Dec 272012
 

Q&A

Rosalind Plowright Medee ROH 1989 2 374x500 Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition

When did you start singing? 
Age 12. I had always sung before but only found my true voice at this age. My father was a bass player and had been play­ing in the orches­tra for a per­form­ance of The Mikado. Whilst trav­el­ling back home I imit­ated the voice of Kat­isha and out came this big plummy rich sound… My father nearly drove off the road!

Why did you start singing?
Because I had a voice and loved singing!! When I was 13 my mother bought me 3 LP’s, one of Cal­las, one of Tebaldi and one of Suth­er­land. It was the first time I had heard real opera singing and I became totally obsessed. From that moment onwards it has been my life and soul. I went to Music con­ser­vat­ory part time at the age of 16 and began full time at the age of 18.

Which singer inspired you most when you were young?
Maria Callas.

Which singer do you most admire?
Maria Callas.

What’s your favour­ite role?
As a sop­rano it was Medea and I sang both the French and Italian ver­sions in many dif­fer­ent pro­duc­tions. As a mezzo my cur­rent favour­ite is Klytaem­nes­tra closely fol­lowed by Mme de Croissy and Kostel­nicka. Also I had a great time with Amneris, it was like hav­ing a night off after hav­ing sung Aida so many times.

What role have you never played but would have liked to? 
Elektra, Marschal­lin, Ortrud.

What’s your favour­ite opera to watch? 
Mar­riage of Figaro.

Who is your favour­ite com­poser? 
Mozart.

Who is your favour­ite writer? 
Love many of the clas­sical writers of Eng­lish Lit­er­at­ure and plays there­fore it has to be Charles Dick­ens and Shakespeare with a close third.

Who is your favour­ite dir­ector? 
Keith Warner because he is loyal to me and in my eyes a great director.

Who is your favour­ite actor? 
The late Jimmy Stew­art… (just watched It’s a Won­der­ful Life for the bil­lionth time… I’m an old fash­ioned girl). Also loved Richard Bur­ton… (that voice).  BUT there are so many more… top of the list being Dustin Hoff­mann and on the female side, who else but Meryl Streep.

Who is your favour­ite dan­cer? 
It was Rudolf Nureyev… today Car­los Acosta.

Deutsche Grammophon RecordingII Trovatore Domingo Giulini 1984 2 500x374 Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition

Deutsche Gram­mo­phon record­ing ses­sion:
Il Trovatore with Ros­alind Plowright, Pla­cido Domingo, Carlo Maria Giulini, 1984

What is your favour­ite book? 
Great Expect­a­tions.

What is your favour­ite film? 
Hitchcock’s Rebecca.

Which is your favour­ite city? 
Paris.

What do you like most about your­self?
My height.

What do you dis­like about your­self? 
I wish I didn’t worry so much.

What was your proudest moment? 
Receiv­ing my OBE.

When and where were you hap­pi­est? 
A couple of weeks ago in an Italian res­taur­ant with my hus­band son and daughter.

What or who is the greatest love of your life? 
My husband.

What is your greatest fear? 
Death.

If you could change one thing about your­self, what would it be? 
Not to worry.

What do you con­sider your greatest achieve­ment? 
Singing with all 3 of “The Three Ten­ors” in the same year, 1984. Recor­ded Il Trovatore with Domingo, sang Mad­dalena oppos­ite Carreras’s Andrea Chen­ier and Aida oppos­ite Pavarotti.

What is your most treas­ured pos­ses­sion? 
My engage­ment ring.

What is your greatest extra­vag­ance? 
I’m not an extra­vag­ant person!!

On what occa­sion do you lie? 
I never lie but some­times don’t speak the truth when I should.

If you hadn’t been a singer what would you have liked to be? 
An actress.

What is your most marked char­ac­ter­istic? 
My mop of curly hair.

What qual­ity do you most value in a friend? 
Trust and loyalty.

What qual­ity do you most value in a col­league? 
Friend­ship and being able to be part of a team… (no time for prima donnas).

Which his­tor­ical fig­ure do you most admire? 
Eliza­beth 1st.

Which liv­ing per­son do you most admire? 
Nel­son Mandela.

What do you most dis­like? 
Noisy crowded cities.

What’s your idea of per­fect hap­pi­ness?
Sit­ting in the sun­shine on top of one of my beloved Lake Dis­trict Moun­tains… (yes it’s a very rare occa­sion with Eng­lish weather… but I have done it sev­eral times), with the wind in my hair sip­ping tea from a from a flask.

How would you like to die? 
In my sleep.

What is your motto? 
“To thine own self be true…” Wil­liam Shakespeare.

Rosalind Plowright on top of Blencathra 2 700x465 Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition

Ros­alind Plowright on top of Blen­cathra in the Eng­lish Lake District

Roslalind Plowright — a biography

Ros­alind Plowright is known for her intel­li­gent musi­cian­ship, ver­sat­ile act­ing abil­ity and com­pel­ling stage pres­ence. Hav­ing conquered most of the lead­ing sop­rano roles in Italian opera in the 1980s, she grav­it­ated towards the dra­matic mezzo-soprano rep­er­toire, in which she sim­il­arly excels.

