Apr 062011
 

Hamlet 500x313 Brush up your Shakespeare, in Stratford, London and... Gdańsk?In two years’ time a car-park just out­side Gdańsk’s his­toric city centre will be trans­formed into a £20m . It will be home to the city’s annual Shakespeare fest­ival – one of the world’s largest – as well as a year-round pro­gramme. Andrew Dick­son in comments:

The really fas­cin­at­ing thing about the site where we are stand­ing is its past. Just a few metres below our feet lie the remains of another theatre, this one four cen­tur­ies old. Remark­ably, it was built not for Pol­ish act­ors, but for Eng­lish ones, mak­ing Gdańsk the site of the only Shakespearean play­house to have been con­struc­ted out­side Eng­land dur­ing the Bard’s lifetime.

Pro­fessor Jerzy Limon, 60, who teaches at the Uni­ver­sity of Gdańsk, relates the tale over lunch. “Dur­ing Shakespeare’s time, com­pet­i­tion between theatre com­pan­ies was grow­ing, and many act­ors found them­selves unem­ployed. So they trav­elled.” From the 1580s onwards, Eng­lish troupes – ini­tially per­form­ing in their nat­ive tongue, then offer­ing Ger­man trans­la­tions of plays by Mar­lowe, Shakespeare and many oth­ers – acted in Leiden, Frank­furt, Vienna, Prague, even reach­ing Riga in winter 1647 (they wrote to the author­it­ies moan­ing about the snow). A troupe per­formed at Helsingør (Elsinore) in 1586, rais­ing the intriguing pos­sib­il­ity that Shakespeare heard about the set­ting for from col­leagues who had seen it firsthand.

They also vis­ited Dan­zig (Gdańsk), then one of the wealth­i­est cit­ies in Europe. Act­ors first arrived as early as 1587, and con­tin­ued com­ing until the 1650s; after about 1600 they per­formed in their own purpose-built play­house, mod­elled on the Eliza­bethan For­tune theatre in Lon­don. “Spread­ing cul­ture was not the aim,” explains Limon. “But Eng­lish drama per­col­ated around Europe. Poland became a haven.”

***

Gdańsk is, indeed, under­go­ing a second renais­sance – in addi­tion to the fest­ival, now in its 15th year (Limon is behind this too), the city bustles with energy. There’s newly com­mis­sioned dance at the city’s opera house and, across town, build­ers are fin­ish­ing off an £170m foot­ball sta­dium for next year’s European Cham­pi­on­ship. Though Limon is mod­est about his brainchild, he admits it is a meta­phor of sorts. “His­tor­ic­ally, Gdańsk was a mini­ature of the united Europe, an afflu­ent soci­ety liv­ing in peace. The pro­ject is a sym­bol of England’s con­tri­bu­tion to European cul­ture.” And surely of Poland’s, too? He grins. “Of Poland’s, too.”

via Shakespeare: Strat­ford. Lon­don. Gdańsk? | Stage | The Guardian

For more inform­a­tion: Gdańsk Shakespeare Fest­ival — Photo: a Pol­ish Hamlet

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  • wp socializer sprite mask 16px Brush up your Shakespeare, in Stratford, London and... Gdańsk?
  • wp socializer sprite mask 16px Brush up your Shakespeare, in Stratford, London and... Gdańsk?
  • wp socializer sprite mask 16px Brush up your Shakespeare, in Stratford, London and... Gdańsk?
  • wp socializer sprite mask 16px Brush up your Shakespeare, in Stratford, London and... Gdańsk?
  • wp socializer sprite mask 16px Brush up your Shakespeare, in Stratford, London and... Gdańsk?
  • wp socializer sprite mask 16px Brush up your Shakespeare, in Stratford, London and... Gdańsk?
  • wp socializer sprite mask 16px Brush up your Shakespeare, in Stratford, London and... Gdańsk?
  • wp socializer sprite mask 16px Brush up your Shakespeare, in Stratford, London and... Gdańsk?
Mar 252011
 

raj ss title How Do I Love Thee? Let Me Tweet The WaysBefore you even go on your first date, you can Google and your poten­tial love to your heart’s con­tent to make sure she’s not hid­ing any skel­et­ons. “What people know about each other gets revealed more quickly now,” says Robert Rosen­wein, a pro­fessor of soci­ology at Lehigh Uni­ver­sity. “It may warn you off from some people so you don’t have to spend time fig­ur­ing out whether or not a person’s right for you.” …

… “Some people think it’s ‘add water, instant rela­tion­ship’ because we have access to each other’s Face­book pro­files,” says Art Ramirez, an assist­ant pro­fessor of human com­mu­nic­a­tion at Ari­zona State Uni­ver­sity. Tech­no­logy just cuts out the small talk, let­ting you know if your part­ner is the right one for you.… [con­tinue reading]

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Mar 222011
 

conor madden Gasps from the audience at the realistic theatrical effect   but the actor is not actingThe audi­ence watch­ing an Irish pro­duc­tion of “” has been shocked to see the prince exit the stage too soon — when a sword fight really wounded the star.

