Matthew Paluch sees the UK premiere of 'Dragons' by Eun-Me Ahn Company TitleDragonsCompanyEun-Me Ahn CompanyVenueBarbican, LondonDate20 September 2023ReviewerMatthew Paluch Avantgarde, ‘Enfant … [Read more...] about [Review] Eun-Me Ahn’s ‘Dragons – “Like a large plate of tasteless food”
Pina Bausch
[Review] Nederlands Dance Theater triple bill – knowingly incomplete?
Jann Parry sees the Nederlands Dance Theater in London TitleGabriela Carrizo/Jiri Kylian/ Crystal Pite and Simon McBurneyCompanyNederlands Dans TheaterVenueSadler’s Wells, LondonDate19 April … [Read more...] about [Review] Nederlands Dance Theater triple bill – knowingly incomplete?
[Review] Seeta Patel’s The Rite of Spring – as musical as hell
Matthew Paluch sees the Seeta Patel Dance in The Rite of Spring TitleThe Rite of SpringCompanySeeta Patel DanceVenueSadler's Wells, LondonDate14 March 2023ReviewerMatthew Paluch Sadler’s Wells … [Read more...] about [Review] Seeta Patel’s The Rite of Spring – as musical as hell
[Review] Dada Masilo’s The Sacrifice – an intriguing piece, magnificently performed
Jonathan Gray sees Dada Masilo’s The Sacrifice in Brighton at the start of a Dance Consortium tour TitleThe SacrificeCompanyDada MasiloVenueBrighton DomeDate21 February 2023ReviewerJonathan … [Read more...] about [Review] Dada Masilo’s The Sacrifice – an intriguing piece, magnificently performed
Dance 2022 – Our critic looks at a year of dance in London
Matthew Paluch looks at London dance 2022. Balanchine said something or other about the now. The present is all that matters. So please forgive me Mr B, for I'm gonna be doing some reflecting. … [Read more...] about Dance 2022 – Our critic looks at a year of dance in London
[Review] English National Ballet present Ek/ Forsythe/ Quagebeur
Guest author Matthew Paluch sees English National Ballet's triple bill Ek/ Forsythe/ Quagebeur TitleEk/ Forsythe/ QuagebeurCompanyEnglish National BalletVenueSadler's Wells, LondonDate10 November … [Read more...] about [Review] English National Ballet present Ek/ Forsythe/ Quagebeur
[Review] Korea’s Dolpagu company presents XXL Leotard, the story of a boy’s leotard fascination
TitleXXL Leotard and Anna Sui Hand MirrorCompanyDolpagu VenueThe Coronet TheatreDate29 September 2022ReviewerMatthew Paluch Can you feel it? Can you feel the ppalli-ppalli of the Hallyu? Need … [Read more...] about [Review] Korea’s Dolpagu company presents XXL Leotard, the story of a boy’s leotard fascination
Breaking the LORE: Wayne McGregor on his new dance work at La Scala
More rehearsal photos below Today is the 140th anniversary of the birth of Igor Stravinsky, so what a perfect day to meet Wayne McGregor and find out more about his two-part Stravinsky programme … [Read more...] about Breaking the LORE: Wayne McGregor on his new dance work at La Scala
Dancing in the museum: Diana Vishneva’s cross-media project ‘Imprint in Motion’
Diana Vishneva’s latest project - Imprint in Motion - is a cross-media project fusing the fine arts, contemporary dance, music, and film making, and focuses on the human body in a variety of … [Read more...] about Dancing in the museum: Diana Vishneva’s cross-media project ‘Imprint in Motion’
[Review] Beethoven’s ballet The Creatures of Prometheus with striking Capucci costumes
Italian producer Daniele Cipriani seems to be resuscitating dance in Italy almost singlehandedly. The first main dance event in the country was conceived by him and presented in mid-July to open the … [Read more...] about [Review] Beethoven’s ballet The Creatures of Prometheus with striking Capucci costumes
Dance in Italy – Spoleto Festival’s Dance Gala with Abbagnato, Vogel, Frola, Dato and many more on 30 June
There are many, many Italian dancers scattered around companies throughout the world. Some are in the corps de ballet, others are principal dancers, but all continue the tradition that made Italian … [Read more...] about Dance in Italy – Spoleto Festival’s Dance Gala with Abbagnato, Vogel, Frola, Dato and many more on 30 June
Photo album: She Persisted with English National Ballet and photos by Dasa Wharton
She Persisted, the new triple bill from English National Ballet, has generated a plethora of four and five-star reviews. It is rare to find a shrivel of critics so unanimous. She Persisted follows on … [Read more...] about Photo album: She Persisted with English National Ballet and photos by Dasa Wharton
English National Ballet announces 2018-2019 Season
In brief: English National Ballet and English National Ballet School set to move into joint state-of-the-art home in Canning Town, East London ENB's success in stage two application to Arts … [Read more...] about English National Ballet announces 2018-2019 Season
Lucas Meachem answers the Gramilano Questionnaire… Singers’ Edition
Q&A When did you start singing? There’s not a time I don’t remember singing in some capacity. Why did you start singing? I have a need to perform and to share my love of music with … [Read more...] about Lucas Meachem answers the Gramilano Questionnaire… Singers’ Edition
Finalists of English National Ballet’s Emerging Dancer competition at the London Coliseum in June
On Monday 11 June 2018, English National Ballet’s Emerging Dancer competition will be held at the London Coliseum for the first time. Emerging Dancer is a key part of English National Ballet’s … [Read more...] about Finalists of English National Ballet’s Emerging Dancer competition at the London Coliseum in June
Tamara Rojo on Pina Bausch whose “work transcends description… speaking to your spirit”
English National Ballet's exciting Bausch / Forsythe / van Manen programme arrives at Sadler’s Wells in March. Pina Bausch’s masterpiece The Rite of Spring must be the highlight of the evening, though … [Read more...] about Tamara Rojo on Pina Bausch whose “work transcends description… speaking to your spirit”
Abdiel Cedric Jacobsen answers the Gramilano Questionnaire… dancers’ edition
Q&A When did you start dancing? I began dancing when I was in the womb, taught informally by my mother through the blood memory of her ancestors. My mom is Ivorian - from Côte d'Ivoire - and … [Read more...] about Abdiel Cedric Jacobsen answers the Gramilano Questionnaire… dancers’ edition
The Gender of Choreography. Is it time for quotas?
