The new season of the Rome Opera Ballet is announced by the company’s director, Eleonora Abbagnato.
A modern-day Juliet, still a child, imagines herself as an adult: I talk to the choreographer of Giulietta, a new ballet + rehearsal photos.
“Blackface is offensive and outright racist,” said soprano Angel Blue as she announced that she was pulling out of La Traviata at the Verona Arena.
Photos of La Scala’s Giselle with Nicoletta Manni and Timofej Andrijashenko, then an alternate cast with former Bolshoi principal Jacopo Tissi.
Wayne McGregor’s double-bill of AfteRite (The Rite of Spring) and LORE (Les noces) at La Scala is exciting, surprising, and thought-provoking.
Kevin O’Hare, Director of The Royal Ballet, announces promotions, joiners and leavers for 2022-2023, and Lesley Collier leaves after 27 years of coaching.
The United Ukrainian Ballet will perform Alexei Ratmansky’s new ‘Ukrainian’ Giselle in the Netherlands and at the London Coliseum.
Julio Bocca and Alessandra Ferri’s successful partnership began in the 1980s and recently they have been working together once again.
The National Ballet of Canada has announced that Principal Dancer Evan McKie will leave the company to pursue new dancing opportunities.
Eleonora Abbagnato, former étoile with the Paris Opera Ballet and director of the Rome Opera Ballet, will tour with her young daughter.
In July’s Dancing Times magazine I talk about La Scala Ballet’s exciting new principal Alice Mariani, and Emanuela Montanari’s farewell performance.