Is there anything that Ildar Abdrazakov cannot do with his voice? In a programme that began with Giordani (Caro mio ben) and finished with Rachmaninov (Spring Waters) he visited coloratura and patter songs, sang the longest of phrases, and displayed the most extraordinarily dulcet pianissimi contrasting with laser-sharp fortissimi. And although it was all so (ostensibly) … [Read more...] about Ildar Abdrazakov – the man with the perfect technique?
Olga Peretyatko was in glorious voice for her captivating recital at La Scala. Beautiful on both the eye and the ear she charmed throughout her highly demanding and lengthy programme, bewitching the audience for more than two hours – people headed toward the exits at 10.40pm after an 8pm start.A mixed programme offered three settings of Gretchen’s (or Margarete’s) soliloquy … [Read more...] about Olga Peretyatko – the generous and gifted artist in recital at La Scala
It’s not often that the accompanist for a recital is mentioned in the opening paragraph of a review, but Anita Rachvelishvili’s recital at La Scala with pianist David Aladashvili was a true joint effort, not just musically, but from how they shared the stage. They obviously know each other very well and although Aladashvili, a fellow Georgian, respectfully stayed by his … [Read more...] about Anita Rachvelishvili and David Aladashvili cast magic at La Scala
The death of a tyrant, abduction by the secret police and insight into the minds of some of the greatest composers in history are all part of the details that Russia’s Bolshoi Theatre has discovered in the margins of the centuries-old sheet music in its archives.The discoveries have been made during the digitalization of the Bolshoi’s music archives, which are some of the … [Read more...] about Doodles in the Bolshoi archives