John Cranko’s Romeo and Juliet returns to Rome at the vast Circus Maximus
From tonight at Circus Maximus – ancient Rome’s chariot-racing stadium – audiences of 6,000 can see John Cranko’s Romeo and Juliet.
From tonight at Circus Maximus – ancient Rome’s chariot-racing stadium – audiences of 6,000 can see John Cranko’s Romeo and Juliet.
Marta Mele sees the bright colours and the tragedy of unattainable love in La Bayadère at Rome Opera House with Iana Salenko and Bakhtiyar Adamzhan.
Donatella Bertozzi sees La Bayadère in Rome and has a ‘magical, priceless evening’ with Paris Opera Ballet’s Sae Eu Park and Paul Marque.
Marta Mele sees the Rome Opera Ballet in John Cranko’s Onegin – two exceptional performers for an audience that did not shy away from the story’s emotions.
Marta Mele sees Rome Opera Ballet in a dreamy contemporary triple bill that reconnects the myth of Sisyphus to our virtual lives.
In Rome, from 21 until 31 December, there will be 12 performances of a new version of The Nutcracker by Paul Chalmer to open the 2023/2024 ballet season.
Rome Opera Ballet’s Giselle is dedicated to Carla Fracci. The opening cast saw Susanna Salvi as Giselle and Michele Satriano as Albrecht.
The new season of the Rome Opera Ballet is announced by the company’s director, Eleonora Abbagnato.
José Carlos Martínez’s production of Le Corsaire returns to Rome after a run cut short in 2020 due to the pandemic. Nuñez, Muntagirov, Tissi and Makhateli star.
Rome Opera Ballet has announced its 2021-2022 season which starts with a Nutcracker and finishes with the restaging of Carla Fracci’s 2004 production of Giselle.
Trovatore inaugurates Rome’s summer season followed by Madama Butterfly and La bohème, and dance features Swan Lake and Roberto Bolle.
Five different programmes make up Rome Opera Ballet‘s new season, 2019-2020. Benjamin Pech’s successful Swan Lake will be remounted to open the season. This will be followed by an evening dedicated to Jerome Robbins; a new work by José Carlos Martínez telling the tale of Lord Byron’s Il Corsaro (The Corsair); a triple bill featuring…
Dancing Times’ May issue is out now, with a glorious cover featuring Margot Fonteyn – the only dancer to be given the title prima ballerina assoluta by The Royal Ballet – who was born 100 years ago on 18 May. The magazine celebrates the centenary of Fonteyn’s birth with articles by The Royal Ballet’s director…
Another Carmen? Well, yes, but there is a slightly different slant to this new production for the Rome Opera Ballet because Jiří Bubeníček has used Prosper Mérimée’s novella as his starting point, not Bizet’s opera. The ballet does, however, use Bizet’s music for the main part, which instantly removes originality from the score. Apart from…
Carmen, a new work for Rome Opera Ballet by Jiří Bubeníček will receive its world premiere this Saturday, 2 February, and runs until 10 February. The company’s director, Eleonora Abbagnato, said, It’s an honour for me to have a great artist, and fabulous dancer and now a young and successful choreographer like Bubeníček, to present…
Jean-Guillaume Bart, former Étoile at the Paris Opera Ballet, created his version of The Sleeping Beauty for the Yacobson Ballet Theatre in St Petersburg in 2016. His POB colleague Eleonora Abbagnato — currently both an Étoile in Paris as well as director of the Rome Opera Ballet — asked him to adapt it for Rome…
Eleonora Abbagnato, who became director of the Rome Opera Ballet two years ago (while retaining her position as Étoile at the Paris Opera Ballet, and commitments such as a panel judge for the reality show Amici) has brought several works to the Italian capital that she has danced in the French capital. So it was…
A good old-fashioned ballet gala: Nutcracker, Don Q, Swan Lake, Le Corsaire… it’s sometimes just what the doctor ordered. Daniele Cipriani‘s Les Étoiles injected the audience in Rome with a generous dose of positive energy administered by some of the world’s best dancers. It wasn’t all cherries. Silvia Azzoni and Oleksandr Ryabko danced Hamburg Ballet…
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