[Review] David Moore and Rocio Aleman as Romeo and Juliet with Stuttgart Ballet
Matthew Paluch sees John Cranko’s Romeo and Juliet with the Stuttgart Ballet – “I haven’t heard or felt applause like that for quite a while.”
William Shakespeare
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From Noverre to Chauviré: A dancer must have a real depth of culture
If you read November’s edition of Dancing Times (and I strongly recommend that you do!), the magazine’s Talking Point column has some musings by Gramilano on the importance of dancers being informed not only about their own art, but about other arts, many of which are accumulated to make a ballet anyway: prose, music, painting, sculpture….
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Jennifer Larmore answers the Gramilano Questionnaire… Singers’ Edition
Q&A When did you start singing?I always sang. My mother told me that I sang even before I talked. I also cannot remember a time when I didn’t sing. Why did you start singing?It has been the most natural thing in the world for me to sing. I always enjoyed it. I liked the sound…
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Rosalind Plowright answers the Gramilano Questionnaire… Singers’ Edition
Q&A When did you start singing? Age 12. I had always sung before but only found my true voice at this age. My father was a bass player and had been playing in the orchestra for a performance of The Mikado. Whilst travelling back home I imitated the voice of Katisha and out came this…
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Milan’s Teatro Franco Parenti celebrates its birthday with an orgy of Hamlets
One of the most respected Milanese theatres was born from an artistic collaboration between three pillars of Italian theatre: the director Franco Parenti, writer Giovanni Testori and up-and-coming young director Andrée Ruth Shammah. Together they formed the Salone Pier Lombardo which, since Parenti’s death in 1989, has been run by Shammah, and renamed Teatro Franco Parenti. This getting-together…
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Aterballetto’s Romeo and Juliet in Milan: contemporary dance at its highest level
Romeo and Juliet by Italian choreographer Mauro Bigonzetti was created for his company Aterballetto in 2006, and has received international acclaim ever since. But what a strange bird it is. Exotic and sensual, yes, beautiful to behold, certainly, but the storytelling is vague and, even for a viewer who knows traditional versions of Prokofiev’s ballet…
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Tom Aldredge, character actor, dies at 83
Tom Aldredge, an Emmy-winning actor who for five decades was ubiquitous on stage and screen, seen in everything from Sondheim to “The Sopranos,” died on Friday in Tampa, Fla. He was 83. “I knew at the beginning I was nobody’s leading man,” Aldredge told The New York Times in 1985, when he was 57 and…
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Critics round-up: Richard III with Kevin Spacey
Well the critics loved much, if not all, of the Bridge Project’s much anticipated swan song production of Richard III with Kevin Spacey. The production is now at London’s Old Vic theatre before going on tour, finishing with two months at the Brooklyn Academy of Music from January 10, 2012. Spacey’s performance above all wowed everyone: There…
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