Sir Richard Alston (1948-2026): the choreographer who taught Britain to listen to dance 9 September 20269 September 2026
Review: The Royal Ballet School Summer Performance – 100 years producing dancers of the very highest calibre 19 July 20266 August 2026
Review: Tierra Bendita with the Ballet Flamenco de Andalucía at Flamenco Festival London 2026 5 July 202621 August 2026
Review: Gala Flamenca, the most anticipated event of Flamenco Festival London 22 June 202621 August 2026
Review: Compañía Rafaela Carrasco in CREAVIVA – Flamenco Festival London 2026 21 June 202621 August 2026
Review: Compañía de Danza Jesús Carmona in UnYdos – Flamenco Festival London 2026 19 June 202621 August 2026
Interview: Royal Ballet Principal Calvin Richardson on life before and after Mayerling 23 April 202621 August 2026
The Critics’ Circle announces the nominations for the 26th National Dance Awards 10 April 202610 April 2026
Review: Paco Peña Flamenco Dance Company in Solera – Spanish music and dance of the highest calibre 5 April 202621 August 2026
Review: Calvin Richardson makes an expressive and beautifully danced debut in The Royal Ballet’s Mayerling 3 April 202621 August 2026
Review: English National Ballet’s double bill Body and Soul – commentaries on the state of the contemporary world 21 March 202621 August 2026
Review: Turn It Out with Tiler Peck and Friends – an assembly of fabulous artists 13 March 202621 August 2026
Review: Marianela Nuñez and William Bracewell in The Royal Ballet’s Giselle 15 February 202621 August 2026
Review: Paul Taylor Dance Company at the Royal Ballet and Opera, programme two 29 January 202621 August 2026
Review: The Royal Ballet’s Nutcracker – the most elaborate and grandiose of all UK stagings – with Sasaki, Rovero, Zambon, Junker, and Hay 23 December 202521 August 2026
Review: The Royal Ballet’s Perspectives with Against the Tide, a world premiere from Cathy Marston 15 November 202521 August 2026
Review: the welcome return of La Fille mal gardée with The Royal Ballet and debut performances to celebrate 19 October 202521 August 2026
Review: Detention – Gary Clarke Company’s brave, politically themed work 16 October 202521 August 2026
Review: Giselle with the National Ballet of Japan at the Royal Ballet and Opera in London 25 July 202521 August 2026
Review: Paris Opera Junior Ballet in London – fine artists who were given little chance to shine 23 June 202521 August 2026
Review: Phoenix Dance Theatre’s Inside Giovanni’s Room – a brave and daring proposition 13 June 202521 August 2026
Review: American Ballet Theatre Studio Company opens the Next Generation Festival 2025 12 June 202521 August 2026
