How secretly gratifying it is when wine experts trip up, rating High Street plonk higher than the Premier cru. Ballet music could benefit from unlabelled listening. Minkus is routinely pooh-poohed, yet how many superb, theatrical moments he creates for La Bayadère — sublime, exhilarating, haunting, joyous. If interval chatter isn’t focussed on complaining about the music, it’s … [Read more...]
Pia Russo and the art of teaching ballet
Pia Russo is a highly respected Italian ballet teacher, currently working at the Ballet School of Teatro San Carlo in Naples, one of the world’s oldest ballet schools, founded in 1812 by Salvatore Taglioni, uncle of the celebrated Maria. She is known for her passion, dedication and meticulous preparation. After her dancing career ended, she studied ballet pedagogy for two … [Read more...]
Dancing Times, August 2018 out now – including latest Danza in Italia column
The latest Dancing Times magazine is now on sale. The August 2018 issue contains my latest Danza in Italia column with thoughts on the new Le Corsaire by Anna-Marie Holmes at La Scala, with company dancers Nicoletta Manni, Timofej Andrijashenko, Martina Arduino and Mattia Semperboni. The theatre also dedicated a series of evenings to Rudolf Nureyev to mark the 80 years since he … [Read more...]
Exciting celebration of Rudolf Nureyev’s life with world ballet stars at Spoleto, tonight 28 July
2018 marks 80 years since Rudolf Nureyev was born and 25 since he died. La Scala in Milan have marked the occasion with a series of Gala celebrations and performances of his Don Quixote, Manuel Legris organised a celebration with the Vienna State Ballet, and many more tributes have been staged to doff a hat to the transfixing force of nature that was Nureyev. At 9.15pm today, … [Read more...]
Martina Arduino and Marco Agostino make extraordinary role debuts in Don Quixote at La Scala
There was a buzz in the air at La Scala for the last in the short run of Rudolf Nureyev’s Don Quixote. Martina Arduino was to dance Kitri for the first time. Since Alexei Ratmansky pulled her out of the corps to be his Odette/Odile when she was 19, (just a year after graduating from La Scala’s ballet school), she has made several remarkable role debuts, but none has seemed so … [Read more...]