Manuel Legris’ Nureyev tribute ends the Vienna Ballet season
A tribute to Rudolf Nureyev topped off a hit season for Manuel Legris‘s Vienna Ballet with the former French star providing two of the highlights. The Nureyev Gala, due to become an annual event, marked the end of Legris’s first season as director of the Vienna ensemble, which has seen a renaissance on his watch. The dancer also kept his promise to appear on the Vienna stage this season.
Clocking over three hours, not including interludes, the marathon evening kept the audience enthralled with a mixture of genres, pas de deux and set pieces. In total, 13 pieces followed in quick succession, choreographed by Nureyev or contemporaries like Jerome Robbins, Kenneth MacMillan, Maurice Bejart and William Forsythe.
“Before Nightfall” by Nils Christe, a modern piece with four couples, presented a first breath of fresh air, with Nina Polakova and Mikhail Sosnovschi stealing the show. Olga Esina and Kirill Kourlaev impressed both as the teasing Esmeralda and shy Quasimodo in a scene from Roland Petit‘s “Notre-Dame de Paris” and in John Neumeier‘s Bach Suite III.
But the stars of the evening were without a doubt Polakova and Legris, who turned in beautifully passionate performances in Jerome Robbins’ “In the Night” and the pas de deux from MacMillan’s “Manon.”
Polakova was deservedly named first solo dancer after the gala.
Photo: Rudolph Nureyev in his dressing room Royal Ballet school Barons Court London, by Allan Warren, 1973
Graham Spicer, aka ‘Gramilano’, is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman’s Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Italian ballerina Carla Fracci.
Graham also works as a dance photographer, and his photos have appeared in many books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.
He is a member of the Dance Section of The Critics’ Circle.
McMillan, Bejart and Forsythe….and Neumeier …….Good God…….what choice of choreography ! Why the Austrians waste all that money for their third-rate “Staatsballet” is a mystery…it should be re-named “The Vienna State Ballet of tTird-Rate Non-Austrians who can`t find work anywhere else ” ! But there is bright side to this situation – from over 40% of the seats at the Staatsoper one cannot see very much………