Royal Ballet’s Melissa Hamilton presents A Night of Ballet
Melissa Hamilton will curate a Night of Ballet this summer at Grange Park Opera, produced by Hamilton Christou Productions.
Melissa Hamilton will curate a Night of Ballet this summer at Grange Park Opera, produced by Hamilton Christou Productions.
Matthew Paluch attended a Royal Ballet School Centenary Insight Day. Like the school’s founder, Ninette de Valois, he believes we need more than feelings; we need intelligence.
Graham Watts praises Dance for Ukraine – a very fine show, worthy of fulsome support.
Lily Hyde sees New English Ballet Theatre at Royal Ballet & Opera in Covent Garden Choreographics – a company whose ambitions far outpace its resources.
Scott C Morgan sees Winning Works in Chicago – invaluable for all the featured choreographers and their young dancers.
Jonathan Gray sees English National Ballet in a new double bill, Body and Soul, which the company dances to perfection.
Ballet stars will join Youth America Grand Prix to celebrate this year’s Stars of Today Meet the Stars of Tomorrow Gala on Thursday 16 April in New York.
Ann Haskins talks to Flamenco Arts International founders Marina Elana and Isabel del Día on Songs From a Sinking Ship, a show that finds flamenco dancers and musicians aboard a doomed ship.
Graham Watts sees Ballet de Lorraine in works by Adam Linder and Silva Ferreira, which left the dancers and the audience on a high.
Les Étoiles gala returns to Rome’s Parco della Musica this weekend with a stellar cast including Tiler Peck, Vadim Muntagirov, Riva & Repele, and Sergio Bernal.
Graham Watts sees the Jaivant Patel Company, which has stamped an indelible – and unique – mark on the British contemporary dance scene.
Paris Opéra Ballet Étoile Hannah O’Neill will make her debut with The Royal Ballet in London as Giselle. Lily Hyde talked with her a few days before her first performance.
Jonathan Gray sees Tiler Peck’s Turn It Out – to see such a diverse array of dancing talent in one evening was wonderful.
Graham Watts appreciates the confident, vigorous flair of the Lithuanian National Ballet’s performance of works by Wayne McGregor, Iván Pérez and Krzysztof Pastor.
Graham Watts sees Last and First Men and finds that the extreme slow pace of the choreography tends towards tedium after the initial fascination has worn thin.
Kathrina Farrugia-Kriel sees Mary Queen of Scots, a new and intriguing work from Scottish Ballet.
Lucía Piquero sees Ballet Black celebrating its 25th anniversary – these dancers are powerful people, powerful presences, honest and human… We cannot ask for more in the world of dance.
Darcey Bussell, President of the Royal Academy of Dance, and Ivan Putrov present a ballet gala to support ballet students in Ukraine, on Saturday 21 March.
There’s a certain kind of laughter that can’t be replicated – it’s part shock/part humour. Ballet Moods has been saying it like it is for the past decade.
Lily Hyde sees Mayara Magri’s debut as Giselle and thinks it ‘will go on to be regarded as timeless and perennial as Wright’s ballet itself’.
Joffrey Ballet’s 2026-2027 season includes premiere of Christopher Wheeldon’s The Sleeping Beauty, and the Chicago premiere of John Neumeier’s ballet Liliom.
New York City Ballet announced today that Ryan Tomash has been promoted from Soloist to Principal Dancer.
Marta Mele sees the bright colours and the tragedy of unattainable love in La Bayadère at Rome Opera House with Iana Salenko and Bakhtiyar Adamzhan.
Matthew Paluch sees Dutch National Opera & Ballet in Paquita | Carmen | 5 Tangos – we lucked out with the brilliant casting.
Scott C Morgan sees a programme of American Icons of dance with The Joffrey Ballet – this US arts institution is a global dance treasure.
Graham Watts sees National Ballet of Brno in Mário Radačovský’s Coco Chanel, a work of moving and poignant intensity.
Graham Spicer sees Rudolf Nureyev’s The Sleeping Beauty at La Scala with an electrifying Martina Arduino as Aurora.
The historic Porselli shop on Via Filodrammatici, opposite La Scala’s artists’ entrance, has closed after 55 years.
The Hofesh Shechter Company has announced that choreographer and composer Hofesh Shechter OBE has been appointed to the rank of Chevalier of the Ordre des Arts et des Lettres.
Matthew Paluch sees Jan Martens’ KID IN A CANDY SHOP and Marcos Morau’s Horses with Nederlands Dans Theater – dancers of unquestionable commitment and style.
End of content
End of content