Interview: What connects Tiler Peck, Madonna and La La Land? The Seaweed Sisters! 26 May 202621 August 2026
Review: Rambert Dance’s Peaky Blinders – A major success. Catch it, if you can. 8 August 202521 August 2026
Inside Giovanni’s Room – Black author James Baldwin’s 100th anniversary celebrated in dance 8 May 202521 August 2026
Wayne McGregor introduces La Biennale di Venezia 2025 – Festival of Contemporary Dance 16 April 202521 August 2026
[Review] Elixir Festival – Germaine Acogny & Malou Airaudo / Louise Lecavalier / Ben Duke 15 April 202421 August 2026
[Review] Phoenix Dance Theatre presents a triple bill, Belonging: Loss. Legacy. Love. 24 March 20246 July 2024
[Review] Dimitris Papaioannou’s INK – spectacular imagery but is it worth that waste of water? 1 March 202421 August 2026
Ockham’s Razor’s ‘Tess’ – doesn’t completely hit the mark, but is nonetheless innovative 4 February 202421 August 2026
[Review] Lay Down Your Burdens, Rhiannon Faith Company – a good mix of comedy and pathos 25 November 202321 August 2026
[Review] Peeping Tom’s ‘Triptych’ – astounding, but I was mostly offended 5 February 202321 August 2026
![common ground[s], credit Maarten Vanden Abeele 002](https://www.gramilano.com/wp-content/uploads/2024/04/common-grounds-credit-Maarten-Vanden-Abeele-002-768x512.webp "common grounds credit Maarten Vanden Abeele 002")
