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Serge Lifar

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We cannot, should not, dance everything. Ballet must remain closely linked to dance itself: ballet cannot be the illustration of any other art. Ballet should not borrow its rhythmic shape from music. Ballet can freely exist without musical accompaniment. When a ballet is closely linked to its score, the rhythmic base must be dictated by the choreographer and not the composer. The choreographer must not be the slave of the painter/designer. A free and independent choreographic theatre must be created.

In 1935 Serge Lifar published Le manifesto du chorégraphe his confessio fidei (“confession of faith”), proposing laws about the independence of choreography.



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GRAMILANO

Graham Spicer is a writer, director and photographer based in Milan, aka ‘Gramilano’. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman’s Weekly to Gay Times. He wrote the ‘Danza in Italia’ column for Dancing Times magazine.

Since 2022, Gramilano is pleased to welcome guest authors: Alisa Alekseeva, Paul Arrowsmith, Kathrina Farrugia-Kriel, Jonathan Gray, Marina Harss, Matthew Paluch, Jann Parry, Graham Watts, and Deborah Weiss.

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