Conor Mad­den, play­ing the title char­ac­ter of Shakespeare’s tragedy, suffered a gash beneath his eye and col­lapsed at Monday’s pro­duc­tion in Second Age Theater Company’s pro­duc­tion being presen­ted at the Every­man Palace in Cork. He was hos­pit­al­ized but released.

Many play­go­ers thought the wound was part of the play. Artistic dir­ector Alan Stan­ford took the stage to say the blood and moans were real, and Ham­let couldn’t con­tinue without the prince.

Mad­den may return to the pro­duc­tion tomor­row, when Ham­let is expec­ted to resume shuff­ling off this mor­tal coil in line with the script.… [con­tinue reading]

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Jan 262011
 

taming shrew If you’re playing a character that’s the same sex as you or not, you have to ask the same questions – how do they walk, how do they sound, what are they scared of, what do they love, what are they trying to hide, what are their objectives?Edward Hall’s all-male Pro­peller com­pany offers strik­ingly rel­ev­ant and fresh present­a­tions of Shakespeare’s most well known plays. The suc­cess with which a Kath­er­ine (played by a man) delivered the shrew’s final mono­logue is enough jus­ti­fic­a­tion for the cast­ing choices Hall has made. Here was a shrew who, like Garbo, wanted to be left alone. ‘She’ had muscles enough to give Petruc­cio a clout and get the scene over and done with, but this is a woman who just wants to get on with her own thing. She’ll say any­thing to have her free­dom back.

Now Hall has chosen The Com­edy of Errors to receive the Pro­peller treatment.

“Girls!” shouts Ed Hall. “I need you over here.” A strap­ping man in gold sling­backs, black socks and jeans stomps up-stage, fol­lowed by another, slightly stouter fel­low, skit­ter­ing in navy pat­ent Mary Janes, a long white under­skirt thrown on over his track­suit bot­toms.… [con­tinue reading]

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Jan 022011
 

Globe box set Three Globe Theatre Shakespeare productions out on DVDShakespeare’s Globe pro­duc­tions of As You Like It, Love’s Labour’s Lost and are offered in this box set.

Thea Sharrock’s irres­ist­ible new pro­duc­tion of Shakespeare’s pop­u­lar romantic com­edy As You Like It stirs wit, sen­ti­ment, intrigue and love into a charm­ing con­fec­tion which chal­lenges the tra­di­tional rules of romance.

Using every kind of verbal gym­nastics to poke fun, Shakespeare’s most intel­lec­tual com­edy Love’s Labour’s Lost is brought to hil­ari­ous life in Dominic Dromgoole’s highly enter­tain­ing pro­duc­tion, rich in visual humour and sexual innuendo.

Dominic Dromgoole’s pro­duc­tion of Romeo & Juliet brings refresh­ing clar­ity to one of Shakespeare’s most fam­ous and best-loved tra­gedies. Ellie Kendrick, a truly youth­ful Juliet, and Ade­tomiwa Edun, a boy­ish Romeo, head an excel­lent cast whose period cos­tumes point to the time­less­ness of par­ental dis­ap­proval, adoles­cent tem­pera­ment, rivalry and viol­ence.… [con­tinue reading]

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Dec 102010
 

’s new fea­ture film “The Tem­pest,” fea­tur­ing Academy Award win­ner as Prospera, “an exiled sor­ceress whose ven­geance is unleashed when her enemies are ship­wrecked on her magical island,” opens in New York and Los Angeles tonight prior to expand­ing to other cit­ies on 17th December.

300px Helen Mirren at the Orange British Academy Film Awards Julie Taymors film The Tempest with Helen Mirren as Prospera opens in New York and Los Angeles tonight
Image via Wiki­pe­dia

Tay­mor, who is cur­rently rep­res­en­ted on Broad­way with the pre­view­ing Spider-Man Turn Off the Dark (as well as the hit The Lion King), penned the screen­play based on the classic.

In addi­tion to Mir­ren, the starry com­pany also fea­tures Rus­sell Brand, Alfred Molina, Dji­mon Houn­sou, David Strath­airn, Chris Cooper, Alan Cum­ming, Ben Whishaw, Reeve Car­ney (who is now star­ring as Spider-Man), Feli­city Jones and Tom Conti.… [con­tinue reading]

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Dec 072010
 

The ’s pro­duc­tion of , star­ring in the title role, offi­cially opens Dec. 7 fol­low­ing pre­views that began Dec. 3. Per­form­ances will con­tinue through Feb. 5, 2011.

It was pre­vi­ously announced that the pro­duc­tion will tour for eight weeks fol­low­ing its Lon­don run. King Lear will also be broad­cast to over 22 coun­tries world­wide in col­lab­or­a­tion with the National Theatre Live series.

300px Derek Jacobi News flash: Donmar Warehouses production of King Lear with Derek Jacobi opens tonight
Image via Wiki­pe­dia

Artistic dir­ector dir­ects the clas­sic, which also fea­tures Harry Attwell, Tom Beard, Pippa Bennett-Warner, Stefano Bras­chi, Ron Cook, Michael Had­ley, Paul Jesson, Gwilym Lee, Gina McKee, Alec New­man, Justine Mitchell, Derek Hutchin­son, Amit Shah, Gideon Turner and Ash­ley Zhangazha.

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