Lynne Charles becomes new Artistic Director of English National Ballet School 16 April 20246 July 2024
[Review] Rome Opera Ballet perform de Bana, Forsythe and ‘Women’ a new work by Juliano Nunes 31 March 202421 August 2026
[Review] Empower in Motion: A Ballet Inclusive – “A joyous celebration of all people dancing” 20 February 202421 August 2026
The Royal Ballet’s Yasmine Naghdi and Reece Clarke lead the lineup for Ballet Nights 2024 12 February 202421 August 2026
Viviana Durante steps down as Artistic Director of English National Ballet School 22 January 20246 July 2024
[Review] New Movement Collective’s Les Noces – The Departure… the real deal 15 January 202421 August 2026
[Review] English National Ballet’s Giselle – Mary Skeaping’s version serves the company well 14 January 202421 August 2026
London Dance 2023 – Matthew Paluch looks back on a year of dance in the capital 24 December 20236 July 2024
[Review] English National Ballet’s Our Voices triple bill – “Art isn’t easy… and it shouldn’t be.” 22 September 202321 August 2026
[Review] Cinderella in-the-round – English National Ballet’s heightened storytelling 25 June 202321 August 2026
[Review] English National Ballet’s Cinderella-in-the-round – a lack of fairy tale logic 18 June 202321 August 2026
London Children’s Ballet returns with 7 performances of Snow White at London’s Peacock Theatre 12 April 202321 August 2026
They say compromise, we say evolution – can the value system of ballet be broader 6 April 202321 August 2026
[Review] Akram Khan’s Jungle Book reimagined – there’s lots to savour, but… 5 April 202321 August 2026
[Review] The return of Akram Khan’s Creature – Jeffrey Cirio galvanises a baffling ballet 26 March 202321 August 2026
[Review] Birmingham Royal Ballet’s Swan Lake with guest Polina Semionova 21 February 202321 August 2026
Critics round-up and photo album of English National Ballet’s Swan Lake 29 January 202321 August 2026
