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  • Medallists of The Fonteyn 2026 with Alexander Campbell, Lynne Wallis OBE, Mthuthuzeli November, Dame Darcey Bussell DBE, Kevin O'Hare CBE, Francesca Hayward and Elizabeth Honer photograhy by ASH

    Canada’s Erin Alarie wins Genée gold at the 2026 Margot Fonteyn International Ballet Competition

  • Yuhui Choe as Cinderella in Frederick Ashtons Cinderella photo by Tristram Kenton_cr

    Yuhui Choe to leave The Royal Ballet after 24 years

  • The Fountain of Bakhchisarai - (c)Valter Berecz, Hungarian State Opera 2026 - 10

    Review: Hungarian National Ballet dances The Fountain of Bakhchisarai with polish, if not much pace

  • German Cornejo, Tango After Dark, Image Credit Danny Kaan 4

    Review: Tango After Dark at Sadler’s Wells – virtuosity without variety

  • Robert de Warren

    Robert de Warren’s My Life in Dance: a ballet director’s memoir, from a scooter in Montevideo to Fonteyn, Nureyev and La Scala

  • The 12 finalists of The Fonteyn 2026 - photo by ASH

    Royal Academy of Dance names the 12 finalists of The Fonteyn 2026 – watch the final live on Medici TV

  • Faust - photo Brescia and Amisano (c) Teatro alla Scala - 1

    Gounod’s Faust from La Scala streams free and live on LaScalaTv this Sunday

  • Il danno di Susanna Beltrami photo Salvatore Lazzaro DANCEHAUSpiù crop

    Review: Il danno – former La Scala dancers in a chilling, cinematic take on Damage

  • Giselle - Alice Mariani Navrin Turnbull - photo Brescia and Amisano (c) Teatro alla Scala - 3

    Review: Benois’s painted sets still draw gasps in La Scala’s Giselle

  • Nicoletta Manni in La luna, choreography by Maurice Béjart - (c) Brescia and Amisano, Teatro alla Scala

    Memorare ’26: Saint Francis’s Canticle of the Creatures becomes dance in Bologna’s San Petronio

  • Principals Bruno Micchiardi as Cinders and Jessica Fyfe as Princess Louise. Photo by Andy Ross

    Scottish Ballet’s Cinders! returns with four love stories – including two same-sex couples

  • Marco Masciari as Satan in Job for Madam, The Royal Ballet (c)2026 Camilla Nervi

    Review: Madam – The Royal Ballet’s intimate tribute to Ninette de Valois