Guest ballerina Polina Semionova danced in Birmingham Royal Ballet’s Swan Lake with the company’s principal dancer Brandon Lawrence on Friday 17 and Saturday 18 February 2023.
Polina Semionova and Brandon Lawrence in Swan Lake
01 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton
Tall, with long arms and legs, strong feet, and a supple back, Semionova moves her limbs with beautiful, yearning fluency, stretching the expansive lines of Ivanov’s choreography out into the space around her – every move she made was secure and honed, demonstrating her fine schooling. She is strong, yet vulnerable, and Semionova was not afraid to smile and give the impression Odette has at last found some hope for the future whilst Siegfried tenderly rocks her in his arms during their pas de deux in Act II. – Jonathan Gray
02 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton03 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton04 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton05 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton06 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton07 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton
Matching Semionova at every step of the way was BRB’s own principal Brandon Lawrence as Prince Siegfried. Tall, handsome, and beautifully proportioned, Lawrence gave a magnificent performance, expressing with poignancy Siegfried’s sadness following the death of his father, and then the joy and hope he thinks he has found when falling in love with Odette and pledging himself to her.
Not only was he a superb partner for Semionova, supporting her with utmost care and strength, but his dancing was at top level, too. His wonderful, soaring jumps and swift pirouettes, so musically phrased they seemed completely at one with the music, were also used to express the emotions of his character – every step that flowed out of him was there for a reason, and not simply for an empty display of technique. Lawrence is absolutely at the top of his game, and BRB is lucky to have such a superb artist within its ranks – the world of ballet should be laying laurels at his feet. – Jonathan Gray
08 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton09 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton10 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton11 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton12 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton13 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton14 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton15 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton16 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton17 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton18 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton19 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton20 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton21 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton22 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton23 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton24 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton25 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton26 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton27 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton28 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton29 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton30 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton31 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton32 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton33 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton34 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton35 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton36 – Swan Lake, Birmingham Royal Ballet with Polina Semionova and Brandon Lawrence, photo by Tyrone Singleton
Graham Spicer, aka ‘Gramilano’, is a writer, director and photographer based in Milan. He was a regular columnist for Opera Now magazine and wrote for the BBC until transferring to Italy. His articles have appeared in various publications from Woman’s Weekly to Gay Times, and he wrote the Danza in Italia column for Dancing Times magazine. Graham was the historical advisor on Codice Carla, the 2023 documentary on Carla Fracci.
Graham also works as a dance photographer, and his photos have appeared in many books, theatre programmes, and magazines, including Dancing Times, Dance Spirit and Ballet2000, as well as all the major Italian newspapers.
He is a member of the Dance Section of The Critics’ Circle.
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