Royal Ballet School centenary gala sees students alongside The Royal Ballet and Birmingham Royal Ballet
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
Kenneth MacMillan’s Manon opens The Royal Ballet’s 2026/27 season, with performances from 13 October and a live cinema relay on 27 October.
The talented, well-respected, and much-loved photographer Elliott Franks has died at his London home at age 62.
Graham Spicer talked with choreographers Sol León and Paul Lightfoot – León and Lightfoot – after the opening night of their new double bill for The Royal Ballet.
The winners of the 2025 National Dance Awards were announced today, marking the 26th anniversary of the awards (#NDA26).
Kathrina Farrugia-Kriel flavours the spirit of contemporary ballet in León and Lightfoot’s Shoot the Moon and Salle de Danse for The Royal Ballet.
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
The Dance Section of the Critics’ Circle has announced the short-listed nominations for the National Dance Awards (#NDA26).
Matthew Paluch attended a Royal Ballet School Centenary Insight Day. Like the school’s founder, Ninette de Valois, he believes we need more than feelings; we need intelligence.
Kathrina Farrugia-Kriel sees the exquisite Lauren Cuthbertson’s return to the stage in Wayne McGregor’s Woolf Works with The Royal Ballet.
Graham Spicer sees The Royal Ballet and Paris Opera Ballet at the Nervi Festival, with the London company pulling aces out of its sleeve.
Kathrina Farrugia-Kriel sees Ballet to Broadway, The Royal Ballet’s programme of four Christopher Wheeldon works.
The Nervi International Ballet Festival 2025 opens on Saturday 28 June 2025 in Genoa with top companies offering starry casts.
Jonathan Gray sees The Royal Ballet’s new Balanchine triple bill, Three Signature Works – competent, but rarely exciting.
Matthew Paluch sees Lauren Cuthbertson and Ryoichi Hirano in Onegin with The Royal Ballet – “it’s high octane drama”
Lauren Cuthbertson Principal becomes Principal Guest Artist with The Royal Ballet after over two decades performing with the Company.
Here is a preview of The Royal Ballet casting for next year’s productions of Onegin, Light of Passage, and the double bill Phaedra + Minotaur.
Graham Watts sees The Secret Garden, this year’s production from the London Children’s Ballet
Jonathan Gray sees The Royal Ballet in Ashton Celebrated – Les Rendezvous, The Dream, and Rhapsody – an evening of musicality and daring.
A photo album of The Sarasota Ballet’s repertoire for London when it will perform at the Royal Opera House as part of Ashton Celebrated.
The Royal Ballet celebrates Founding Choreographer Frederick Ashton with two special programmes and welcomes Sarasota Ballet.
The Winter’s Tale will, I predict, be the ballet for which Wheeldon will be best remembered in the future.
The Royal Ballet has announced the casting for its Ashton Celebrated programmes (June 2024) with choreography by Frederick Ashton.
Jonathan Gray sees The Royal Ballet’s MacMillan Celebrated (Danses concertantes, Different Drummer, Requiem) showing a versatile and compelling creative force.
The Royal Ballet presents MacMillan Celebrated, works by the company’s former Director and Principal Choreographer, Kenneth MacMillan.
The Royal Ballet presents MacMillan’s Manon, 50 years since its 1974 premiere, and 100 years since the death of its designer Nicholas Georgiadis.
The Royal Ballet has announced casting for next year’s Swan Lake performances, which run from 6 March until 11 May 2024.
Jann Parry sees The Royal Ballet’s double bill with Valentino Zucchetti’s Anemoi (a whirlwind of a ballet) and Cathy Marston’s The Cellist (an extraordinary combination of talents).
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