Casting for American Ballet Theatre’s 2024 Fall Season at the David H. Koch Theater
Today American Ballet Theatre’s Artistic Director Susan Jaffe, announced casting for the company’s 2024 Fall Season at the David H. Koch Theater.
Today American Ballet Theatre’s Artistic Director Susan Jaffe, announced casting for the company’s 2024 Fall Season at the David H. Koch Theater.
Isaac Hernández will join American Ballet Theatre – from 2024 Fall Season as guest, then as a full-time Principal Dancer from January 2025.
San Francisco Ballet’s new season includes “high-drama story ballets, inventive contemporary voices, and works rarely seen by US audiences”.
The annual Les Étoiles gala series in Rome kicks off tonight for four performances (15-17 March) at the Auditorium Parco della Musica in Rome.
The London critics on the latest outing of Derek Deane’s Swan Lake with English National Ballet and a gallery of Dasa Wharton’s photos.
English National Ballet has announced promotions within the Company and new joiners (and leavers) for the 2022/2023 Season.
Former Royal Ballet stars Ivan Putrov (Ukraine) and Alina Cojocaru (Romania) are putting on Dance for Ukraine, a benefit gala at the London Coliseum.
English National Ballet has announced that Artistic Director Tamara Rojo will step down at the end of 2022 to become Artistic Director at San Francisco Ballet.
The first photos of English National Ballet’s new production of the Tamara Rojo Raymonda are of the rehearsals that took place in the company’s new London home.
This summer, from 16 – 26 June, English National Ballet presents Solstice, a programme of repertoire highlights, at the Southbank Centre’s Royal Festival Hall.
English National Ballet returns to the stage on Monday 17 May at Sadler’s Wells with its first live performances to theatre audiences for over a year
This Cinderella combines intimacy and spectacle. In a space as vast as the Albert Hall it would be easy to lose focus, and for the action and visuals to wax muddy or arid. That rarely happens. The second act is especially expertly judged, rich in motion and emotion as the venue becomes a palatial ballroom…
Five different programmes make up Rome Opera Ballet’s new season, 2019-2020. Benjamin Pech’s successful Swan Lake will be remounted to open the season. This will be followed by an evening dedicated to Jerome Robbins; a new work by José Carlos Martínez telling the tale of Lord Byron’s Il Corsaro (The Corsair); a triple bill featuring…
Isaac Hernández on Nureyev and Baryshnikov, family and Tamara Rojo, Freddie Mercury, Churchill and Chaplin, his opinions and career.
It was a strange feeling that all the work a person can do in their lifetime, seven days a week of dedicating your life, goes out the window and is not even mentioned, is put aside for a headline. It was shocking. Is that how quickly it goes? English National Ballet Lead Principal Isaac Hernandez…
Today’s The Times has dedicated an article to ballet, and featured it not in the Culture section but on its front pages. Good news? Not really. “English National Ballet has lost a third of its dancers in two years amid claims of verbal abuse and a hostile working environment.” The newspaper has had “confidential discussions…
Dasa Wharton took her camera to the London Coliseum to capture the English National Ballet‘s latest double bill: Song of the Earth and La Sylphide Song of the Earth Choreography – Kenneth MacMillan Staging – Grant Coyle Designs – Nicholas Georgiadis Lighting – John B. Read Dancers included: Tamara Rojo (The Woman), Joseph Caley (The Man) &…
Youth America Grand Prix celebrates Julio Bocca on his 50th Birthday, as part of its Legends in Dance series, this Friday, 14 April. An exciting programme sees Luciana Paris and Marcelo Gomes in My Way from Twyla Tharp‘s Sinatra Suite, and Maria Noel Riccetto (who now dances with Bocca’s Ballet Nacional SODRE in Uruguay) who…
Wayne McGregor‘s ‘Chroma‘, created for The Royal Ballet in 2006, has crossed the Atlantic thanks to San Francisco Ballet. In London the work was an instant triumph. Debra Craine for The Times wrote: McGregor’s Chroma is ravishing on all fronts, choreography, music and design. The latter is what hits you first, an enormous light box brilliantly…
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