La Scala, 7 December 2013: La Traviata

Giorgio Armani
Giorgio Armani

‘s new production of left Giorgio Armani, and many others, feeling ‘perplexed’.

Dmitri Tch­er­niakov’s designs and direction got some hearty booing from the loggionisti in the gods, as did tenor Piotr Beczala and conductor , who gamely remarked afterwards that, “This is theatre at its best, when the audience can express its opinion about what it hears.”

Humm.

Applause was universal for who, evidently nervous during the first act, warmed into her role. Mara Zampieri made a bizarre Ziggy Stardust Annina and Željko Lučić an insidious Germont.

Meanwhile, in the foyer the real drama of the evening was being carried out. Silicone versus taffeta: the gloves are off.

Here are some photos from around the theatre on 7 December 2013.

 

What the critics, audience members, director, musicians and singers said after the performance, you can read HERE.

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6 Comments
Ron Stoff

Flat production, from the beginning to the end. Diana Damrau is not suitable for ‘Violeta’ at all. Parody.
Dmitri Tch­er­niakov’s designs and dir­ec­tion are extremely banal, a russian style in its worst. Shame for La Scala.

gestas60323

you are 100 percent right !

Sophie

Have never seen such a dumpy Violetta…how could Diana Damrau allow such unflattering costumes and frenetic staging?? I wasn’t even moved to tears the production was so baffling. Such a waste of talent.

hella

Couldn’t agree more, at the end a Violetta on a chair,….. dead !
A waste of talent indeed

gestas60323

This well-fed Violetta was utterly unbelievable. No vocal interpretation – she sang the notes, that was all. You couldn´t feel sorry for this woman.

Jaylin Weston

Quests traviata era come Un piatto di spaghetti col sugo di catchup la Musica era buona ma il resto era tutti Sotto soprano