LATEST POSTS
Review: English National Ballet’s Rhythm Riot – alternate cast – mixed bill, mixed results
Lily Hyde on English National Ballet’s Rhythm Riot – Balanchine dazzles with Sangeun Lee’s debut, but the new pieces in this mixed bill fall short.
Review: Seke Chimutengwende’s The Last Quartet – the future exists in the past
At The Place, dancers, musicians and lighting move without a script in Seke Chimutengwende’s Eliot-inspired The Last Quartet.
Tiler Peck becomes New York City Ballet’s first choreographic associate
Tiler Peck becomes NYCB’s first Choreographic Associate, creating new works until 2029 – and the first woman to hold a choreographic title.
Review: Rhythm Riot – Balanchine outshines two world premieres at English National Ballet
ENB’s Rhythm Riot: two world premieres fail to transport, but Balanchine’s Symphony in Three Movements, led by Ksenia Ovsyanick, is intoxicating.
Review: In Birmingham Royal Ballet’s Swan Lake, a great ballet is trapped inside a good one
Momoko Hirata and Mathias Dingman anchor superbly danced leads, but Peter Wright and Galina Samsova’s choreographic choices – not least the wasted Act I finale and Act II overture – hold the production back from greatness.
World Ballet Day 2026: The Royal Ballet reveals how stories are made
The Royal Ballet’s World Ballet Day livestream on 29 October goes inside the rehearsal room, with coaches passing roles to a new generation.