Is it time for quotas? This was one of many questions discussed at a Dance Umbrella debate, part of the Big Dance 2016 events, at the beginning of this month. The subject of gender inequality in … [Read more...] about The Gender of Choreography. Is it time for quotas?
Peter Wright answers the Gramilano Questionnaire… Dance Edition
Q&A When did you start dancing? Not until I was 16, as an apprentice with the Ballets Jooss. Why did you start dancing? I was always good at ballroom, and then my mother took me to see … [Read more...] about Peter Wright answers the Gramilano Questionnaire… Dance Edition
Old and new in English National Ballet’s 2016-2017 Season, Spring/Summer
The English National Ballet’s Spring/Summer 2017 season sees a refreshing nod to the company’s past with a revival of Rudolf Nureyev’s Romeo & Juliet during August of 2017 when the company makes a … [Read more...] about Old and new in English National Ballet’s 2016-2017 Season, Spring/Summer
Sylvie’s last dance: a tribute to Guillem, the artist and her career
A tribute by Ioannides Yiannakis In 29 December 1984, after a memorable performance of Swan Lake at the Paris Opera, the great Rudolf Nureyev named an extraordinary 19-year-old étoile. Her name … [Read more...] about Sylvie’s last dance: a tribute to Guillem, the artist and her career
Ardani Artists 25th Anniversary “If only all Galas could be like this”
Sergei and Gaiane Danilian, The Russian couple known by their company name, Ardani Artists, marked their 25th anniversary of dance management, production and promotion with a gala featuring some of … [Read more...] about Ardani Artists 25th Anniversary “If only all Galas could be like this”
Ek, Laguna, Mercy and Linke in Rome: over 200 years of dance experience
For two nights from tomorrow in Rome there is the possibility to attend a most unusual dance gala. While there are only four taking part, their ages combined total 266 years. The dancers are Mats Ek, … [Read more...] about Ek, Laguna, Mercy and Linke in Rome: over 200 years of dance experience
Mathilde Froustey answers the Gramilano Questionnaire… Dancers’ Edition
Q&A When did you start dancing? I started at the age of 10 in my hometown Dax, near Bordeaux in southwest France. I was hyperactive so my mother had me do as many activities as I possibly … [Read more...] about Mathilde Froustey answers the Gramilano Questionnaire… Dancers’ Edition
Nominees announced for the 15th National Dance Awards
The Dance Section of the Critics’ Circle has announced the nominations for the 15th National Dance Awards. The Critics' Circle is composed of five sections: Music, Theatre, Film, Dance and Visual … [Read more...] about Nominees announced for the 15th National Dance Awards
Luca Pisaroni answers the Gramilano Questionnaire… Singers’ Edition
Q&A When did you start singing? I started singing when I was 12/13 years old. I was a tenor then... Why did you start singing? I started singing because it felt so natural. Which singer … [Read more...] about Luca Pisaroni answers the Gramilano Questionnaire… Singers’ Edition
Eleonora Abbagnato talks about becoming Paris’ new étoile
This week, Eleonora Abbagnato became the first Italian étoile at the Paris Opera Ballet for generations. The only other was Carlotta Zambelli who became one of the company's stars at the end of the … [Read more...] about Eleonora Abbagnato talks about becoming Paris’ new étoile
Mikhail Baryshnikov on boycotts, ballet, ‘Black Swan’, Studio 54, ‘Sex and the City’, contemporary dance and being a sex symbol
As "In Paris" arrives in Tel Aviv for nine performances, Mikhail Baryshnikov talked to Elad Samorzik of Haaretz: On age and repertoire "Listen, I am 63 years-old. It depends what you're … [Read more...] about Mikhail Baryshnikov on boycotts, ballet, ‘Black Swan’, Studio 54, ‘Sex and the City’, contemporary dance and being a sex symbol
Pippo Delbono, Marie-Agnès Gillot and Bobò – the étoile in the asylum
In just under two hours Pippo Delbono takes his audience on a rollercoaster ride from Dante to Pasolini, from a solo violin to a Verdi chorus, from contemporary dance to pointe shoes, from the … [Read more...] about Pippo Delbono, Marie-Agnès Gillot and Bobò – the étoile in the asylum
Marie-Agnès Gillot in Milan for Pippo Delbono’s “After The Battle”
This is how The New York Times introduced Delbono to its readership in an interview last year: Part theater, part dance, part carnival, part music, the works of Pippo Delbono are hard to … [Read more...] about Marie-Agnès Gillot in Milan for Pippo Delbono’s “After The Battle”