Nov 162012
 

Dear World Playbill 1969 Betty Buckley to star in Jerry Hermans Dear World in the West EndEvery­one who knows and loves the ori­ginal cast record­ing of Jerry Herman’s musical Dear World will be delighted to have the oppor­tun­ity to see it when it comes to the Lon­don stage next year.

It  will receive its Brit­ish première at the Char­ing Cross Theatre with Betty Buckley in the title role — which cre­ated in 1969 — and Paul Nich­olas. It will be dir­ec­ted and cho­reo­graphed by the mira­cu­lous Gil­lian Lynne (Cats, Phantom) who will turn 87 dur­ing the show’s lim­ited run.

Although Dear World won a Tony for Lans­bury as Best Act­ress in a Musical it was not a com­mer­cial suc­cess and ran for only 132 per­form­ances. The Lon­don pro­duc­tion will run from 13 Feb­ru­ary to 30 March 2013.

Dear World is based on Jean Giraudoux’s play The Mad­wo­man of Chail­lot, which gave Lans­bury great scope and the make-up team a lot of fun. Now –win­ner Betty Buckley is to get her teeth into the role which, on paper, should suit her per­fectly. She has already tackled a sim­ilar char­ac­ter when play­ing Norma Des­mond in ’s  in the West End.

Buckley and her co-star Paul Nich­olas have a Cats con­nec­tion as both were in ori­ginal casts, though not in the same city:  Nich­olas cre­ated the role of Rum Tum Tug­ger in Lon­don, while Buckley was the first Griza­bella on Broad­way. There’s even a num­ber in Dear World called ‘Memory’… but not that one.

 

Photo: Angela Lans­bury on the 1969 Play­bill cover

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  • wp socializer sprite mask 16px Betty Buckley to star in Jerry Hermans Dear World in the West End
  • wp socializer sprite mask 16px Betty Buckley to star in Jerry Hermans Dear World in the West End
  • wp socializer sprite mask 16px Betty Buckley to star in Jerry Hermans Dear World in the West End
  • wp socializer sprite mask 16px Betty Buckley to star in Jerry Hermans Dear World in the West End
  • wp socializer sprite mask 16px Betty Buckley to star in Jerry Hermans Dear World in the West End
  • wp socializer sprite mask 16px Betty Buckley to star in Jerry Hermans Dear World in the West End
  • wp socializer sprite mask 16px Betty Buckley to star in Jerry Hermans Dear World in the West End
  • wp socializer sprite mask 16px Betty Buckley to star in Jerry Hermans Dear World in the West End
Oct 042011
 

Barnum Michael Crawford David I. Mitchell   designer of Barnum, Annie & La Cage aux Folles   dies at 79David I. Mitchell, who did the scenic design for more than 30 Broad­way shows, was nom­in­ated for seven Tony Awards and won two, died of can­cer on yes­ter­day, Octo­ber 3, in Los Angeles. He was 79.

His Tony-nominated shows were “Barnum”, “Annie”, “Tre­lawny of the Wells”, “Work­ing”, “Can-Can”, “Foxfire” and “The Boys of Winter”. Other Broad­way work included “” and Neil Simon’s “Brighton Beach Mem­oirs” and “Biloxi Blues”; his last Rialto effort was the musical revue “Dream” in 1997.

Mitchell won his Tonys for his whim­sical, circus-like set design of the 1980 musical “Barnum” and for the Studs Terkel-inspired 1978 musical “Working”.

Play­bill recalled Frank Rich’s review of Barnum for The Times:

“When cir­cum­stances require it, Mr.… [con­tinue reading]

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Oct 042011
 

The Broad­way musical “Billy Elliot”, win­ner of 10 Tony Awards in 2009 and a hot ticket for much of its run, will close on Janu­ary 8, 2012, after 3 years and 3 months of performances.

The decision to close came after a some­what pre­cip­it­ous decline in ticket sales that accel­er­ated through the late spring and sum­mer amid com­pet­i­tion from new music­als like “The Book of Mor­mon” and “ Queen of the Desert”, hit reviv­als like “Any­thing Goes” and “How to Suc­ceed in Busi­ness Without Really Try­ing”, and “Mem­phis”, the dur­able recip­i­ent of the 2010 Tony for best musical.