Her career spans 35 years, per­form­ing in vir­tu­ally every major opera house in the world. Recent appear­ances have brought her to Cov­ent Garden, The Met­ro­pol­itan Opera, Paris, Japan and the Proms. On TV she appeared in two epis­odes of House of Elli­ott and The Man who made Hus­bands Jeal­ous, the adapt­a­tion of Jilly Cooper’s novel. She helped develop and starred in Two’s a Crowd, a musical com­edy which received five star reviews, and in 2009 joined with the Monty Python team for the Eric Idle and John Du Prez comic ora­torio based on their film Life of Brian, entitled Not the Mes­siah (He’s a Very Naughty Boy).

Ros­alind Plowright has per­formed with “The Three Ten­ors”. Her Amer­ican début was along­side Jose Car­reras and they also sang Andrea Chen­ier at Cov­ent Garden and recor­ded La Forza del Des­tino for Deutsche Gram­mo­phon (which won best opera record­ing from Gramo­phone magazine). With Pla­cido Domingo she has per­formed II Trovatore at Cov­ent Garden and recor­ded the opera with him for Deutsche Gram­mo­phon for which she was per­son­ally awar­ded the Prix Fond­a­tion Fanny Heldy. With Luciano Pav­arotti she per­formed Aida at Cov­ent Garden and a gala con­cert for 25,000 at the .

Other record­ings include Mary Stu­art, Otello, Aida and Hansel & Gretel (which won the Grammy for best record­ing) all for the Opera in Eng­lish series for Chan­dos; Eli­jah for Chan­dos, La Vestale for Orfeo, Contes d’Hoffmann for EMI and Mahler 2nd Sym­phony for Deutsche Gram­mo­phon. Her DVD’s include her per­form­ances of Il Trovatore from , Suor Angel­ica from La Scala, Hansel & Gretel from the Met­ro­pol­itan Opera and Not the Mes­siah with the Monty Python team.

Among the many con­duct­ors with whom she has worked are Carlo Maria Giulini, Ric­cardo Muti, Clau­dio Abbado, Zubin Mehta, Giuseppi Sinopli, Wolfgang Sawal­lisch, Bern­ard Haitink, Ant­o­nio Pap­pano, Michael Gielen, Sylvain Cam­brel­ing, Mark Elder, Roger Nor­ring­ton, Gustav Kuhn, Seiji Ozawa and Giuseppi Patane.

Ros­alind Plowright has per­formed with all the major orches­tras and has given many recit­als with the late Geof­frey Par­sons in over 20 inter­na­tional fest­ivals. She gives Mas­ter Classes through­out the world and enjoys work­ing with young artists through her home based Mini Mas­ter Class series. Over the next two years she will per­form in Stut­tgart, Bre­genz, Mad­rid, Paris, La Scala and Cov­ent Garden.

Ros­alind Plowright was awar­ded the OBE in 2007 for her ser­vices to music.

Ros­alind Plowright offi­cial site
Ros­alind Plowright Teach­ing Web­site
Ros­alind Plowright Fan Club

Top photo: Ros­alind Plowright as Médée — 1989

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  • wp socializer sprite mask 16px Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
  • wp socializer sprite mask 16px Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
  • wp socializer sprite mask 16px Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
  • wp socializer sprite mask 16px Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
  • wp socializer sprite mask 16px Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
  • wp socializer sprite mask 16px Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
  • wp socializer sprite mask 16px Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
  • wp socializer sprite mask 16px Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
Sep 182012
 

Boeri Pisapia Shammah Borghini Milans Teatro Franco Parenti celebrates its birthday with an orgy of Hamlets

One of the most respec­ted Mil­anese theatres was born from an artistic col­lab­or­a­tion between three pil­lars of Italian theatre: the dir­ector Franco Par­enti, writer Gio­vanni Test­ori and up-and-coming young dir­ector Andrée Ruth Shammah. Together they formed the Salone Pier Lom­bardo which, since Parenti’s death in 1989, has been run by Shammah, and renamed Teatro Franco Par­enti. This getting-together of like minds happened 40 years ago, and in the mean­time the theatre (or rather group of the­at­rical spaces, large and small) has became a touch­stone for new writ­ing and invent­ive sta­ging. The adven­tur­ous spark still sets alight excit­ing pro­jects, includ­ing that of its anniversary sea­son, the Pro­getto Amleto (Pro­ject ).

