Royal Ballet School centenary gala sees students alongside The Royal Ballet and Birmingham Royal Ballet
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
The Royal Ballet, Birmingham Royal Ballet and The Royal Ballet School unite to celebrate a century of training and artistic legacy.
The Royal Academy of Dance (RAD) has presented its highest honour, the Queen Elizabeth II Coronation Award, to choreographer Christopher Wheeldon OBE.
Julia Conway talks with Graham Spicer on her promotion to ENB Principal, preparing Nureyev’s Romeo and Juliet, and balancing technique with storytelling.
Jonathan Gray sees the Summer Performance, celebrating The Royal Ballet School a century after its formation by Ninette de Valois.
In The Royal Ballet School’s 100th graduating class, this year consisting of 30 students, all have secured contracts with companies as they start their professional journeys.
First Soloist Valentino Zucchetti is to leave The Royal Ballet after 16 years to pursue his choreographic and producing career.
Graham Watts sees New Futures from Ballet Nights, featuring 150 dancers from seven leading dance schools, but it needed pruning and better management.
Lily Hyde sees BalleyBoyz’s ‘Still Pointless’ programme, admiring the company’s ten accomplished dancers, but finds some works… pointless?
Lily Hyde talks to William Bracewell about preparing to play Prince Rudolf in The Royal Ballet’s Mayerling, his acting process, and an unlikely source of inspiration.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
Matthew Paluch attended a Royal Ballet School Centenary Insight Day. Like the school’s founder, Ninette de Valois, he believes we need more than feelings; we need intelligence.
Cory Stearns, a Principal Dancer with American Ballet Theatre since 2011, will retire from the Company following performances of Onegin during the 2026 Summer season.
Lily Hyde talks to choreographer and Royal Ballet First Soloist Valentino Zucchetti as his new production of The Nutcracker for New English Ballet Theatre tours to the Bahamas before a pre-Christmas run in London.
Paul Arrowsmith talks to Kate Flatt – choreographer, movement director, mentor and dance educator – on her two long-running productions, the musical Les Misérables and the opera Turandot, and a life in the theatre.
Graham Spicer talks with Royal Ballet dancers Ella Newton Severgnini and Francisco Serrano who dance the leading roles in Wheeldon’s Like Water for Chocolate.
Christopher Powney has been appointed artistic director of Dutch National Ballet’s Junior Company succeeding Ernst Meisner.
The Fonteyn 2025 – RAD’s The Margot Fonteyn International Ballet Competition, is coming to São Paulo, Brazil for the first time (11-19 October 2025).
Royal Ballet School-trained ballerina Georgie Rose discusses dancing at Castel Sant’Angelo in Rome, her choreographer Sergio Bernal, and living with Tourette’s syndrome.
Georgina Butler sees The Royal Ballet School Summer Performance 2025 celebrating tradition, innovation and passion and danced by remarkable students.
Director of The Royal Ballet, Kevin O’Hare, has announced promotions, new joiners and leavers for The Royal Ballet’s 2025/26 Season.
The Royal Ballet’s Next Generation Festival in the Linbury Theatre features an impressive lineup of young dance talent.
“I noticed at children’s parties, when the music starts the boys aged four to six were always first up, then all of a sudden… they don’t dance anymore. Why is that?”
Joe Powell-Main, the freelance dancer and choreographer “on wheels and crutches”, has begun a ‘GOFUNDME’ project to support his new company, JPM Productions.
Dance critic Jonathan Gray talks to Voices of British Ballet director, Patricia Linton, about the oral history project.
Reece Clarke to debut as Guest Artist with American Ballet Theatre during 2024 Fall Season
The Royal Ballet School has appointed Natasha Kaplinsky as its new Chair, effective from 1 October. Kaplinsky is the third high-level appointment in a year.
Matthew Paluch sees The Margot Fonteyn Ballet Competition: “seeing young people flourish because of their own hard work and dedication will never tire.”
The Royal Ballet has announced the appointment of former company principal dancer Stuart Cassidy as Répétiteur to the Principal Artists.
From 29 September to 3 October 2024, The Royal Ballet School will deliver Inspire, a teacher training programme hosted by The Australian Ballet School in Melbourne.
Photo album of The Royal Ballet School’s Summer Performance 2024 with the entire school including 25 graduates.
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