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Gramilano

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Tamara Rojo

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In my time at English National Ballet, all my main ballerinas have been mothers or have become mothers while they were lead ballerinas. I have seen that they have been more resolute, more passionate, more efficient, better artists, better dancers. It has always been for the better.

Tamara Rojo, The Times 2022


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Gramilano newsletter 2019

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NEWS

Lawrence Brownlee’s new album, Rising, is out tomorrow

The Florence opera house to sell its vast archive to avoid closure

La Scala Ballet Season 2023-2024

La Scala Opera Season 2023-2024

Gustavo Dudamel to leave the Paris Opera at end of 22/23 season

Royal Opera House announces 2023-2024 opera and ballet Cinema Season

Royal Ballet’s three one-act ballets – Wayne McGregor (world premiere) | Wheeldon | MacMillan

The bizarre story of Italian opera house musical chairs – Meyer, Fuortes, Lissner

Blake Works V – La Scala presents a new work from William Forsythe – “You can get a lot done with calm.”

Birmingham Royal Ballet’s summer bill: Apollo – Interlinked – ‘Still Life’ at the Penguin Café

FEATURED POSTS

Gregory Kunde as Otello, photo by Matthias Baus, Teatro alla Scala 2015

Top opera singers discuss how they choose and prepare new roles

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In conversation with Marianela Nuñez

Vadim Muntagirov answers the Gramilano Questionnaire… Dancers’ Edition

Grand Pas Classique at English National Ballet, photo by Laurent Liotardo

Introducing 19-year-old Canadian dancer Shale Wagman: from Lausanne to ENB to the Mariinsky

franco fagioli © thibault stipal, 2014

Franco Fagioli answers the Gramilano Questionnaire… Singers’ Edition

How to stage a ballet… Maina Gielgud explains

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In conversation with Jakub Józef Orliński

Yasmine Naghdi in rehearsal for Tarantella, The Royal Ballet © 2017 ROH. Photograph by Bill Cooper

[Interview] The Royal Ballet’s Yasmine Naghdi: a time to reflect

Luca Pisaroni as Leporello in Don Giovanni at Glyndebourne   photo by Bill Cooper

In conversation with Luca Pisaroni: back to Milan with his La Scala debut

Maurice Béjart's Gaîté parisienne with Marijn Rademaker photo by Stuttgarter Ballet

Dutch National Ballet’s Marijn Rademaker on injury and recovery

GRAHAM SPICER

Writer, director and photographer in Milan, blogging (under the name ‘Gramilano’) about dance, opera, music and photography for people who are a bit like me and like some of the things I like. I was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. My scribblings have appeared in various publications from Woman’s Weekly to Gay Times. I write the ‘Danza in Italia’ column for Dancing Times magazine.

You can find me on Twitter, Facebook, and Instagram, or follow my Facebook page.

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