Paris Opera Ballet at the Hollywood Bowl – complete programme
The Paris Opera Ballet returns to international touring, performing two performances at the Hollywood Bowl in Los Angeles.
The Paris Opera Ballet returns to international touring, performing two performances at the Hollywood Bowl in Los Angeles.
As the theatres in Bavaria remain closed the Bavarian State Ballet offers 9 days of programming (including a world premiere) on staatsoper.tv.
Diana Vishneva’s latest project – Imprint in Motion – is a cross-media project fusing the fine arts, contemporary dance, music, and film making, and focuses on the human body in a variety of forms.
Life is challenging, but Dancing Times soldiers on, as it has done for 110 years, more than any other dance publication. In all that time, even during world wars, it has never missed publishing an issue, and the coronavirus isn’t about to stop it in its tracks.
Gramilano’s Danza in Italia column was lucky in that it is bi-monthly, and as such still had some shows to review.
An unusual mixed bill at La Scala showcased the works of two choreographers: Hans van Manen and Roland Petit. Two of the van Manen pieces were new to the company, though his Adagio Hammerklavier, which opened the programme, was performed in Milan in 1985. Adagio Hammerklavier was created in 1973 (the men wear leg-warmers and…
Serata van Manen – Petit, (Van Manen and Petit Evening) opens at La Scala on 23 January. The evening consists of five gems from Hans van Manen and Roland Petit. The three van Manen pieces are Adagio Hammerklavier, Sarcasmen and Kammerballett, while the Petit pieces are Le combat des anges (from his ballet Proust, ou…
This morning, Frédéric Olivieri, director of La Scala’s ballet company, announced the theatre’s 2019-2020 season: Sylvia 14 December 2019 – 14 January 2020 Music: Léo Delibes Choreography: Manuel Legris based on Louis Mérante and others Story and libretto: Manuel Legris and Jean-François Vazelle based on Jules Barbier and Jacques de Reinach Sets and costumes: Luisa…
Isaac Hernández on Nureyev and Baryshnikov, family and Tamara Rojo, Freddie Mercury, Churchill and Chaplin, his opinions and career.
BALLET2000’s Special New Year Issue, is on the newsstands now. It looks back on a year in dance with, says editor Alfio Agostini, …the best shows, trendiest dancers, most significant companies and most creative choreographers. The bi-monthly dance magazine, uniquely, comes out in three separate editions: Édition FRANCE, ENGLISH Edition and Edizione ITALIA. Each year it produces…
English National Ballet‘s exciting Bausch / Forsythe / van Manen programme arrives at Sadler’s Wells in March. Pina Bausch‘s masterpiece The Rite of Spring must be the highlight of the evening, though Hans van Manen‘s Adagio Hammerklavier and William Forsythe‘s In the Middle, Somewhat Elevated certainly won’t disappoint. With the performances of The Rite of Spring, ENB will become the second ballet company…
The first edition of the Awards handed out by the dance magazine BALLET2000 were in 2004 when Maya Plisetskaya was presented with the main Prix for her career and during which she danced Ave Maya created for her by Maurice Béjart. Fittingly, the Awards Gala this year was dedicated to the memory of the great…
In a week’s time, the BALLET2000 Prix will host its annual event in Cannes, this year dedicated to the memory of Maya Plisetskaya. When the prize was launched, in 2004, then known as Les Étoiles de BALLET2000, the first Lifetime Achievement Award went to Plisetskaya. The 79-year-old not only collected her prize, but danced too:…
The English National Ballet‘s Spring/Summer 2017 season sees a refreshing nod to the company’s past with a revival of Rudolf Nureyev‘s Romeo & Juliet during August of 2017 when the company makes a return to The Royal Festival Hall, its old hunting ground that it hasn’t revisited since 2008. Tamara Rojo has shown with her recent programming that…
‘Being injured is part of our job, it happens, we will get back stronger!’ That’s what we say when we try to sweet talk ourselves and make it ok. But it always hurts. Being injured means dealing with letting go what you love. Its sounds really dramatic, I know… but it is. Of course, one…
Marijn Rademaker‘s face already adorns the site of the Dutch National Ballet which he will join at the beginning of next year. After 15 years with the Stuttgart Ballet he returns ‘home’ and will be the only Dutch principal dancer in the company; the last was Boris de Leeuw. After such a long time with the…
Dutch National Ballet principal dancer Vito Mazzeo will bring a group of his colleagues from Amsterdam to Teatro Salieri in Legnago for a ‘Dutch Gala’ on 22 November. Mazzeo, who was formerly a principal with the San Francisco Ballet, will be joined by Igone de Jongh, Emilie Gallerani Tassinari, Wenting Guan, Victoria Ananyan, Cristiano Principato…
Zach’s Diary part one: Growing up dancing in Canada Zach’s Diary part two: Starting at Stuttgart’s John Cranko-Schule Zach’s Diary part three Christmastime in Germany is like a fairy tale, though so far only a couple light dustings of snow but, of course, the wonderful Christmas markets. December has been a very busy month…
Q&A When did you start dancing? I’ve been dancing since I remember; ballet school at 9. Why did you start dancing? I started with ballroom dancing, then hip-hop and a bit of break dance… one thing led to another and I happened to enter ballet school. Which dancer inspired you most as a child? Natalia…
Q&A When did you start dancing? When I was 13 years old. Why did you start dancing? Because I liked it and in my house it was something normal to see ballet; although first I wanted to be a football or basketball player! Which dancer inspired you most as a child? Fred Astaire, Antonio Gades and Vladimir…
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