Review: TAM Ballet’s Don Quixote – Anna Tsygankova and Giorgi Potskhishvili shine in Milan 8 October 20268 October 2026
Review and photo album: Youth Grand Prix’s Stars of Today Meet the Stars of Tomorrow in Como 8 August 202622 October 2026
Interview: Jacopo Tissi is keeping it simple – finding balance in a fast-paced world 16 July 20269 October 2026
Interview: Of Renewals and Returns – Helen Pickett, visionary choreographer and creative 28 May 202621 August 2026
Lausanne 2026 Prize Winners have chosen the school or company they will join next season 23 May 202623 May 2026
Review: Dutch National Ballet’s triple bill – Paquita | Carmen | 5 Tangos 27 February 202621 August 2026
Dutch National Ballet principal dancer Anna Ol wins the Alexandra Radius Prize 2025 11 September 202511 September 2025
Christopher Powney appointed new artistic director of Dutch National Ballet’s Junior Company 11 September 202511 September 2025
Review: Onegin in Rome – two exceptional performers in a tear-jerking evening 21 April 202521 August 2026
David Dawson becomes Resident Choreographer at the National Ballet of Canada 27 February 202527 February 2025
Choreographer Hans van Manen donates his photos of dancers and male nudes to Rijksmuseum 22 November 202421 August 2026
Northern Ballet announces triple-bill, Three Short Works for Leeds and London 10 April 20246 July 2024
Ballet schools worldwide commit to a collective future with aDvANCE conference 20 October 20236 July 2024
[Review] Cinderella in-the-round – English National Ballet’s heightened storytelling 25 June 202321 August 2026
Position. Positioned? Positioning… working environment standards in the dance world 23 March 202321 August 2026
[Interview] Olga Smirnova on leaving the Bolshoi Ballet – Everyone must deal with their conscience 1 April 202219 October 2024
