[Review] Wendy Houstoun’s Watch It! at the Soho Theatre: punchy and full of wit
Graham Watts sees Wendy Houstoun’s Watch It!: “There are so few entertainers of Houston’s calibre that one can only hope that she goes on (and on).”
Peter Brook
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[Interview] Designer Tom Pye on death threats, Cinderella – and cowboys
Paul Arrowsmith talks to Tom Pye, designer of The Royal Ballet’s new production of Cinderella about redesigning the Ashton classic and his career highlights.
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obituaries | dance | music & opera | news
In Memoriam 2022: Singers, Dancers, Actors, Writers, Directors
In memoriam 2022: a personal list of some of the artists the world lost in 2022
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Riccardo Chailly and Irina Brook bring Brecht and Weill back to La Scala
On March 18 at 8 pm CET, Riccardo Chailly conducts Die sieben Tosdsünden (“The Seven Deadly Sins”) and Mahagonny Songspiel in a live-streamed performance from La Scala.
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Maina Gielgud answers the Gramilano Questionnaire… Dancers’ Edition
Q&A When did you start dancing? I took my first ballet classes when I was about 6 years old. It was in Brussels, and with a Russian teacher married to a Belgian. Her name was Mme de Zeum. After my first class she asked my mother to get me some pointe shoes for the next…
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John Malkovich’s World Theatre Day message
The 50th annual World Theatre Day, which is March 27, will see John Malkovich give the opening address which will make him the first American actor to do so. He will deliver this year’s message at the headquarters of UNESCO in Paris on March 22. Jean Cocteau delivered the first World Theatre Day message in 1962, and the list…
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Marie-Agnès Gillot in Milan for Pippo Delbono’s “After The Battle”
This is how The New York Times introduced Delbono to its readership in an interview last year: Part theater, part dance, part carnival, part music, the works of Pippo Delbono are hard to categorize; they leave viewers alternately elated, drained, shocked and thoughtful. His company, with which he has performed all his works since the…
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