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Gramilano

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Natalia Osipova

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Leaving the ground always feels amazing to me. In some roles I am like a sprinter, a muscle machine. In others – like Giselle – I can be a cloud, a ghost. When I am in the air it can feel like time stops for me. I can feel everything in the room.

Natalia Osipova


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Gramilano newsletter 2019

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NEWS

La Scala Ballet Season 2023-2024

La Scala Opera Season 2023-2024

Gustavo Dudamel to leave the Paris Opera at end of 22/23 season

Royal Opera House announces 2023-2024 opera and ballet Cinema Season

Royal Ballet’s three one-act ballets – Wayne McGregor (world premiere) | Wheeldon | MacMillan

The bizarre story of Italian opera house musical chairs – Meyer, Fuortes, Lissner

Blake Works V – La Scala presents a new work from William Forsythe – “You can get a lot done with calm.”

Birmingham Royal Ballet’s summer bill: Apollo – Interlinked – ‘Still Life’ at the Penguin Café

@giselle – a modern reimagining

Northern Ballet presents Federico Bonelli’s first season as Artistic Director 2023/2024

FEATURED POSTS

Lawrence Brownlee, © Shervin Lainez

Interview with tenor Lawrence Brownlee on being a black man in America: Cycles of My Being

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The Royal Ballet’s Steven McRae on injury: turning weakness into strength

Nunez headshot cropped

In conversation with Marianela Nuñez

In and Out: Bolle, Gomes, Stiefel – how easy is it to be an openly gay ballet dancer?

Coppélia with Vadim Muntagirov and Marianela Nunez, photo by Bill Cooper ROH

Interview: The Royal Ballet’s Ballet Master, Christopher Carr, on mounting Coppélia, the company’s dancers and technique

Luca Pisaroni as Leporello in Don Giovanni at Glyndebourne   photo by Bill Cooper

In conversation with Luca Pisaroni: back to Milan with his La Scala debut

The Tricks of the Trocks: powder, ice and pointe shoes

Maurice Béjart's Gaîté parisienne with Marijn Rademaker photo by Stuttgarter Ballet

Dutch National Ballet’s Marijn Rademaker on injury and recovery

How to stage a ballet… Maina Gielgud explains

Gregory Kunde as Otello, photo by Matthias Baus, Teatro alla Scala 2015

Top opera singers discuss how they choose and prepare new roles

GRAHAM SPICER

Writer, director and photographer in Milan, blogging (under the name ‘Gramilano’) about dance, opera, music and photography for people who are a bit like me and like some of the things I like. I was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. My scribblings have appeared in various publications from Woman’s Weekly to Gay Times. I write the ‘Danza in Italia’ column for Dancing Times magazine.

You can find me on Twitter, Facebook, and Instagram, or follow my Facebook page.

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