Strangely, most critics didn’t attend the Mariinsky‘s signature ballet La Bayadère, the sixth and last of their 2011 London season. Well, it was mid-August and the beaches were calling. However ballet stalwart Clement Crisp was still in the saddle, and gave this evening another 5-star review. If Mr Crisp is now on holiday he…
The fourth Mariinsky programme to grace the Royal Opera stage was another triple bill: Scotch Symphony and Ballet Imperial by George Balanchine, and In The Night by Jerome Robbins. Although this was an evening of American choreography, New York City Ballet territory, the roots are here with this company. Balanchine, one of its favourite sons, and his…
The Mariinsky kicked off their 3-week stay at the Royal Opera House with Swan Lake. An obvious, and right, choice, Immutable is the Mariinsky’s root foundation in classical tradition. Everything they dance speaks of “schooling”. Whatever more modern works the repertory now embraces, the classic ballets provide the company’s signature — none more so in…
In a splattering of mainly four and five-star reviews it was, perhaps surprisingly, the Financial Times‘s Clement Crisp, maybe the hardest critic to please, who showered compliments over the company without restraint: The world’s stages are littered with productions of Swan Lake, the majority of which – as I know to my cost – are horrid and foolishly…
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