The fourth week of programming of New York City Ballet’s six-week digital spring season has been announced.
On Tuesday 12 May at 8 pm EDT, NYCB will release a programme of Jerome Robbins’ Afternoon of a Faun and “Spring” from The Four Seasons, and excerpts from George Balanchine’s Divertimento No. 15, The Four Temperaments, and Western Symphony.
On Friday 15 May the company will make available Justin Peck’s Pulcinella Variations.
Tuesday 21 April would have been the opening night of the New York City Ballet’s now-cancelled 2020 Spring Season.
The NYCB digital season will offer six weeks of all-new content, six days a week, Monday until Saturday, until 30 May.
The Boards of Directors of New York City Ballet (NYCB) and its affiliate training academy, the School of American Ballet (SAB), today announced the appointment of Jonathan Stafford, 38, as Artistic Director of NYCB and SAB, and Wendy Whelan, 51, as Associate Artistic Director of NYCB, establishing the esteemed former NYCB dancers, SAB alumni, and […]
Tonight, 27 January 2017, The Royal Ballet presents an exciting new world premiere at the Barbican Theatre in London. Here’s a preview of what the first night audience will be seeing. The project brings together choreographer Javier De Frutos and leading lights of ballet, contemporary dance and opera to create a new production of Philip Glass’s […]
New York City Ballet principal dancer Wendy Whelan, who recently announced her retirement as a classical ballerina to focus on choreography and contemporary dance, is bringing Restless Creature to The Linbury Studio Theatre in July. Whelan, described by The New York Times as ‘America’s greatest contemporary ballerina’, collaborates with young choreographers Kyle Abraham, Joshua Beamish, Brian Brooks […]
Q&A When did you start dancing? In the womb. Why did you start dancing? I will probably never know the answer to that. I just know why I keep doing it. Which dancer inspired you most as a child? Rudolph, Pina, Kazuo Ohno, Gregory Hines, Erik Bruhn , Karen Kain, Evelyn Hart, Robert Tewsley, Lynn […]
Everyone has bad hair days, but just consider the plight of the ballerina: her locks are teased, sprayed and shellacked into submission. For dancers split ends or an unruly cowlick are first-world problems. What about receding hairlines caused by scraping the hair, day in and day out, into a bun? “Your teachers say that they […]
Balanchine’s ballet “Seven Deadly Sins,” with Bertolt Brecht and Kurt Weil’s libretto and score, was premièred by the New York City Ballet in 1958. Balanchine had created a first version of the work 25 years earlier for the Paris season of the short-lived Les Ballets 1933. In the Paris production the dual role of Anna — […]
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![Les Enfants Terribles. Gyula Nagy [Centre, sitting down]. © ROH, 2017. Photographed by Bill Cooper](https://i2.wp.com/www.gramilano.com/wp-content/uploads/2017/01/Les-Enfants-Terribles.-Gyula-Nagy-Centre-sitting-down.-©-ROH-2017.-Photographed-by-Bill-Cooper.jpg?resize=150%2C150&ssl=1)