It was in Janu­ary 1973 that the cur­tain first went up on Testori’s rework­ing of ’s Ham­let. [con­tinue reading]

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May 192012
 

Romeo and Juliet Aterballetto2 Aterballettos Romeo and Juliet in Milan: contemporary dance at its highest level by Italian cho­reo­grapher Mauro Bigonz­etti was cre­ated for his com­pany Ater­bal­letto in 2006, and has received inter­na­tional acclaim ever since. But what a strange bird it is. Exotic and sen­sual, yes, beau­ti­ful to behold, cer­tainly, but the storytelling is vague and, even for a viewer who knows tra­di­tional ver­sions of Prokofiev’s  bal­let intim­ately, Bigonzetti’s anti-chronological approach was not clear. Maybe it was unne­ces­sary to call the bal­let at all, there are no par­ents, no fri­ars, no dag­gers or bottles of poison. Why not simply present the even­ing as aspects of young love on the music of ?

Nine couples – nine Romeos and nine Juli­ets – reveal youth­ful pas­sion, frus­tra­tion, anger and intim­acy in vari­ous com­bin­a­tions of pas de deux and ensembles.… [con­tinue reading]

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Jul 262011
 

Tom Aldredge Into The Woods Tom Aldredge, character actor, dies at 83Tom Aldredge, an Emmy-winning actor who for five dec­ades was ubi­quit­ous on stage and screen, seen in everything from Sond­heim to “The Sop­ranos,” died on Fri­day in Tampa, Fla. He was 83.

“I knew at the begin­ning I was nobody’s lead­ing man,” Aldredge told The New York Times in 1985, when he was 57 and had already been play­ing senior cit­izens for some time.

In 1979, on Broad­way, he cre­ated the role of Nor­man Thayer Jr., the 80-year-old at the cen­ter of Ern­est Thompson’s com­edy “On Golden Pond” (later played by Henry Fonda in the 1981 film).

His Broad­way cred­its include a revival of “The Little Foxes” with Eliza­beth Taylor; and the music­als “Into the Woods” in which he played the Nar­rator, and “Pas­sion” in which he played Doc­tor Tam­bourri.… [con­tinue reading]

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Jul 012011
 

Kevin Spacey Richard lll Critics round up: Richard III with Kevin Spacey

Well the crit­ics loved much, if not all, of the Bridge Project’s much anti­cip­ated swan song pro­duc­tion of Richard III with Kevin Spacey. The pro­duc­tion is now at London’s theatre before going on tour, fin­ish­ing with two months at the  from Janu­ary 10, 2012. Spacey’s per­form­ance above all wowed everyone:

There have, it’s true, been more creepily cha­ris­matic and more unnerv­ing por­tray­als of ’s Machiavel­lian vil­lain. But Spacey’s per­form­ance com­bines instinct­ive, stage-commanding author­ity with lovely, droll touches of drop-dead understatement.

There are times when this Richard seems like a satanic second cousin of Vin­cent Price, with his little mock­ing tosses of the eye­brows, floun­cily dis­missive flaps of the hand, archly sub­vers­ive pauses in the middle of a list or a line and in the rather camp com­pli­city he sets up with his dupes onstage and with the audi­ence in the theatre.… [con­tinue reading]

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May 242011
 

John Donne In the past, an insult cast aspersions on the targets interior life, their very being: they werent just insults, they were oaths.Play­wright Jonathan Holmes whose play ‘Into Thy Hands’ runs at London’s Wilton’s Music Hall through­out June, com­ments on our feeble attempts at cussing:

We are very eco­nom­ical insulters.

In con­trast, was pos­it­ively spend­thrift in his offence. In King Lear alone he comes up with a menu of out­land­ish slurs. My favour­ite is: “You whoreson cul­lionly barbermonger”.

But even Shakespeare could have learned a thing or two from the preach­ers of his time. John Donne, the cent­ral char­ac­ter in my play Into Thy Hands, once opened a ser­mon with: “Men of this world, worms of this dunghill, you have no minds to change.” And then he got really nasty. At another time, he con­cluded with: “Between that excre­mental jelly that thy body is made of at first, and that jelly which thy body dis­solves into at last, there is not so noi­some, so putrid a thing in nature.” This was insult raised to the status of meta­phys­ical art.… [con­tinue reading]

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Apr 272011
 

actor montage In Love With Shakespeare   Simon Callow, Jonathan Pryce and Catherine Tate pay tribute to the Bard for Sky tv

, Jonathan Pryce, John Simm and Cath­er­ine Tate will per­form their favour­ite mono­logues as part of a Sky Arts pro­gramme cel­eb­rat­ing the playwright’s work - says The Stage.

The act­ors will be joined by Stephen Campbell-Moore, Anthony Head, Robert Lind­say, Richard Mad­den, Janie Dee, Colin Hur­ley and Samuel West for the 30-minute pro­gramme, which is called In Love With Shakespeare and will be broad­cast on May 28 on Sky Arts 1 in Bri­tain. All of the indi­vidual speeches will then be shown through­out May and June on Sky Arts 1 and 2.

The mono­logues are being filmed to hon­our the work of organ­isa­tions and char­it­ies con­nec­ted with Shakespeare, includ­ing the Shakespeare Birth­place Trust and Shakespeare’s Globe.

Cal­low will per­form a mono­logue from Henry V, while Pryce will enact ’s ‘To be or not to be’ speech.… [con­tinue reading]

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