Marta Mele sees Rome Opera Ballet’s Nutcracker – “a magic that illuminates social and gender conflicts, opening up with enthusiasm to adult life”.
Matthew Paluch sees IV by SERAFINE1369 in London – “I was taken to all manner of places, ranging from boredom to intrigue and back again.”
Graham Watts sees Wendy Houstoun’s Watch It!: “There are so few entertainers of Houston’s calibre that one can only hope that she goes on (and on).”
Matthew Paluch sees Welcome to Campfire’s ‘The Pigeon & The Mouse’ that showed “abundant physical and emotional connection”.
End of content
End of content