Fabio Luisi is moving to New York. He and his wife, Barbara Luisi, a former violinist and now a photographer, and their 13-year-old son are moving to New York in May, to an apartment on West 96th Street.
Luisi has reduced his schedule at the Vienna Symphony and declined to extend his contract as chief conductor past the 2012-13 season. “The orchestra needs someone new, someone fresh,” he said. He has also cancelled performances at the Royal Opera House.
The New York Times asked him if he'd be taking over at the Met:
It's a very delicate situation. I ask you really to understand my position, which is not easy.”
How many ways could he deflect the idea? Just discussing the matter was inappropriate, he argued. Being principal guest conductor was honor enough. “I'm helping Jimmy and whatever they need,” he said of the Met …
… Mr. Luisi is clearly the heir apparent, and many signs point to a Metropolitan Opera someday under his baton. That would be an epochal changing of the guard.
Levine is celebrating 40 years at the house, and you can hear the hum of the hagiography machine. A coffee-table book about his career is out, and a documentary film is on the way. He has signed a contract for his autobiography…
…Outwardly, the two men could not be more different. Luisi is a slim and reserved, almost self-effacing Italian who was formed musically in German-speaking lands and wears ties to rehearsals. He exudes Germanic seriousness and speaks German so well that the language accents his English more than his native Italian does.
Yet Luisi shares with Levine the qualities it takes to run the Met: a wide-ranging repertory that makes him equally comfortable with Wagner and Verdi, Strauss and Puccini; respect and admiration from both singers and orchestra players (two constituencies whom surprisingly few conductors satisfy simultaneously); and accomplished pianism, which helps in accompanying and coaching singers.
He's like James Levine, an all-arounder,” the German soprano Diana Damrau said of Mr. Luisi. “He loves voices, and he listens and he reacts.”
Graham Spicer is a writer, director and photographer in Milan, blogging (under the name ‘Gramilano') about dance, opera, music and photography for people “who are a bit like me and like some of the things I like”. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy.
His scribblings have appeared in various publications from Woman's Weekly to Gay Times, and he wrote the ‘Danza in Italia' column for Dancing Times magazine.
Hi,
Please correct ASAP your image credits. This is a copyrighted photograph, Mrs Luisi does not allow to use without permission and credit .
She is ok with you to use it but asks for immediate showing of credits on or directly attached to the picture as
Copyright BALU photography
Waiting for your response,
Maria
Studiomanager
Thank you for pointing out the copyright, and thank you for letting us use the image. I am publishing this comment as it might me useful for other blogs to remember the important copyright question. We are usually careful about such things, and I imagine that this slipped through as it is a widely used publicity shot: no excuse! Compliments to Barbara Luisi and BALU Phototography for beautiful work.