pupils at the North York­shire board­ing school by agree­ing to take a part in their school play. Pupils wrote ask­ing her to take part with the cast of 90 schoolchildren.

She is pat­ron of the Richard Whiteley Theatre that opened about 18 months ago, set up with money left by Whiteley to the school in his will. The late Count­down presenter, who was a pupil at the school, died in 2005 aged 61.

The pupils chose to ask York-born Dame Judi because she had already fea­tured as the voice of the giant in the Lon­don Regent’s Park open-air pro­duc­tion of the musical.… [con­tinue reading]

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Oct 252011
 

Elaine Stritch1 Elaine Stritch at the Town Hall: an idiosyncratic mix of old fashioned patter and perfect timingThe have many won­der­ful enter­tain­ment journ­al­ists, the sort that have you read­ing a review of some­thing you’d never want to see. Chris­topher Smith writes about Elaine Stritch’s latest ven­ture at Manhattan’s vast Town Hall who, at 86, has still got what it takes. Here is part of Smith’s sens­it­ive and sens­ible review:

Wear­ing her trade­mark man’s long-sleeved white dress shirt, black panty­hose and sens­ible heels, she ambled out and, front­ing a six-piece combo, launched into “I Feel Pretty” from “West Side Story.” She pretty much owned the joint from that entrance on.

It was an even­ing of Sond­heim, whose cata­logue Stritch has turned into a Quixote-like pil­grim­age to not­able suc­cess in the past few years. The 12-song set was made up of selec­tions one would expect, such as  “Send in the Clowns” and “The Ladies Who Lunch,” and more obscure chest­nuts like “A Parade in Town.” Inter­est­ingly, and per­haps wisely, her almost pre­dict­able ren­der­ing of “I’m Still Here,” which racks up views on You Tube from her per­form­ances at Sond­heim salutes and at the White House for Pres­id­ent Obama and his fam­ily, was not here.… [con­tinue reading]

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Oct 122011
 

is to receive ’s highest hon­our for achieve­ment in the arts. The award is given by the City of New York for con­tri­bu­tion to the city’s intel­lec­tual and cul­tural life. Pre­vi­ous recip­i­ents include , John Len­non and cho­reo­grapher Merce Cunningham.

The Han­del Medal­lion will be presen­ted by Mayor Michael Bloomberg and actor Alec Bald­win at the Mayor’s Awards for Arts and Cul­ture cere­mony at Alice Tully Hall.

The cere­mony will also hon­our five other fig­ures in the art world for their con­tri­bu­tions, includ­ing Bary­sh­nikov Arts Cen­ter dir­ector and artist Maya Lin.

via BBC News[con­tinue reading]

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Oct 012011
 

Imelda Staunton has returned to the musical stage as Mrs Lovett in ’s . She talked to The Tele­graph:

“I read some­where that, if you want to be dif­fer­ent, you have to be pre­pared to be lonely. That’s how I feel. At school, I wasn’t par­tic­u­larly dif­fer­ent, but I went off on a com­pletely dif­fer­ent path to other children.

“Though I had a lovely child­hood, there was a loneli­ness as an only child. And I think that fuels my abil­ity to empath­ise with sad­ness and loneli­ness. It just feeds everything I do.” She gives a shy smile. “I will always look for the sad­ness or the pain in some­thing because I have it there and always have it.”… [con­tinue reading]

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Sep 292011
 

Patti LuPone Four artists who influenced Patti LuPoneThe Los Angeles Times asked to name four people who have influ­enced her artistically:

Edith Piaf

I’m an Italian and my emo­tions are just under my skin.… There’s just a pur­ity and raw­ness in her singing that goes straight to my heart and my gut and it always has. There’s such expres­sion in her voice.

Bette Davis

I grew up on Long Island … and they used to show old movies on tele­vi­sion at 10 and 1 o’clock. I saw Busby Berke­ley music­als and Bette Davis movies. Davis wasn’t the most beau­ti­ful act­ress but she was the most cour­ageous at the time. I was maybe 8 or 9 years old when I first saw her. I used to cut school and feign ill­ness just to see Davis.… [con­tinue reading]

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Aug 122011
 

Asked to respond to ’s blis­ter­ing cri­tique of the planned revamp of “Porgy and Bess” at the Amer­ican Rep­er­tory Theater, Diane Paulus, the ART’s artistic dir­ector, issued a brief state­ment on Thursday:

The entire cre­at­ive team and cast have the most enorm­ous love and respect for ‘Porgy and Bess,’ and we are grate­ful for the sup­port and encour­age­ment we have received from the Ger­sh­win and Hey­ward Estates for this production.

Ms. Paulus, the show’s dir­ector, may be the only one without much to say so far. Since Mr. Sond­heim sent his let­ter to the editor to (the full text appears here), hun­dreds of read­ers have respon­ded and other blogs have taken up the debate.

via NYTimes.com[con­tinue reading]

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