Matthew Bourne’s Cinderella returns for its 30th anniversary with an almost entirely new cast
New Adventures names the cast for its 30th-anniversary UK tour of Matthew Bourne’s Cinderella, with an almost entirely new line-up of principals
New Adventures names the cast for its 30th-anniversary UK tour of Matthew Bourne’s Cinderella, with an almost entirely new line-up of principals
Jonathan Gray sees sees Alvin Ailey American Dance Theater’s second programme, honouring Ailey’s legacy with grace, truth, nobility and a seriousness of purpose.
Royal Ballet and Opera launches FUTUREWORKS and NOW, two long-term programmes to nurture new choreographers and composers, with Wayne McGregor and Pam Tanowitz mentoring.
Graham Watts sees the first programme from the “world’s elite dance phenomenon”, Alvin Ailey American Dance Theater, on tour in London.
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
The Hudson Valley Dance Festival returns on 10 October 2026, bringing together an eclectic mix of contemporary dance artists, choreographers, and companies.
Graham Watts sees Steven McRae and Vasko Vassilev in The McRae/Vassilev Project – a unique experience; a masterclass of elite playing and stunning dancing.
Matthew Paluch sees the highs and lows of San Francisco Ballet’s Mere Mortals: “The highs are powerful, but the lows feel eternal.”
Lucía Piquero sees San Francisco Ballet in Mere Mortals – stunning performances, with control, commitment and technical virtuosity… I’m just not too sure what it was for.
Alexei Ratmansky has returned to Kyiv to stage George Balanchine’s Donizetti Variations, marking the first certified Balanchine production ever mounted by a Ukrainian ballet company.
Sir Richard Alston, choreographer, teacher, artistic director and tireless advocate for dance, died on 7 September 2026 at the age of 77.
American Ballet Theatre has announced that Herman Cornejo and James Whiteside will retire from the company during the 2027 season.
Kenneth MacMillan’s Manon opens The Royal Ballet’s 2026/27 season, with performances from 13 October and a live cinema relay on 27 October.
Graham Watts sees Romeo and Juliet with choreography by Kaloyan Boyadjiev – a production that looks glorious and manages to be both familiar and fresh.
Principal Dancer Heather Ogden will retire at the end of The National Ballet of Canada’s 2026/27 season, after a 29-year career with the company.
Choreographer Melissa Barak took time from rehearsals to speak with dance writer Ann Haskins about Los Angeles Ballet’s debut at the Hollywood Bowl.
The Royal Academy of Dance (RAD) has presented its highest honour, the Queen Elizabeth II Coronation Award, to choreographer Christopher Wheeldon OBE.
Rotterdam’s Danshuis will be the largest centre in Europe dedicated to the production and development of dance
Teatro alla Scala’s streaming platform is dropping its paywall. From 1 September, every title in the LaScalaTV catalogue will be available for free.
Genevieve Penn Nabity swapped the Four Seasons Centre stage for the Rogers Centre mound, throwing the first pitch at the Toronto Blue Jays’ game.
Julia Conway talks with Graham Spicer on her promotion to ENB Principal, preparing Nureyev’s Romeo and Juliet, and balancing technique with storytelling.
Northern Ballet is heading back to the Royal Ballet and Opera’s Linbury Theatre with a triple bill that brings together some of dance’s most distinctive voices, past and present.
The Royal Ballet opens its 2026/27 Linbury Theatre season on 11 September with The McRae / Vassilev Project, a unique evening of music and dance.
Graham Spicer sees La Scala Ballet in Nureyev’s production of Don Quixote featuring sparkling performances under the magical baton of Gavriel Heine.
Matthew Paluch sees Swan Lake in Dublin with the Ballet de Santiago, where he found a company full of young, capable artists.
Today – 20 August 2026 – would have been Carla Fracci’s 90th birthday. To mark the occasion, we look back at one of the most audacious projects of her career.
For dancers over 40, retirement is close. A new company, WINNDance, is challenging that assumption.
Ten-year-old Nathan is leaving Milan for Paris this September, joining the Opéra’s Dance School after beating out 50 hopefuls for a spot.
The talented, well-respected, and much-loved photographer Elliott Franks has died at his London home at age 62.
Audiences at the Bolshoi Theatre could find themselves without 11 of its well-known productions after a dispute over the rights to Yuri Grigorovich’s choreographic legacy.
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