Anna Netrebko, soon after her performances of Andrea Chénier at La Scala, talked about her son, his autism and the abandonment by his father, bass-baritone Erwin Schrott. When I realized that Tiago was a child who was different from the others I was desperate. My best friend's son had the same problem, though his condition was worse. I said to myself: my God, how will we get … [Read more...]
Interview with tenor Lawrence Brownlee on being a black man in America: Cycles of My Being
A new song cycle exploring the realities of life as a black man in America will receive its world premiere performance with Opera Philadelphia tonight, then in Chicago at the DuSable Museum of African American History on 22 February, and the Zankel Hall at Carnegie Hall on 24 April. Cycles of My Being is commissioned by Opera Philadelphia, Carnegie Hall, and Lyric Unlimited, … [Read more...]
La Scala remembers Dmitri Hvorostovsky who has died at 55
Teatro alla Scala has learnt with profound sorrow of the loss, after a long illness, of the baritone Dmitri Hvorostovsky. Born in Krasnoyarsk in 1962, Hvorostovsky was one of the most esteemed voices and one of the most charismatic interpreters of the last decades in a repertoire ranging from Verdi to Tchaikovsky and Mussorgsky. At La Scala he debuted in 1992 with a recital … [Read more...]
Stunning photos from La Scala archives celebrate Raina Kabaivanska’s return to the theatre
As part of the Great Voices at La Scala series, Raina Kabaivanska will be interviewed Sabino Lenoci and Giancarlo Landini of Italy’s L’Opera magazine in the theatre at 4pm, Saturday 4 November. After the success of Puccini’s Tabarro in 1959 with Piero Cappuccilli at Vercelli’s Teatro Civico, Kabaivanska started out on her triumphant international career. Her … [Read more...]
Top opera singers discuss how they choose and prepare new roles
Opera singing is a high-wire profession. Only the most tone-deaf will not wince when a note is off. It is all too obvious when part of a role lies too high, or too low or, indeed, hovers too much around the centre of the voice, for a particular singer. Audiences reach out in empathy when a singer arrives ‘sung out’ at the end of an opera… or prepare to boo. Dancers, and … [Read more...]