Review: The Magnificent Return of Serata William Forsythe at La Scala – Blake Works V
Kathrina Farrugia-Kriel and Graham Spicer see performances of William Forsythe’s Blake Works V at La Scala – a truly magnificent production.
Kathrina Farrugia-Kriel and Graham Spicer see performances of William Forsythe’s Blake Works V at La Scala – a truly magnificent production.
Graham Spicer sees Harald Lander’s Études, Jiří Kylián’s Petite Mort, and Gioacchino Starace in Maurice Béjart’s Boléro at La Scala.
Carmen is Patrick de Bana’s first work created for La Scala Ballet and has Nicoletta Manni as Carmen and Roberto Bolle as Don José.
Graham Spicer sees La Scala’s “Smith/León and Lightfoot/Valastro” contemporary dance triple bill in Milan [Review + photo album].
From 7 to 18 February, a new triple bill of contemporary choreographers at La Scala: Garrett Smith, Sol León and Paul Lightfoot, and Simone Valastro.
La Scala performs William Forsythe’s Blake Works V with a premiere of ‘Prologue’, a version of ‘The Barre Project’, and ‘Blake Works I’.
PHOTO ALBUM: Tonight, La Scala Ballet’s season kicks off with the return of Rudolf Nureyev’s Nutcracker, last performed in the theatre in 2006.
Many debuts in Onegin at La Scala saw some exciting and many promising performances, even if many of the dancers lack the magic spark.
Photos of the world premiere of Wayne McGregor’s AfteRite + LORE at La Scala with Alessandra Ferri.
A three-hour gala celebrating the career of Carla Fracci, who died last year, was a triumph at La Scala and presented the company at its best.
Madina is ambitious in its scale and subject (terrorism and violence against women) with a score by Fabio Vacchi and choreography by Mauro Bigonzetti.
Photos of La Scala’s world premiere of Mauro Bigonzetti’s ballet “Madina” with Roberto Bolle and Antonella Albano
Alexei Ratmansky, Jiří Bubeníček, András Lukács and La Scala’s ballet director Manuel Legris give the theatre something to celebrate.
Serata Grandi Coreografi (Evening of Great Choreographers) will be streamed on Saturday 15 May 2021 at 20.00 CET.
A Tribute to Rudolf Nureyev from La Scala in Milan can be seen on Sunday 28 February at 20.00 CET
An unusual mixed bill at La Scala showcased the works of two choreographers: Hans van Manen and Roland Petit. Two of the van Manen pieces were new to the company, though his Adagio Hammerklavier, which opened the programme, was performed in Milan in 1985. Adagio Hammerklavier was created in 1973 (the men wear leg-warmers and…
Serata van Manen – Petit, (Van Manen and Petit Evening) opens at La Scala on 23 January. The evening consists of five gems from Hans van Manen and Roland Petit. The three van Manen pieces are Adagio Hammerklavier, Sarcasmen and Kammerballett, while the Petit pieces are Le combat des anges (from his ballet Proust, ou…
Sylvia opened the 2019-2020 ballet season at La Scala. It is a co-production with the Wiener Staatsballett where it opened in November 2018. There have been no changes to Luisa Spinatelli‘s sets and costumes or Manuel Legris‘ choreography, which suggests that everyone was pleased with how it turned out in Vienna. However, while the overall…
Save the best until last. Not a bad programming policy, and with La Scala’s recent triple bill, the last was Maurice Béjart‘s Boléro. Obviously, with the first item on the programme being George Balanchine‘s Symphony in C it can hardly be the best for many, but the Béjart is undoubtedly a crowd-pleaser and whoops and…
The latest issue of Dancing Times is out tomorrow. In September’s issue, I cover Wayne McGregor‘s “amazing” Woolf Works at La Scala with Alessandra Ferri giving a “frighteningly intense” performance alongside an excellent cast from La Scala Ballet including “powerful and touching” performances from Timofej Andrijashenko as Septimus and Claudio Coviello as Evans, and Gioacchino…
If there is a ballet that belongs to La Scala, it’s Rudolf Nureyev‘s production of The Sleeping Beauty, created for the ballet company in 1966 with Carla Fracci and Nureyev in the main roles. It was performed 152 times until 2007, when Tchaikovsky’s score fell silent for eight years until awoken by Alexei Ratmansky when…
The La Scala Ballet usually fields a first cast, and several alternative casts, but not with Wayne McGregor‘s Woolf Works – here it was very much a case of a first cast and a second cast. The first featured two guests from the original Royal Opera House production from 2015 – Alessandra Ferri and Federico…
Maurice Béjart’s Boléro returns to La Scala in March, with Roberto Bolle dancing the La Mélodie for the first time. The 15-minute work was last seen in the theatre in 2003 when Sylvie Guillem danced the central role. Béjart Ballet Lausanne’s ‘experts’ Elisabet Ros and Julien Favreau will be featured too, as well as three…
Legend goes that Bach wrote his Goldberg Variations for the Russian ambassador to the electoral court of Saxony, Count Kaiserling. The Count suffered from insomnia and had Johann Gottlieb Goldberg on hand to play for him during his sleepless nights. Bach wrote these pieces for the nocturnal recitals of the young Goldberg, a German virtuoso…
“Every time I listen to Bach I feel my heart jumps a beat. His music is for me an inexhaustible source of inspiration and has been since my early twenties, which was even before, in Düsseldorf, when I choreographed a piece to the Goldberg Variations, which many critics considered, at the beginning of the nineties,…
Svetlana Zakharova and Roberto Bolle have both danced the lead roles in John Neumeier’s La Dame aux Camélias, but never together. La Scala united its two Étoiles for the opening of its ballet season. Usually a new production marks the event, but there is nothing new about Jürgen Rose’s slightly dusty sets, though his costumes…
Gramilano has already written about Cincia Puricelli’s dancing school Proscaenium, which is based in Gallarate, a town near Milan’s Malpensa airport. An ordinary town, and on the surface an ordinary dancing school, yet it is bravely run with ambitious goals. Last year Puricelli’s conceit was to invite Carla Fracci (for her first public masterclass) together…
An odd evening at La Scala saw Balanchine’s pure, sparkling choreography for Symphony in C sandwiched between two new contemporary creations on music which has already had phenomenally successful choreographies set to it: Ravel’s La Valse (Nijinska, Lifar, Balanchine, Ashton) and Rimsky-Korsakov’s Scheherazade (Fokine). This new La Valse was choreographed by Stefania Ballone and Marco…
The new triple bill which opens at La Scala this evening is unique indeed! It features a new version of Ravel’s La valse by three choreographers, all dancers with the company. Stranger still is that Frederick Ashton‘s choreography for La valse was created for La Scala in January of 1958, with Vera Colombo, Mario Pistoni,…
Starting on a positive note: the Stravinsky Evening at La Scala, with Petrushka and Le sacre du printemps, was an unmitigated success, thoroughly enjoyable and received a long, standing ovation from the first night crowd. Now the niggle: why is it that people think that it’s ok to talk during overtures and interludes? If no…
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