Bolshoi prima ballerina Marianna Ryzhkina adds her voice to the chorus of disapproval
Things still are not as they should be at the shiny new Bolshoi, says Reuters.
Back stage, dancers grumble that practice rooms have become cramped and the Bolshoi has lost the charm that can only exist with the patina of a bygone era. Much the same criticism levelled at the Royal Opera House renovation and that of Milan’s La Scala. Then there are those who still prefer the smoke-stained sepia look of Michelangelo‘s Sistine Chapel before the restoration.
Marianna Ryzhkina, a Bolshoi prima ballerina, with the company for 22 years, says,
The theatre’s spirit has completely deteriorated. The rehearsal space has been taken apart and replaced with office-like rooms with low ceilings and other defects.”
She added that two dance studios have sloping ceilings so low that dancers risk bumping their heads during high lifts.
Many of the theatre’s long-serving staff say they are nostalgic for the creaking parquet floors and squeaky wooden doors, now replaced with bland beige tiles and plastic. A staff member said,
It is sad to see the theatre’s creative air go.”
Photo: Marianna Ryshkina in La Sylphide © Damir Yussupov/Bolshoi Theatre
Graham Spicer, aka ‘Gramilano’, is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman’s Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Italian ballerina Carla Fracci.
Graham also works as a dance photographer, and his photos have appeared in many books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.
He is a member of the Dance Section of The Critics’ Circle.