“Billy Elliot” was one of the most suc­cess­ful music­als in in recent years, earn­ing back its cap­it­al­iz­a­tion of $18 mil­lion – a high fig­ure for Broad­way – in just 14 months.… [con­tinue reading]

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Aug 102011
 

John Wood Orlando British actor John Wood dies at 81John Wood — who won a in 1976 and appeared in numer­ous films and TV dra­mas and appeared in films such The Mad­ness of King George and Shad­ow­lands - has died at the age of 81.

Wood, who was made a CBE in 2007 for ser­vices to drama, won the Tony for his role in a Broad­way pro­duc­tion of ’s Trav­esties. The Derbyshire-born star died peace­fully in his sleep on Sat­urday, his agent said.

A state­ment from his agent said: “John was a dis­tin­guished clas­sical actor, who was much loved and respec­ted by his col­leagues, and will be greatly missed.”

His other TV cred­its include Good­night Mr Chips, Foyle’s War, Love in a Cold Cli­mate and Kavanagh QC.… [con­tinue reading]

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Jun 162011
 

Giorgio Tozzi Giorgio Tozzi dies at 88Gior­gio Tozzi, the Met­ro­pol­itan Opera star whose career also encom­passed work in film, TV and legit theatre, died of a heart attack May 30 in Bloom­ing­ton, Ind. He was 88.

Born George John Tozzi in Chicago (and later rechristened by his record com­pany), he was edu­cated at his hometown’s DePaul U. and later stud­ied on the G.I. Bill in Milan with Giulio Lorandi. Ori­gin­ally a bari­tone, he moved into bass roles, mak­ing his Met debut in 1955.

Praised for both his vocal and act­ing prowess, Tozzi took lead­ing roles in operas by Moz­art, Mus­sorgsky, , and . He ended his Met career in 1975.

Tozzi also essayed pop­u­lar roles. He starred as planter Emile de Becque oppos­ite Mary Mar­tin in a tour­ing pro­duc­tion of ’s “South Pacific” and dubbed Ezio Pinza’s singing voice in Joshua Logan’s 1958 film ver­sion.… [con­tinue reading]

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May 222011
 

Judy Kaye Judy Kaye is Mrs Madrigal in the Tales of the City musicalBroadway’s Judy Kaye, star of “Rag­time” and “On the Twen­ti­eth Cen­tury,” win­ner of a 1988 for “Phantom of the Opera” is about to tackle a new role in a new musical. Rumours from the try-outs in are very pos­it­ive, and Kaye too is excited about play­ing Anna Mad­rigal in the world première musical “Tales of the City.”

The show star­ted pre­views last week and will offi­cially open on June 1. She was inter­viewed by the San Fran­cisco Chron­icle. Here are three of the ques­tions posed:

Q: Why do you think you’re right for this role?

I’m the right age. Vocally, it’s per­fect for me, speak­ing in tech­nical terms. And I imme­di­ately felt a kin­ship with this char­ac­ter, and frankly who wouldn’t?… [con­tinue reading]

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May 062011
 

ian rickson mark rylance The Economist talks to Tony nominee Mark RylanceMark Rylance is cur­rently star­ring in Jer­u­s­alem at the Music Box Theatre in . A majestic per­form­ance that has garnered him a Tony nom­in­a­tion for best actor. When I worked with him at ’s on Britten’s , he played the non-singing role of Puck — bril­liantly. A massive hi-tech pyr­amid struc­ture was no prob­lem for him phys­ic­ally as he swung and slithered around its alu­minium poles with a demonic expres­sion in his eyes. Phys­ic­al­ity is import­ant to Rylance.

I like very much the kabuki act­ors and their phys­ic­al­ity - he told The Eco­nom­ist in a long inter­view about his craft. How clear they are, how express­ive they are vocally and physically—the para­met­ers are much wider for them than our nat­ur­al­ism.… [con­tinue reading]

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