The Royal Ballet School and The Australian Ballet School come together in Melbourne 18 July 202418 July 2024
Review: The Royal Ballet School’s Summer Performance – ‘the school should be immensely proud’ 7 July 202421 August 2026
The Royal Ballet promotes Calvin Richardson and Joseph Sissens to Principal 28 June 202421 August 2026
Benesh Movement Notation to train young dancers in Frederick Ashton’s repertoire 13 April 20246 July 2024
Royal Ballet Principal dancer Francesca Hayward nominated Lead Ambassador of Royal Ballet School’s ATAP 11 March 20246 July 2024
[Review] Empower in Motion: A Ballet Inclusive – “A joyous celebration of all people dancing” 20 February 202421 August 2026
The Fonteyn at His Majesty’s – Margot Fonteyn International Ballet Competition 2023 1 November 202321 August 2026
Ballet schools worldwide commit to a collective future with aDvANCE conference 20 October 20236 July 2024
[Interview] Valentino Zucchetti on Anemoi, his work for The Royal Ballet 19 October 202321 August 2026
[Review] English National Ballet’s Our Voices triple bill – “Art isn’t easy… and it shouldn’t be.” 22 September 202321 August 2026
Scientists join with the Royal Ballet School to unlock advances in performance science 9 August 202321 August 2026
Meet the 24 graduating Royal Ballet School students – 100% leave with contracts 14 July 202321 August 2026
[Interview] The authentic and passionate Laura Morera – a career without limits 29 April 202321 August 2026
Position. Positioned? Positioning… working environment standards in the dance world 23 March 202321 August 2026
Principal Brandon Lawrence to leave Birmingham Royal Ballet to join Ballett Zürich 18 March 202321 August 2026
[Review] Men in Motion: the male dance spectacular still delivers, ten years on 7 November 202222 October 2026
[Review] World premiere of Crystal Pite’s Light of Passage for The Royal Ballet 19 October 20226 July 2024
Director of The Royal Ballet announces promotions, new joiners and leavers for 2022-2023 8 July 202224 October 2026
