Sir Tim Berners-Lee by Sean Henry, 2015 © National Portrait Gallery, LondonA newly commissioned portrait of Sir Tim Berners-Lee, the inventor of the World Wide Web, has been unveiled at the National Portrait Gallery in London.
A painted bronze sculpture, by artist Sean Henry, shows Berners-Lee standing at two-thirds life-size on a tall plinth, carrying the leather rucksack in which he keeps his laptop. Apart from photographs, it is the computer scientist’s first commissioned portrait. The choice to make a painted sculpture came out of discussions with the sitter and his wife, and the wish to move away from the usual photographic depiction of Berners-Lee seated before a computer.
Sean Henry spent two days with Berners-Lee in Boston, observing and photographing him at work and visiting him at home, before inviting him to two further sittings at Henry’s studio in Britain. He says,
Tim is a very dynamic person to sculpt, as he has a very active mind, and is active physically too. Above all what came through was his strong sense of purpose, and it felt important to try to capture this in the work.
The Gallery commissioned the work in celebration of Sir Tim’s 60th birthday, and is the Gallery’s first commissioned portrait sculpture for seven years.
Rosie Broadley, Associate Curator at the National Portrait Gallery, London, said,
Henry was interested in the paradox inherent in the impact of Berners-Lee’s invention and his self-effacing demeanour. Henry’s sculpted figures are usually anonymous, and in this portrait he has retained the idea of his subject as “everyman”, through the casual pose and clothing. The depiction of his sitter is resolutely contemporary, but the use of bronze has a timeless and permanent quality appropriate for a sitter with such a significant legacy.
Sir Tim Berners-Lee’s 1989 proposal for the World Wide Web combined two emerging ideas: the Internet, a network of connected computers; and hypertext, the concept of linking texts to other texts – to create a ‘Web’ that makes information easily accessible and shareable by everyone. After designing the fundamental technologies, Berners-Lee then worked to ensure that the code underlying the Web was made available for free to everyone, in perpetuity.
Today, he continues to work to enhance the Web. In 2009 he founded the World Wide Web Foundation which seeks to establish the Web as a basic right and ensure it truly benefits humanity. He is also director of the World Wide Web Consortium, which oversees standards in Web development, and co-founder of the Open Data Institute, an organisation dedicated to enhancing the supply and use of government data by citizens.
His invention has impacted on almost all aspects of contemporary life in the developed world including the dissemination of news, information and research; how we learn, shop, participate in governance and conduct relationships.
Sir Tim says,
The Web connects people, not just computers. It belongs to all of us and its future will be shaped by the energy and creativity of all who use it. So, I hope that this sculpture will start conversations – our work is not done. What kind of Web do we want, and how best can we build that together?
Sir Tim Berners-Lee by Sean Henry is on display in Room 40 at the National Portrait Gallery from Friday 29 May, Admission free.
SIR TIM BERNERS-LEE (b.1955)
By Sean Henry (b.1965)
Painted bronze, (Bronze, oil paint, Portland stone & wood), 2015
Figure (114cm high); plinth (73cm high) Total height 187cm
Plinth 58cm width x 58cm depth
Commissioned by the Trustees of the National Portrait Gallery and made possible by J.P. Morgan through the Fund for New Commissions
Graham Spicer is a writer, director and photographer in Milan, blogging (under the name ‘Gramilano’) about dance, opera, music and photography for people “who are a bit like me and like some of the things I like”. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy.
His scribblings have appeared in various publications from Woman’s Weekly to Gay Times, and he wrote the ‘Danza in Italia’ column for Dancing Times magazine.
